Studies in German Literature of the Nineteenth and Twentieth Centuries
Author: Siegfried Mews
Publisher:
Published: 1970
Total Pages: 0
ISBN-13:
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A New History of German Literature
Author: David E. Wellbery
Publisher: Harvard University Press
Published: 2004
Total Pages: 1038
ISBN-13: 9780674015036
DOWNLOAD EBOOK'A New History of German Literature' offers some 200 essays on events in German literary history.
Medicine and Modernity
Author: Manfred Berg
Publisher: Cambridge University Press
Published: 2002-08-22
Total Pages: 258
ISBN-13: 9780521524568
DOWNLOAD EBOOKA collection of essays on fundamental issues in the history of medicine in modern Germany.
The Hotel as Setting in Early Twentieth-century German and Austrian Literature
Author: Bettina Matthias
Publisher: Harvard University Press
Published: 2006
Total Pages: 240
ISBN-13: 9781571133212
DOWNLOAD EBOOK"This study examines the cultural and literary significance of the hotel as a setting of choice in German/Austrian literature between 1890 and 1945."--BOOK JACKET.
Ethics and the Dynamic Observer Narrator
Author: Katra A. Byram
Publisher: Theory Interpretation Narrativ
Published: 2015
Total Pages: 256
ISBN-13: 9780814212769
DOWNLOAD EBOOKIn Ethics and the Dynamic Observer Narrator: Reckoning with Past and Present in German Literature, Katra A. Byram proposes a new category--the dynamic observer form--to describe a narrative situation that emerges when stories about others become an avenue to negotiate a narrator's own identity across past and present. Focusing on German-language fiction from the nineteenth and twentieth centuries, Byram demonstrates how the dynamic observer form highlights historical tensions and explores the nexus of history, identity, narrative, and ethics in the modern moment. Ethics and the Dynamic Observer Narrator contributes to scholarship on both narrative theory and the historical and cultural context of German and Austrian literary studies. Narrative theory, according to Byram, should understand this form to register complex interactions between history and narrative form. Byram also juxtaposes new readings of works by Textor, Storm, and Raabe from the nineteenth century with analyses of twentieth-century works by Grass, Handke, and Sebald, ultimately reframing our understanding of literary Vergangenheitsbewältigung, or the struggle to come to terms with the past. Overall, Byram shows that neither the problem of reckoning with the past nor the dynamic observer form is unique to Germany's post-WWII era. Both are products of the dynamics of modern identity, surfacing whenever critical change separates what was from what is.
Great German Short Stories of the Twentieth Century
Author: M. Charlotte Wolf
Publisher: Courier Corporation
Published: 2012-01-01
Total Pages: 274
ISBN-13: 0486476324
DOWNLOAD EBOOK"Ideal for students, this affordable anthology features expert new translations of a dozen works previously unavailable in English. The translations appear alongside the original German text of such stories as "Beauty and the Beast" by Irmtraud Morgner, Gabriele Wohmann's "Good Luck and Bad Luck," and tales by other modern authors, including Grunert, Inneberger, and Klockmann"--
Transcultural Encounters between Germany and India
Author: Joanne Miyang Cho
Publisher: Routledge
Published: 2013-12-17
Total Pages: 257
ISBN-13: 1317931645
DOWNLOAD EBOOKProviding a comprehensive survey of cutting edge scholarship in the field of German--Indian and South Asian Studies, the book looks at the history of German--Indian relations in the spheres of culture, politics, and intellectual life. Combining transnational, post-colonial, and comparative approaches, it includes the entire twentieth century, from the First World War and Weimar Republic to the Third Reich and Cold War era. The book first examines the ways in which nineteenth-century "Indomania" figured in the creation of both German national identity and modern German scholarship on the Orient, and it illustrates how German encounters with India in the Imperial era alternately destabilized and reinforced the orientalist, capitalist, and nationalist underpinnings of German modernity. Contributors discuss the full range of German responses to India, and South Asian perceptions of Germany against the backdrop of war and socio-political revolution, as well as the Third Reich's ambivalent perceptions of India in the context of racism, religion, and occultism. The book concludes by exploring German--Indian relations in the era of decolonization and the Cold War. Employing a diverse array of interdisciplinary approaches to understanding German--Indian encounters over the past two centuries, this book is of interest to students and scholars of Germany, India, Europe, and Asia, as well as history, political science, anthropology, philosophy, comparative literature, and religious studies.
German Literature of the Twentieth Century
Author: Ingo Roland Stoehr
Publisher: Boydell & Brewer
Published: 2001
Total Pages: 554
ISBN-13: 9781571131577
DOWNLOAD EBOOKTraces literary developments in the German-speaking countries from 1900 to the present. This study of German literature in the past hundred years sets its subject clearly in the artistic and political context of developments in Western Europe during the century. It begins with the turn-of-the-century aestheticism andvisions of decay led by Schnitzler, Hofmannsthal and other Austrian writers, and the quite different explosion of new artistic energy in the Expressionist and Dada movements. These movements are succeeded by the rise of Modernism, culminating in the inter-war years: the poetry of Rilke, Brecht's epic theatre, and novels by Thomas Mann, Kafka, Hesse, Musil, Doblin and Broch; the influence of Nazism on literary production is considered. The study of developments after 1945 reflects the struggle to establish a post-Holocaust literature and to deal with the questions posed by the political division of Germany. Finally, the convergence of East and West German literature after unification is addressed. Ingo R. Stoehr teaches literature at Kilgore College, Texas, and is editor of the bilingual journal of German literature in English translation, Dimension2.
German Modernism
Author: Walter Frisch
Publisher: Univ of California Press
Published: 2005-07-25
Total Pages: 333
ISBN-13: 0520420888
DOWNLOAD EBOOKIn this pioneering, erudite study of a pivotal era in the arts, Walter Frisch examines music and its relationship to early modernism in the Austro-German sphere. Seeking to explore the period on its own terms, Frisch questions the common assumption that works created from the later 1870s through World War I were transitional between late romanticism and high modernism. Drawing on a wide range of examples across different media, he establishes a cultural and intellectual context for late Richard Wagner, Richard Strauss, Gustav Mahler, and Arnold Schoenberg, as well as their less familiar contemporaries Eugen d'Albert, Hans Pfitzner, Max Reger, Max von Schillings, and Franz Schreker. Frisch explores "ambivalent" modernism in the last quarter of the nineteenth century as reflected in the attitudes of, and relationship between, Nietzsche and Wagner. He goes on to examine how naturalism, the first self-conscious movement of German modernism, intersected with musical values and practices of the day. He proposes convergences between music and the visual arts in the works of Brahms, Max Klinger, Schoenberg, and Kandinsky. Frisch also explains how, near the turn of the century, composers drew inspiration and techniques from music of the past—the Renaissance, Bach, Mozart, and Wagner. Finally, he demonstrates how irony became a key strategy in the novels and novellas of Thomas Mann, the symphonies of Mahler, and the operas of Strauss and Hofmannsthal.
The Ethics of Seeing
Author: Jennifer Evans
Publisher: Berghahn Books
Published: 2018-01-09
Total Pages: 306
ISBN-13: 1785337297
DOWNLOAD EBOOKThroughout Germany’s tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval. The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. Emphasizing the transformation of the visual arena and the ways in which ordinary people made sense of world events, these revealing case studies illustrate photography’s multilayered role as a new form of representation, a means to subjective experience, and a fresh mode of narrating the past.
