Suicide as a Cultural Institution in Dostoevsky's Russia

Suicide as a Cultural Institution in Dostoevsky's Russia

Author: Irina Paperno

Publisher: Cornell University Press

Published: 2018-09-05

Total Pages: 332

ISBN-13: 1501724606

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In the popular and scientific imagination, suicide has always been an enigmatic act that defies, and yet demands, explanation. Throughout the centuries, philosophers and writers, journalists and scientists have attempted to endow this act with meaning. In the nineteenth century, and especially in Russia, suicide became the focus for discussion of such issues as the immortality of the soul, free will and determinism, the physical and the spiritual, the individual and the social. Analyzing a variety of sources—medical reports, social treatises, legal codes, newspaper articles, fiction, private documents left by suicides—Irina Paperno describes the search for the meaning of suicide. Paperno focuses on Russia of the 1860s–1880s, when suicide was at the center of public attention.


Suicide as a Cultural Institution in Dostoevsky's Russia

Suicide as a Cultural Institution in Dostoevsky's Russia

Author: Irina Paperno

Publisher: Cornell University Press

Published: 1997

Total Pages: 336

ISBN-13: 9780801484254

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Analyzing a variety of sources--medical reports, social treatises, legal codes, newspaper articles, fiction, private documents left by suicides--Irina Paperno describes the search for the meaning of suicide. Paperno focuses on Russia of the 1860s-1880s.


Dostoevsky the Thinker

Dostoevsky the Thinker

Author: James Patrick Scanlan

Publisher: Cornell University Press

Published: 2002

Total Pages: 284

ISBN-13: 9780801439940

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For all his distance from philosophy, Dostoevsky was one of the most philosophical of writers. Drawing on his novels, essays, letters and notebooks, this volume examines Dostoevsky's philosophical thought.


Suicide and the Body Politic in Imperial Russia

Suicide and the Body Politic in Imperial Russia

Author: Susan K. Morrissey

Publisher: Cambridge University Press

Published: 2007-01-04

Total Pages: 412

ISBN-13: 9781139460811

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In early twentieth-century Russia, suicide became a public act and a social phenomenon of exceptional scale, a disquieting emblem of Russia's encounter with modernity. This book draws on an extensive range of sources, from judicial records to the popular press, to examine the forms, meanings, and regulation of suicide from the seventeenth century to 1914, placing developments into a pan-European context. It argues against narratives of secularization that read the history of suicide as a trajectory from sin to insanity, crime to social problem, and instead focuses upon the cultural politics of self-destruction. Suicide - the act, the body, the socio-medical problem - became the site on which diverse authorities were established and contested, not just the priest or the doctor but also the sovereign, the public, and the individual. This panoramic history of modern Russia, told through the prism of suicide, rethinks the interaction between cultural forms, individual agency, and systems of governance.


Love for Sale

Love for Sale

Author: Colleen Lucey

Publisher: Cornell University Press

Published: 2021-09-15

Total Pages: 182

ISBN-13: 150175887X

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Love for Sale is the first study to examine the ubiquity of commercial sex in Russian literary and artistic production from the nineteenth century through the fin de siècle. Colleen Lucey offers a compelling account of how the figure of the sex worker captivated the public's imagination through depictions in fiction and fine art, bringing to light how imperial Russians grappled with the issue of sexual commerce. Studying a wide range of media—from little-known engravings that circulated in newspapers to works of canonical fiction—Lucey shows how writers and artists used the topic of prostitution both to comment on women's shifting social roles at the end of tsarist rule and to express anxieties about the incursion of capitalist transactions in relations of the heart. Each of the book's chapters focus on a type of commercial sex, looking at how the street walker, brothel worker, demimondaine, kept woman, impoverished bride, and madam traded in sex as a means to acquire capital. Lucey argues that prostitution became a focal point for imperial Russians because it signaled both the promises of modernity and the anxieties associated with Westernization. Love for Sale integrates historical analysis, literary criticism, and feminist theory and conveys how nineteenth-century beliefs about the "fallen woman" drew from medical, judicial, and religious discourse on female sexuality. Lucey invites readers to draw a connection between rhetoric of the nineteenth century and today's debate on sex workers' rights, highlighting recent controversies concerning Russian sex workers to show how imperial discourse is recycled in the twenty-first century.


Petersburg Fin de Siècle

Petersburg Fin de Siècle

Author: Mark D. Steinberg

Publisher: Yale University Press

Published: 2011-11-29

Total Pages: 566

ISBN-13: 0300165706

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The final decade of the old order in imperial Russia was a time of both crisis and possibility, an uncertain time that inspired an often desperate search for meaning. This book explores how journalists and other writers in St. Petersburg described and interpreted the troubled years between the Russian revolutions of 1905 and 1917.Mark Steinberg, distinguished historian of Russia in the late nineteenth and early twentieth centuries, examines the work of writers of all kinds, from anonymous journalists to well-known public intellectuals, from secular liberals to religious conservatives. Though diverse in their perspectives, these urban writers were remarkably consistent in the worries they expressed. They grappled with the impact of technological and material progress on the one hand, and with an ever-deepening anxiety and pessimism on the other. Steinberg reveals a new, darker perspective on the history of St. Petersburg on the eve of revolution and presents a fresh view of Russia's experience of modernity.


Reading Darwin in Imperial Russia

Reading Darwin in Imperial Russia

Author: Andrew M. Drozd

Publisher: Rowman & Littlefield

Published: 2023-01-30

Total Pages: 299

ISBN-13: 1666920851

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A 2023 Choice Reviews Outstanding Academic Title Reading Darwin in Imperial Russia: Literature and Ideas expands upon the cataloging efforts of earlier scholarship on Darwin’s reception in Russia to analyze the rich cultural context and vital historical background of writings inspired by the arrival of Darwin’s ideas in Russia. Starting with the first Russian translation of The Origin of Species in 1864, educated Russians eagerly read Darwin’s works and reacted in a variety of ways. From enthusiasm to skepticism to hostility, these reactions manifested in a variety of published works, starting with the translations themselves, as well as critical reviews, opinion journalism, literary fiction, and polemical prose. The reception of Darwin spanned reverent, didactic, ironic, and sarcastic modes of interpretation. This book examines some of the best-known authors of the second half of the nineteenth century (Dostoevsky, Chernyshevsky, Chekhov) and others less well-known or nearly forgotten (Danilevsky, Timiriazev, Markevich, Strakhov) to explore the multi-faceted impact of Darwin’s ideas on Russian educated society. While elements of Darwin’s Russian reception were comparable to other countries, each author reveals distinctly Russian concerns tied to the meaning and consequences of the challenge posed by Darwinism. The scholars in this volume demonstrate not only what the authors wrote, but why they took their unique perspectives.


Living without God: A Multicultural Spectrum of Atheism

Living without God: A Multicultural Spectrum of Atheism

Author: Sanjit Chakraborty

Publisher: Springer Nature

Published: 2022-12-18

Total Pages: 257

ISBN-13: 9811972494

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This book deals with the intricate issue of approaching atheism—methodologically as well as conceptually—from the perspective of cultural pluralism. What does ‘atheism’ mean in different cultural contexts? Can this term be applied appropriately to different religious discourses which conceptualize God/gods/Goddess/goddesses (and also godlessness) in hugely divergent ways? Is my ‘God’ the same as yours? If not, then how can your atheism be the same as mine? In other words, this volume raises the question: Is it not high time that we proposed a comparative study of atheism(s) alongside that of religions, rather than believing that atheism is centered in the ‘Western’ experience? Apart from answering these questions, the book highlights the much-needed focus on the philosophical negotiations between atheism, theism and agnosticism. The fine chapters collected here present pluralist negotiations with the notion of atheism and its ethical, theological, literary and scientific corollaries. Previously published in Sophia Volume 60, issue 3, September 2021 Chapters “Religious Conversion and Loss of Faith: Cases of Personal Paradigm Shift?” and “On Being an Infidel” are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.


Lost to the Collective

Lost to the Collective

Author: Kenneth M. Pinnow

Publisher: Cornell University Press

Published: 2011-03-15

Total Pages: 289

ISBN-13: 0801457890

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As an act of unbridled individualism, suicide confronted the Bolshevik regime with a dilemma that challenged both its theory and its practice and helped give rise to a social science state whose primary purpose was the comprehensive and rational care of the population. Labeled a social illness and represented as a vestige of prerevolutionary culture, suicide in the 1920s raised troubling questions about individual health and agency in a socialist society, provided a catalyst for the development of new social bonds and subjective outlooks, and became a marker of the country's incomplete move toward a collectivist society. Determined to eradicate the scourge of self-destruction, the regime created a number of institutions and commissions to identify pockets of disease and foster an integrated social order. The Soviet confrontation with suicide reveals with particular force the regime's anxieties about the relationship between the state and the individual. In Lost to the Collective, Kenneth M. Pinnow suggests the compatibility of the social sciences with Bolshevik dictatorship and highlights their illusory promises of control over the everyday life of groups and individuals. The book traces the creation of national statistical studies, the course of medical debates about causation and expert knowledge, and the formation of a distinct set of practices in the Bolshevik Party and Red Army that aimed to identify the suicidal individual and establish his or her significance for the rest of society. Arguing that the Soviet regime represents a particular response to the pressures and challenges of modernity, the book examines Soviet socialism—from its intense concern with the individual to its quest to build an integrated society—as one response to the larger question of human unity.


Dostoevsky as Suicidologist

Dostoevsky as Suicidologist

Author: Amy D. Ronner

Publisher: Rowman & Littlefield

Published: 2021-01-12

Total Pages: 357

ISBN-13: 1793607826

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In Dostoevsky as Suicidologist, Amy D. Ronner illustrates how self-homicide in Fyodor Dostoevsky’s fiction prefigures Emile Durkheim’s etiology in Suicide as well as theories of other prominent suicidologists. This book not only fills a lacuna in Dostoevsky scholarship, but provides fresh readings of Dostoevsky’s major works, including Notes from The House of the Dead, Crime and Punishment, The Idiot, Demons, and The Brothers Karamazov. Ronner provides an exegesis of how Dostoevsky’s implicit awareness of fatalistic, altruistic, egoistic, and anomic modes of self-destruction helped shape not only his philosophy, but also his craft as a writer. In this study, Ronner contributes to the field of suicidology by anatomizing both self-destructive behavior and suicidal ideation while offering ways to think about prevention. But most expansively, Ronner tackles the formidable task of forging a ligature between artistic creation and the pluripresent social fact of self-annihilation.