Swinburne and His Gods
Swinburne and His Gods

Author: Margot Kathleen Louis

Publisher: McGill-Queen's Press - MQUP

Published: 1990

Total Pages: 266

ISBN-13: 9780773507159

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In this richly detailed study, Margot Louis combines close readings of Swinburne's poetry with a wide-ranging analysis of the pressures which influenced the poet. Louis not only examines the ways in which Swinburne was affected by English and French Romantics but comments on the powerful impact on his writing of a childhood steeped in high church theology. Swinburne's ideas of alternative concepts of deity are discussed within the context of nineteenth-century radical "free thought." Louis reflects on the depth and diversity of Swinburne's intellectual interests and their effect on the development of his poetic style.

God's Problem
God's Problem

Author: Bart D. Ehrman

Publisher: Harper Collins

Published: 2009-10-13

Total Pages: 308

ISBN-13: 0061744409

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One Bible, Many Answers In God's Problem, the New York Times bestselling author of Misquoting Jesus challenges the contradictory biblical explanations for why an all-powerful God allows us to suffer.

Was Jesus God?
Was Jesus God?

Author: Richard Swinburne

Publisher: OUP Oxford

Published: 2010-01-07

Total Pages: 186

ISBN-13: 0191623458

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The orderliness of the universe and the existence of human beings already provides some reason for believing that there is a God - as argued in Richard Swinburne's earlier book Is There a God ? Swinburne now claims that it is probable that the main Christian doctrines about the nature of God and his actions in the world are true. In virtue of his omnipotence and perfect goodness, God must be a Trinity, live a human life in order to share our suffering, and found a church which would enable him to tell all humans about this. It is also quite probable that he would provide his human life as an atonement for our wrongdoing, teach us how we should live and tell us his plans for our future after death. Among founders of religions, Jesus satisfies uniquely well the requirement of living the sort of human life which God would need to have lived. But to give us adequate reason to believe that Jesus was God, God would need to put his 'signature' on the life of Jesus by an act which he alone could do, for example raise him from the dead. There is adequate historical evidence that Jesus rose from the dead. The church which he founded gave plausible interpretations of his basic message. Therefore Christian doctrines are probably true.

The Resurrection of God Incarnate
The Resurrection of God Incarnate

Author: Richard Swinburne

Publisher: Clarendon Press

Published: 2003-01-09

Total Pages: 232

ISBN-13: 0191531480

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Whether or not Jesus rose bodily from the dead remains perhaps the most critical and contentious issue in Christianity. Until now, argument has centred upon the veracity of explicit New Testament accounts of the events following Jesus's crucifixion, often ending in deadlock. In Richard Swinburne's new approach, though, ascertaining the probable truth of the Resurrection requires a much broader approach to the nature of God and to the life and teaching of Jesus. The Resurrection can only have occurred if God intervened in history to raise to life a man dead for thirty six hours. It is therefore crucial not only to weigh the evidence of natural theology for the existence of a God who has some reason so to intervene, but also to discover whether the life and teaching of Jesus show him to be uniquely the kind of person whom God would have raised. Swinburne argues that God has reason to interfere in history by becoming incarnate, and that it is highly improbable that we would find the evidence we do for the life and teaching of Jesus, as well as the evidence from witnesses to his empty tomb and later appearances, if Jesus was not God incarnate and did not rise from the dead. The Resurrection of God Incarnate offers a clear and penetrating new perspective on Christianity's central mystery. It will be of great interest to philosophers, theologians, and all those trying to discover the truth about the Christian religion.

Swinburne's Apollo
Swinburne's Apollo

Author: Yisrael Levin

Publisher: Routledge

Published: 2016-04-01

Total Pages: 176

ISBN-13: 1317047389

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Focusing on Algernon Charles Swinburne's poems on Apollo, Yisrael Levin calls for a re-examination of the poet's place in Victorian studies in light of his contributions to nineteenth-century intellectual history. Swinburne's Apollonian poetry, Levin argues, shows the poet's active participation in late-Victorian debates about the nature and function of faith in an age of changing religious attitudes. Levin traces the shifts that took place in Swinburne's conception of Apollo over a period of four decades, from Swinburne's attempt to define Apollo as an alternative to the Judeo-Christian deity to Swinburne's formation of a theological system revolving around Apollo and finally to the ways in which Swinburne's view of Apollo led to his agnostic view of spirituality. Even though Swinburne had lost his faith and rejected institutional religion by his early twenties, he retained a distinct interest in spiritual issues and paid careful attention to developments in religious thought. Levin persuasively shows that Swinburne was not simply a poet provocateur who enjoyed controversy but failed to provide valid cultural commentary, but was rather a profound thinker whose insights into nineteenth-century spirituality are expressed throughout his Apollonian poetry.

A.C. Swinburne and the Singing Word
A.C. Swinburne and the Singing Word

Author: Yisrael Levin

Publisher: Routledge

Published: 2016-03-16

Total Pages: 203

ISBN-13: 1317186192

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Focusing on Algernon Charles Swinburne's later writings, this collection makes a case for the seriousness and significance of the writer's mature work. While Swinburne's scandalous early poetry has received considerable critical attention, the thoughtful, rich, spiritually and politically informed poetry that began to emerge in his thirties has been generally neglected. This volume addresses the need for a fuller understanding of Swinburne's career that includes his fiction, aesthetic ideology, and analyses of Shakespeare and the great French writers. Among the key features of the collection is the contextualizing of Swinburne's work in new contexts such as Victorian mythography, continental aestheticism, positivism, and empiricism. Individual essays examine, among other topics, the dialect poems and Swinburne's position as a regional poet, Swinburne as a transition figure from nineteenth-century aesthetic writing to the professionalized criticism that dominates the twentieth century, Swinburne's participation in the French literary scene, Swinburne's friendships with women writers, and the selections made for anthologies from the nineteenth century to the present. Taken together, the essays offer scholars a richer portrait of Swinburne's importance as a poet, critic, and fiction writer.

The Garden of Proserpine
The Garden of Proserpine

Author: Algernon Charles Swinburne

Publisher:

Published: 1864

Total Pages: 0

ISBN-13:

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Original working manuscript of Swinburne's poem "The garden of Proserpine". Bound with the manuscript pages are a printed version of the poem from an unknown published edition (pages numbered 189-192). Formerly owned by the book collector and literary forger Harry Buxton Forman. A note from Forman is written on a blank leaf preceding the manuscript: The Garden of Proserpine, perhaps the loveliest lyric poem Swinburne ever wrote, was set up from this autograph manuscript when the poem took its place in the renowned volume known as Poems and Ballads, issued in the Autumn of 1866, immediately withdrawn under pressure by Mr. Moxon, and speedily re-issued by John Camden Hotten. The calligraphy is more characteristic than excellent. The cancellings and changes, however, are of considerable interest.

The Existence of God
The Existence of God

Author: Richard Swinburne

Publisher: Clarendon Press

Published: 2004-03-25

Total Pages: 373

ISBN-13: 0191533947

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Richard Swinburne presents a substantially rewritten and updated edition of his most celebrated book. No other work has made a more powerful case for the probability of the existence of God. Swinburne gives a rigorous and penetrating analysis of the most important arguments for theism: the cosmological argument; arguments from the existence of laws of nature and the 'fine-tuning' of the universe; from the occurrence of consciousness and moral awareness; and from miracles and religious experience. He claims that while none of these arguments are deductively valid, they do give inductive support to theism and that, even when the argument from evil is weighed against them, taken together they offer good grounds to support the probability that there is a God. The overall structure of the discussion and its conclusion have been retained for this new edition, but much has been changed in order to strengthen the argumentation and to take account of Swinburne's subsequent work on the nature of consciousness and the problem of evil, and of the latest philosophical and scientific writing, especially in respect of the laws of nature and the argument from fine-tuning. This is now the definitive version of a classic in the philosophy of religion.

Swinburne's Theory of Poetry
Swinburne's Theory of Poetry

Author: Thomas E. Connolly

Publisher: State University of New York Press

Published: 1965-06-30

Total Pages: 164

ISBN-13: 0791499618

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Charles Algernon Swinburne's literary reputation rests almost exclusively upon his poetry, and though his critical writings were voluminous, they are usually slighted by literary historians. Examinations of Swinburne's aesthetic principles, too, are generally based upon interpretations of his poetry, though these may be as misleading as the discrepancies between other artists' principles and practices. Believing that a solid and consistent core of poetic theory underlay all of Swinburne's critical essays, casual pieces, and letters, Professor Connolly has attempted to reconstruct the theory from a careful analysis of this body of writing. In this book he sets forth his findings as general principles and as they apply to lyric and dramatic poetry. "Swinburne was a far sounder and more consistent critic than he is usually given credit for being," Professor Connolly concludes, "and the various critical principles that can be discovered in his essays hang together in a more integrated theory of poetry than is usually imagined. He had, as other critics had, a number of basic principles and themes that he used with astonishing versatility in his criticism. The successful poet who is also a critic usually has a valuable contribution to make to the general understanding and appreciation of poetry. Swinburne, in this respect, was not an exception."