This book was written to document the part played by the Massachusetts Institute of Technology, its staff, its former students and its undergraduates. Tales of skill, self-sacrifice and courage displayed by "Tech" men are preserved as an inspiration to their comrades and descendants. Attention is directed to the fact that such an institution as "Technology" is not only a valuable auxillary in developing commerce and industry in time of peace but that in time of national emergency it becomes an indispensable part of the Nation's military organization.
Real war is a cruel theater of death, yet it is also an exciting narrative exploited for national, political and commercial purposes and turned into numerous films, television shows, computer games, news stories and reenactment plays. These essays examine the relationship between war, visual media and entertainment from a number of academic perspectives. Key topics include how war is used as an imaginary site to stage dramas; how boundaries between war, media, and entertainment dissolve as new media alters the formal qualities of representation; how entertainment is used to engage audiences; and what effect products of war and entertainment have on consumers of popular culture.
A three-time World Series winner and an early inductee into the Hall of Fame, lauded by Babe Ruth as the finest defensive outfielder he ever saw and described as "perfection on the field" by the great Grantland Rice, Tris Speaker enjoys the peculiar distinction of being one of the least-known legends of baseball history. Tris Speaker: The Rough-and-Tumble Life of a Baseball Legend is the first book to tell the full story of Speaker's turbulent life and to document in sharp detail the grit and glory of his pivotal role in baseball's dead-ball era. Playing for the Boston Red Sox and the Cleveland Indians in the early part of the twentieth century, Tris "Spoke" Speaker put up numbers that amaze us even today: his record for career doubles--792--may never be approached, let alone broken. Tris Speaker explores the colorful life behind the statistics, introducing readers to a complex and contradictory Texan whose cowboy mentality never left him as he brawled his way through two decades in the big leagues. Speaker's career put him in the company of Ty Cobb and Christy Mathewson, Shoeless Joe Jackson and Honus Wagner, and in describing it Timothy M. Gay gives a rousing account of some of the best baseball ever played--and some of the darkest moments that ever tainted a game and hastened the end of a career. His four years of research on Speaker unearthed a document that suggests that cheating induced by gambling was far more widespread in early baseball than officials have acknowledged. Gay's book captures the bygone spirit of the big leagues' rough-and-tumble early years and restores one of baseball's true greats--and a truly larger-than-life personality--to his rightful place in the American sports pantheon.
Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, ‘History and Historiography’, ‘Subverting the Biographical Model’, ‘Interviews as Practice’ and ‘Materiality and Technology’, the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration. The book will be of interest to scholars working in art history, museum studies, oral history and historiography.
“[Singer's] enthusiasm becomes infectious . . . Wired for War is a book of its time: this is strategy for the Facebook generation.” —Foreign Affairs “An engrossing picture of a new class of weapon that may revolutionize future wars. . .” —Kirkus Reviews P. W. Singer explores the greatest revolution in military affairs since the atom bomb: the dawn of robotic warfare We are on the cusp of a massive shift in military technology that threatens to make real the stuff of I, Robot and The Terminator. Blending historical evidence with interviews of an amazing cast of characters, Singer shows how technology is changing not just how wars are fought, but also the politics, economics, laws, and the ethics that surround war itself. Travelling from the battlefields of Iraq and Afghanistan to modern-day "skunk works" in the midst of suburbia, Wired for War will tantalise a wide readership, from military buffs to policy wonks to gearheads.
Practicing Oral History with Military and War Veterans focuses predominantly on conducting oral history with men and women of recent wars and military conflicts. The book provides a structured methodology for building interest and trust among veterans to conduct interviews, design oral history projects, and archive and use these oral history interviews. It includes background on the evolution of veterans oral history, the nuts and bolts of interviewing, ethical guidelines, procedures, and the overall value of veterans oral history. The methodology emphasizes how memory evolves over the years - when a veteran becomes more distant from the events of war, the experiences become individualized and personalized for each veteran based on location, time, place, and purpose of their service. The book also aims to improve understanding of the personal, ethical, and psychological issues involved in listening compassionately to veterans’ stories that may contain issues of trauma, gender, socio-economics, race, dis/ability, and ethnicity. Practicing Oral History with Military and War Veterans is an invitation to community scholars, students, oral historians, and families of veterans to actively participate in the oral history process and to embrace methodology that may help with designing and conducting oral history projects and interviewing war veterans.
During the Second World War, more than 4,000 civilian nurses enlisted as Nursing Sisters, a specially created all-female officers' rank of the Canadian Armed Forces. They served in all three armed force branches and all the major theatres of war, yet nursing as a form of war work has long been under-explored. An Officer and a Lady fills that gap. Cynthia Toman analyzes how gender, war, and medical technology intersected to create a legitimate role for women in the masculine environment of the military and explores the incongruous expectations placed on military nurses as "officers and ladies."
