Papers on Special Techniques in Athenian Vases

Papers on Special Techniques in Athenian Vases

Author: Kenneth D. S. Lapatin

Publisher: Getty Publications

Published: 2008

Total Pages: 260

ISBN-13: 9780892369010

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The papers in this volume derive from the proceedings of an international symposium held at the J. Paul Getty Museum at the Getty Villa in June 2006 in connection with the exhibition The Colors of Clay: Special Techniques in Athenian Vases. The themes of the exhibition--vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's techniques, as well as examples with added clay and gilding, and sculpted vases and additions--are the touchstones for the essays. More than twenty papers by renowned scholars are grouped under such general rubrics as Social Contexts for Athenian Vases in Special Techniques; Conservation, Analysis, and Experimentation; Artists, Workshops, and Production; and Markets and Exchange.


Preventing Regulatory Capture

Preventing Regulatory Capture

Author: Daniel Carpenter

Publisher: Cambridge University Press

Published: 2014

Total Pages: 531

ISBN-13: 1107036089

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Leading scholars from across the social sciences present empirical evidence that the obstacle of regulatory capture is more surmountable than previously thought.


State of Doom

State of Doom

Author: Barry Scott Zellen

Publisher: Bloomsbury Publishing USA

Published: 2011-12-22

Total Pages: 361

ISBN-13: 1441161341

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The book examines Bernard Brodie's strategic and philosophical response to the nuclear age, embedding his work within the classical theories of Carl von Clausewitz.


Literate Zeal

Literate Zeal

Author: Janet Carey Eldred

Publisher: University of Pittsburgh Press

Published: 2017-03-15

Total Pages: 246

ISBN-13: 0822977397

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In Literate Zeal, Janet Carey Eldred examines the rise of women magazine editors during the mid-twentieth century and reveals their unheralded role in creating a literary aesthetic for the American public. Between the sheets of popular magazines, editors offered belles-lettres to the masses and, in particular, middle-class women. Magazines became a place to find culture, humor, and intellectual affirmation alongside haute couture. Eldred mines a variety of literary archives, notably the correspondence of Katharine Sargeant White of the New Yorker, to provide an insider's view of the publisher-editor-author dynamic. Here, among White's letters, memos, and markups, we see the deliberate shaping of literature to create a New Yorker ethos. Through her discrete phrasing, authors are coaxed by White to correct or wholly revise their work. Stories or poems by famous writers are rejected for being "dizzying" or "too literate." With a surgeon's skill, "disturbing" issues such as sexuality and race are extracted from manuscripts. Eldred chronicles the work of women (and a few men) editors at the major women's magazines of the day. Ladies' Home Journal, Mademoiselle, Vogue, and others enacted an editorial style similar to that of the New Yorker by offering literature, values, and culture to an educated and aspiring middle class. Publishers effectively convinced readers that middlebrow stories (and by association their audience) had much loftier pursuits. And they were right. These publications created and sustained a mass literacy never before seen in American publishing.


Elizabeth Bishop

Elizabeth Bishop

Author: Megan Marshall

Publisher: Houghton Mifflin Harcourt

Published: 2017-02-07

Total Pages: 480

ISBN-13: 0544618424

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A biography of the brilliant, award-winning poet by one of her former students, the Pulitzer Prize–winning author of Margaret Fuller. Since her death in 1979, Elizabeth Bishop, who published only one hundred poems in her lifetime, has become one of America’s most revered poets. And yet she has never been fully understood as a woman and artist. Megan Marshall makes incisive and moving use of a newly discovered cache of Bishop’s letters to reveal a much darker childhood than has been known, a secret affair, and the last chapter of her passionate romance with Brazilian modernist designer Lota de Macedo Soares. By alternating the narrative line of biography with brief passages of memoir, Megan Marshall, who studied with Bishop in her storied 1970s poetry workshop at Harvard, offers the reader an original and compelling glimpse of the ways poetry and biography, subject and biographer, are entwined. “A shapely experiment, mixing memoir with biography…[Elizabeth Bishop] fuses sympathy with intelligence, sending us back to Bishop’s marvelous poems.”—The Wall Street Journal “Marshall is a skilled reader who points out the telling echoes between Bishop’s published and private writing. Her account is enriched by a cache of revelatory, recently discovered documents…Marshall’s narrative is smooth and brisk: an impressive feat.”—The New York Times Book Review