Studies in the Spectator Role
Studies in the Spectator Role

Author: Michael Benton

Publisher: Routledge

Published: 2017-09-25

Total Pages: 240

ISBN-13: 1351547534

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Michael Benton's book develops the concept of spectatorship as an answer to these questions. It explores the similarities and differences in our experiences of literature and the visual arts, and discusses their implications for pedagogy and their applications in cross-curricular work in the classroom. Teachers will find that, while many of the visual and verbal texts may be familiar, the approaches to them offer fresh insights and a rich agenda for the classroom. Shakespeare, Fielding, Hogarth, Blake, Wordsworth, Constable, Turner, the Pre-Raphaelites, Wilfred Owen, Paul Nash, Stanley Spencer, Ted Hughes and Seamus Heaney - the range of authors and artists discussed is both extensive and relevant to the National Curriculum and to post-16 and undergraduate courses.

Cinema and Spectatorship
Cinema and Spectatorship

Author: Judith Mayne

Publisher: Routledge

Published: 2002-09-11

Total Pages: 198

ISBN-13: 1134966881

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Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between "subjects" and "viewers" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issues already discussed, concentrating on textual analysis, the `disrupting genre', `star-gazing' and finally the audience itself. Case studies incude the place of the spectator in the textual analysis of individual films such as The Picture of Dorian Gray; the construction of Bette Davis' star persona; fantasies of race and film viewing in Field of Dreams and Ghost; and gay and lesbian audiences as "critical" audiences. The book provides a very thorough and accessible overview of this complex, fragmented and often controversial area of film theory.

Dramaturgy of the Spectator
Dramaturgy of the Spectator

Author: Tatiana Korneeva

Publisher: University of Toronto Press

Published: 2019-05-24

Total Pages: 274

ISBN-13: 1487505353

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The Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has value, if we are to understand the broader stakes of the relationship between the power structures and the public sphere as it was then emerging, we must trace step-by-step how spectatorship as a practice was rooted in the social and cultural politics of Italy at the time. By delineating the evolution of the Italian theatre public, as well as the dramatic innovations and communicative techniques developed in an attempt to manipulate the relationship between spectator and performance, this book pioneers a shift in our understanding of audience as both theoretical concept and historical phenomenon.

Citizen Spectator
Citizen Spectator

Author: Wendy Bellion

Publisher: UNC Press Books

Published: 2012-12-01

Total Pages: 384

ISBN-13: 080783890X

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In this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and their Philadelphia Museum, as well as other Philadelphians, Bellion explores the range of illusions encountered in public spaces, from trompe l'oeil paintings and drawings at art exhibitions to ephemeral displays of phantasmagoria, "Invisible Ladies," and other spectacles of deception. Bellion reconstructs the elite and vernacular sites where such art and objects appeared and argues that early national exhibitions doubled as spaces of citizen formation. Within a post-Revolutionary culture troubled by the social and political consequences of deception, keen perception signified able citizenship. Setting illusions into dialogue with Enlightenment cultures of science, print, politics, and the senses, Citizen Spectator demonstrates that pictorial and optical illusions functioned to cultivate but also to confound discernment. Bellion reveals the equivocal nature of illusion during the early republic, mapping its changing forms and functions, and uncovers surprising links between early American art, culture, and citizenship.

The Spectatorship of Suffering
The Spectatorship of Suffering

Author: Lilie Chouliaraki

Publisher: SAGE

Published: 2006-06-23

Total Pages: 250

ISBN-13: 9780761970408

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Drawing on media and social theory, political philosophy and discourse analysis, this title offers an original theoretical perspective on the role of media in global civil society, and looks at how we might begin to analyse the ways in which distant suffering is portrayed, reproduced and consumed.

The Cinema Ideal
The Cinema Ideal

Author: Harriet E. Margolis

Publisher: Routledge

Published: 2013-12-04

Total Pages: 329

ISBN-13: 1317928733

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This study explores the model derived from Freudian and Lacanian psychoanalysis, via Marxism and semiotics, of looking at film. It retraces the steps of film theory from ideological criticism of the late ‘60s to spectator studies in 1988 when the book was originally published. Psychoanalysis enables a discussion of the cinema’s role as a social and political force and this book enters a discourse of the politics of representation. Reconstructing discussion of basic issues, the book addresses our instincts and defences in reacting to cinema, the similarity between mental processes and cinematic technique, narrative techniques and the ‘cinematic apparatus’. Importantly, the book concerns itself with the concept of ideology and how the filmviewing experience engages the spectator in a complex net of stimuli presenting representations of an ideal world and the effect of this within film studies.

The Cambridge Introduction to Theatre Studies
The Cambridge Introduction to Theatre Studies

Author: Christopher B. Balme

Publisher: Cambridge University Press

Published: 2008-09-18

Total Pages: 0

ISBN-13: 9780521856225

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This volume introduces the key elements and approaches in the study of theatre and performance, covering drama, music theatre and dance.

The Spectator
The Spectator

Author: Donald J. Newman

Publisher: University of Delaware Press

Published: 2005

Total Pages: 314

ISBN-13: 0874139104

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The Spectator: Emerging Discourses brings together a distinguished coterie of international scholars who take a fresh look at this influential eighteenth-century English periodical. Taking advantage of the insights provided by such critical perspectives as new historicism, postcolonialism, psychology, postmodernism and cultural studies, and by such theorists as Michel Foucault and Jurgen Habermas, the scholars represented herein offer new insights into The Spectator's relation to the changing society that influenced it-and that it in turn influenced.

A Guided Reader for Secondary English
A Guided Reader for Secondary English

Author: David Stevens

Publisher: Routledge

Published: 2012-08-21

Total Pages: 153

ISBN-13: 1136305017

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The Guided Reader for Secondary English draws on extracts from the published work of some of the most influential education writers to provide insight, guidance and clarity about key issues affecting Secondary English teachers. The book brings together key extracts from classic and contemporary writing and contextualises these in both theoretical and practical terms. The extracts are accompanied by a summary of the key ideas and issues raised, questions to promote discussion and reflective practice, and annotated further reading lists to extend thinking. Taking a thematic approach and including a short introduction to each theme, the chapters cover: Theoretical models of curricular English The nature and structure of the Secondary School English curriculum Historical perspectives Texts and intertextuality The arts context for secondary English Assessment and evaluation Linguistic and cultural contexts Future possibilities and tensions Aimed at trainee and newly qualified teachers including those working towards Masters level qualifications, as well as existing teachers, this accessible, but critically provocative text will be an essential resource for those that wish to deepen their understanding of Secondary English Education.