The Presbyterian Hymnal

The Presbyterian Hymnal

Author: Anonymous

Publisher: BoD – Books on Demand

Published: 2023-12-31

Total Pages: 526

ISBN-13: 3368850148

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Reprint of the original, first published in 1874.


The Baptist Praise Book

The Baptist Praise Book

Author: Anonymous

Publisher: BoD – Books on Demand

Published: 2023-01-29

Total Pages: 642

ISBN-13: 3382103001

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Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.


The Baptist Praise Book: for Congregational Singing

The Baptist Praise Book: for Congregational Singing

Author: Richard Fuller

Publisher: BoD – Books on Demand

Published: 2023-02-24

Total Pages: 570

ISBN-13: 3382119811

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Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.


Samuel Holyoke (1762-1820) and Jacob Kimball (1761-1826)

Samuel Holyoke (1762-1820) and Jacob Kimball (1761-1826)

Author: Harry Eskew

Publisher: Routledge

Published: 2020-11-25

Total Pages: 230

ISBN-13: 113562321X

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This series presents the music of early American composers of sacred music・psalmody, as it was called・in collected critical editions. Each volume has been prepared by a scholar who has studied the musical history of the period and the stylistic qualities of the composer. The purpose of the series is to present the music of important early American composers in accurate editions for both performance and study. This volume presents representative compositions by two American psalmodists, Samuel Holyoke and Jacob Kimball, who were actively engaged in the reform of American psalmody during the 1790s and early 1800s. American compositions were often criticized for two features: their failure to conform to the harmonic norms of European art music and their often vigorous, animated musical style, which was sometimes considered lacking in a reverent spirit appropriate for use in public worship