Steve Marriott, lead singer of the Small Faces and Humble Pie, had a voice coveted by Bob Dylan, Robert Plant, Roger Daltrey and David Bowie, amongst many others. All or Nothing, Simon Spence's oral history biography, is drawn from over 125 interviews with those who knew Marriott intimately: his wives, children, bandmates and closest friends, managers, record producers, record label bosses and his fellow musicians. Included are scores of people who have never told their story before.
Steve Marriott was one of the music world's most extraordinary individuals, A supremely gifted songwriter, singer and ... schemer. A vocalist from the same mould as Rod Stewart, Eric Burdon and Steve Winwood ... but arguably the greatest white soul singer of them all. Marriott never held back from anything, least of all his music, his vocals always possessed an intensity, clarity and maturity that at the time were unmatched by any other singer. His band The Small Faces were the first to be banned from Top of The Pops and were deported from Australia at gunpoint. Steve's next group Humble Pie ruled the stadiums of America but the money earned was diverted by mafia associates and he returned to the UK broke and on the run from the Taxman. In later life he struggled with schizophrenia but always continued playing - blistering gigs in front of small audiences in the pubs and clubs around London. Recently reunited with his old Humble Pie sparring partner Peter Frampton, he was on the verge of a comeback when he was tragically killed in a housefire, aged 44-years-old. A huge influence on a new generation of musicians from Paul Weller to Noel Gallagher, due to his death, Marriott has perhaps not been granted the status in Rock 'n' Roll's pantheon that he deserved. A major reassessment is long overdue. Marriott was simply one of the greatest rock stars of all time. "An exhaustive account of the East End musical maverick, it spans his beginnings as a child prodigy, his memorable work with arch top Mods the Small Faces, and all the way through to his later work with Humble Pie, his subsequent solo career and untimely death in 1991." Gary Crowley "A riveting account of the singer's life, crammed with entertaining stories of rebellion and debauchery and insightful historical background... Compulsive reading." The Daily Express "One of the best books I've read about the backwaters of rock music." The Daily Mail "A wonderfully researched, eminently readable appreciation of the creative force behind the Small Faces and Humble Pie, who created some of the finest pop, rock 'n' boogie music of his generation." ***** Classic Rock " All Too Beautiful traces Marriott's mercurial career from his upbringing in postwar, bomb-damaged London to his cocaine-ravaged demise in a fire at his Essex home in 1991, aged 44. Revealing... sympathetic, long overdue." **** Uncut "Ultimately, this is a complex story of extraordinary talent, missed chances, exotic highs and frightening lows... This comprehensive biography of Steve Marriott is as close as we're going to get to extracting the truth about Britain's finest white-soul exponent." ***** Record Collector "Compelling reading." **** Mojo
From his early rise to fame to battles with his health, this revelatory memoir by legendary guitarist Peter Frampton celebrates the life of a rock icon. Do You Feel Like I Do? is the incredible story of Peter Frampton's positively resilient life and career told in his own words for the first time. His monu-mental album Frampton Comes Alive! spawned three top-twenty singles and sold eight million copies the year it was released (more than seventeen million to date), and it was inducted into the Grammy Hall of Fame in January 2020. Frampton was on a path to stardom from an early age, first as the lead singer and guitarist of the Herd and then as cofounder—along with Steve Marriott—of one of the first supergroups, Humble Pie. Frampton was part of a tight-knit collective of British '60s musicians with close ties to the Rolling Stones, the Beatles, and the Who. This led to Frampton playing on George Harrison's solo debut, All Things Must Pass, as well as to Ringo Starr and Billy Preston appearing on Frampton's own solo debut. By age twenty-two, Frampton was touring incessantly and finding new sounds with the talk box, which would become his signature guitar effect. Frampton remembers his enduring friendship with David Bowie. Growing up as schoolmates, crossing paths throughout their careers, and playing together on the Glass Spider Tour, the two developed an unshakable bond. Frampton also shares fascinating stories of his collaborative work with Harry Nilsson, Stevie Wonder, B. B. King, and members of Pearl Jam. He reveals both the blessing and curse of Frampton Comes Alive!, opening up about becoming the cover boy he never wanted to be, his overcoming sub-stance abuse, and how he has continued to play and pour his heart into his music despite an inflammatory muscle disease and his retirement from the road. Peppered throughout his narrative is the story of his favorite guitar, the Phenix, which he thought he'd lost in a fiery plane crash in 1980. But in 2011, it mysteriously showed up again—saved from the wreckage. Frampton tells of that unlikely reunion here in full for the first time, and why the miraculous reappearance is emblematic of his life and career as a quintessential artist.
Description Between 1994 and 1996, music writer Paolo Hewitt spent the greater part of his life on the road with Oasis, in the U.K., Europe and America. He came back with tales that would cement the legend of the brawling, effing, hedonistic, charismatic, confessional and extraordinarily talented Gallagher brothers, Noel and Liam, and their group. Hewitt is a rare and perceptive fly-on-the-wall during the band's hectic rise to the height of their powers, as their first two albums are released to the kind of excitement scarcely seen in British rock music since the sixties. Hewitt takes the Gallaghers' story right back to their parents' roots in Ireland, and the descriptions of Noel and Liam's childhoods in working-class Manchester reveal the seeds of their determination to make Oasis the force it became. Getting High is an illuminating, funny, sometimes shocking reminder of how big a band can get, and how quickly the insanity sets in. Oasis have today sold in excess of 70 million records worldwide. Hewitt's intimate account of this explosive and beloved band, in their prime, is a rock classic and a riveting narrative. Praise for Getting High: 'Paolo is the only person to speak about what it was like on the road with us because he's been there. He's been there, he's seen it, he's done it.' Noel Gallagher 'Top read.' Melody Maker 'Unlimited access to all areas of the Oasis bandwagon is the ace up this biography's sleeve.' Q '10/10 - sometimes you get what you pay for.' Esquire 'By adopting a fly-on-the-wall approach and writing Oasis's story as though it were a novel rather than a straight biography, he succeeds in entertaining, informing and occasionally putting you inside the head of the Gallagher brothers.' Hot Press 'In Getting High we get closer to the real Oasis, not the tabloid fancies, the music press stereotypes of Noel the genius, Liam the wanker and three other blokes who don't count. Hewitt paints an engrossing and uplifting portrait of one of the most important bands of the decade.' The Word and Issue 'Getting High is refreshingly well written' Total Guitar 'Compelling drama' Manchester Evening News 'If you only buy one book about Oasis, then make sure it's this one.' FHM 'This well-researched tome chronicles many a pivotal moment in Oasis's history and is filled with plenty of ribald anecdotes.' NME 'Head and shoulders above every other Oasis book. I hated finishing it so much I read it again.' Irvine Welsh
;Compelling reading. ;- Mojo ;A riveting account of the singer's life. ;- Daily Express Cockney child actor Marriott was singer, songwriter, and guitarist with 1960s pop stars The Small Faces before joining Peter Frampton to form Humble Pie-one of the biggest bands in the United States in the early 1970s. Tragically, just before a 1991 comeback, Marriott died in a house fire. An influence on Rod Stewart, Marriott is adored by Blur, Oasis, and Paul Weller. All Too Beautifulwas published in hardcover to universal critical acclaim and was shortlisted for the 2005 US ARSC (Association for Recorded Sound Collections) Awards for excellence in historical recording research.
The first significant fresh reporting on the legendary band in twenty years, built on interviews with all surviving band members and revealing a never-before-seen side of the genius and debauchery that defined their heyday. Veteran rock journalist Mick Wall unflinchingly tells the story of the band that pushed the envelope on both creativity and excess, even by rock ‘n' roll standards. Led Zeppelin was the last great band of the 1960s and the first great band of the 1970s—and When Giants Walked the Earth is the full, enthralling story of Zep from the inside, written by a former confidante of both Jimmy Page and Robert Plant. Rich and revealing, it bores into not only the disaster, addiction and death that haunted the band but also into the real relationship between Page and Plant, including how it was influenced by Page's interest in the occult. Comprehensive and yet intimately detailed, When Giants Walked the Earth literally gets into the principals' heads to bring to life both an unforgettable band and an unrepeatable slice of rock history.
Ian McLagan was the keyboard player with the Small Faces and Faces, then went on as a backing player with the Rolling Stones. This book looks at his 30 years in the rock'n'roll business, telling of his times with rock icons such as Rod Stewart, Mick Jagger and Keith Richard.
This timely reissue of Richard Hofstadter's classic work on the fringe groups that influence American electoral politics offers an invaluable perspective on contemporary domestic affairs.In The Paranoid Style in American Politics, acclaimed historian Richard Hofstadter examines the competing forces in American political discourse and how fringe groups can influence — and derail — the larger agendas of a political party. He investigates the politics of the irrational, shedding light on how the behavior of individuals can seem out of proportion with actual political issues, and how such behavior impacts larger groups. With such other classic essays as “Free Silver and the Mind of 'Coin' Harvey” and “What Happened to the Antitrust Movement?, ” The Paranoid Style in American Politics remains both a seminal text of political history and a vital analysis of the ways in which political groups function in the United States.