Investigations in Medieval Stained Glass
Investigations in Medieval Stained Glass

Author:

Publisher: BRILL

Published: 2019-06-07

Total Pages: 488

ISBN-13: 9004395717

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With many excellent books on medieval stained glass available, the reader of this anthology may well ask: “what is the contribution of this collection?” In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field. Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell’Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.

Stained Glass Before 1700 in Upstate New York
Stained Glass Before 1700 in Upstate New York

Author: Meredith P. Lillich

Publisher: Harvey Miller

Published: 2004

Total Pages: 218

ISBN-13:

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The present volume catalogues and illustrates all the stained glass produced before 1700 in the collections of Upstate New York. It includes the glass in the Albright-Knox Art Gallery and the Memorial Art Gallery in Rochester, in the Hyde Collection at Glen Falls, in Ithaca College, and predominantly in Corning, where the Corning Glass Museum is well known for its exceptional collection and where also Christ Episcopal Church houses two interesting fifteenth-century windows. The catalogue covers a wide range of panels of French and English glass from the thirteenth, fourteenth and fifteenth centuries, and the collections are particularly strong in their holdings of later heraldic panels from the Lowlands and Switzerland. In addition to a detailed examination of the glass, Professor Lillich presents exhaustively researched histories of the individual panels, and sheds much light on the formation of the different collections and the personalities who created them. Every work catalogued is also illustrated, accompanied by clearly presented restoration charts and many comparative illustrations.

Stained Glass
Stained Glass

Author: Virginia Chieffo Raguin

Publisher: Getty Publications

Published: 2013

Total Pages: 114

ISBN-13: 1606061534

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Stained glass is a monumental art, a corporate enterprise dependent on a patron with whom artists blend their voices. Combining the fields now labeled decorative arts, architecture, and painting, the window transforms our experience of space. Windows of colored glass were essential features of medieval and Renaissance buildings. They provided not only light to illuminate the interior but also specific and permanent imagery that proclaimed the importance of place. Commissioned by monks, nuns, bishops, and kings, as well as by merchants, prosperous farmers, and a host of anonymous patrons, these windows vividly reflect the social, religious, civic, and aesthetic values of their eras. Beautifully illustrated with reproductions from the remarkable stained glass collection at the J. Paul Getty Museum, Stained Glass addresses the making of a stained glass window, its iconography and architectural context, the patrons and collectors, and the challenges of restoration and display. The selected works include examples from Austria, Belgium, England, France, Germany, the Netherlands, and Switzerland. Subject matter ranges from monumental religious scenes for Gothic churches to lively heraldic panels made for houses and other secular settings. Integrating comparisons to works of art in other media, such as manuscripts, drawings, and panel paintings, this book encourages the general reader to see stained glass as an element of a broad artistic production.

Imago and Contemplatio in the Visual Arts and Literature (1400–1700)
Imago and Contemplatio in the Visual Arts and Literature (1400–1700)

Author: Stijn Bussels

Publisher: BRILL

Published: 2024-01-22

Total Pages: 541

ISBN-13: 9004682643

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This volume contains twenty-four essays, which, in their subjects and methodology, pay tribute to the scholarship of Walter S. Melion. The contributions are grouped under three categories: “Devotion,” “Art and Image Theory,” and “Vision and Contemplation.” The Devotion section addresses votive practices, theological theory and polemic literature. The Art and Image Theory section focuses on Jesuit image theory, the reflexive dimension of works, and artists’ reflections on the function of images. Finally, the Vision and Contemplation section discusses the ‘early modern eye’ as a tool for thoughtful, prolonged looking to ascertain visual wit, deception, self-assessment and friendship, sacred and profane allegories.