Take a striking journey with photographer Paul Clemence through Miami's South Beach, home to some of the world's most extraordinary Art Deco architecture. Highlighting the elements that create and define the Art Deco style, this collection of 64 black-and-white photographs is a cross between a fine art photography and a travel book that captures the emotion and expresses the spirit of South Beach.
"Born out of fantasy and speculation, designed for fun and profit, Miami Beach has been, from its inception, a city of mythical composition. Its famed Art Deco District was designated a Historic District by the National Register of Historic Places in 1979, and today the area is basking in a revival of interest and attention. Nevertheless, while fashion photographers and entrepreneurs, artists, developers, restaurateurs and club owners flock to the neighborhood, it is still struggling, after years of deterioration and neglect, to recreate itself out of its own forgotten glamour. Despite a new palette of confectionery colors and the renovation of numerous buildings, the Art Deco District remains in need of urban cultivation, of a reinterpretation that transcends its original resort identity. Author Laura Cerwinske introduces Tropical Deco: The Architecture and Design of Old Miami Beach by discussing both the area's past and its future. Throughout her comprehensive exploration of the most concentrated neighborhood of Art Deco buildings in the world, she details the style's evolution and examines its design. Tropical Deco: The Architecture and Design of Old Miami Beach treats its readers to a delightful view of a unique adaption of a historic architectural style. For, while Miami Beach's Art Deco architecture derives its stylistic roots from the streamlined and electric visions of the cosmopolitan North, Tropical Deco design is much softer and more temperately seductive. These are buildings whose narrative and evocative nature is at once sophisticated, naive and filled with humor."--Publisher.
A magnificent and inspiring book about the only Art Deco District in America by the woman who made it come alive again. The triumphs and despairs described in Capitman's text are the result of the struggle between the pressure for development and the necessity for preservation. 135 color plates.
Steven Brooke, whose dazzling photography of Miami's Art Deco District once helped spur the area's preservation, now captures the incredible architectural restoration of this glamorous international playground. During the 1930s, Miami Beach emerged as an epicenter of Art Deco architecture. Against the azure sky gleamed buildings that boasted voluptuous curves, nautical elements, Jazz Age ornamentation, and seductive neon. After the area fell into decline in the 1970s and '80s, Steven Brooke and others successfully campaigned to protect the Art Deco District's architectural treasures from the wrecking ball. Now, with the district's buildings finally restored to their eye-popping glory, Brooke offers Miami- and Art Deco-lovers the most up-to-date celebration of the inimitable architecture that has made the city a style magnet for artists, designers, and travelers from around the globe.
Fast becoming one of the hottest and hippest centers of fashion, art, and business, South Beach oozes visual appeal, night and day. From the bars to the beaches, this stunning and lush compilation of images and words depicts the seductive and stylish Tropical Deco world of South Beach, Florida. More than 100 full-color photographs. Regional tour.
This information and image-packed reference work will help you define South Beach. A variety of walking tours of the Art Deco architecture, along with insight into the tempo, culture, and the habits and customs of this unique area, provide a journey into the heart and soul of this world-famous tropical destination.
Art Deco buildings still lift their modernist principles and streamlined chrome into the skies of Baltimore and Washington, D.C. Second Place Winner of the Design and Effectiveness Award of the Washington Publishers The bold lines and decorative details of Art Deco have stood the test of time since one of its first appearances in the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925. Reflecting the confidence of modern mentality—streamlined, chrome, and glossy black—along with simple elegance, sharp lines, and cosmopolitan aspirations, Art Deco carried surprises, juxtaposing designs growing out of speed (racecars and airplanes) with ancient Egyptian and Mexican details, visual references to Russian ballet, and allusions to Asian art. While most often associated with such masterworks as New York’s Chrysler Building, Art Deco is evident in the architecture of many U.S. cities, including Washington and Baltimore. By updating the findings of two regional studies from the 1980s with new research, Richard Striner and Melissa Blair explore the most significant Art Deco buildings still standing and mourn those that have been lost. This comparative study illuminates contrasts between the white-collar New Deal capital and the blue-collar industrial port city, while noting such striking commonalities as the regional patterns of Baltimore’s John Jacob Zinc, who designed Art Deco cinemas in both cities. Uneven preservation efforts have allowed significant losses, but surviving examples of Art Deco architecture include the Bank of America building in Baltimore (now better known as 10 Light Street) and the Uptown Theater on Connecticut Avenue NW in Washington. Although possibly less glamorous or flamboyant than exemplars in New York or Miami, the authors find these structures—along with apartment houses and government buildings—typical of the Deco architecture found throughout the United States and well worth preserving. Demonstrating how an international design movement found its way into ordinary places, this study will appeal to architectural historians, as well as regional residents interested in developing a greater appreciation of Art Deco architecture in the mid-Atlantic region.
Typical architectural photography freezes buildings in an ideal moment and rarely captures what photographer Berenice Abbott called the medium's power to depict "how the past jostled the present." In Beyond the Architect's Eye, Mary N. Woods expands on this range of images through a rich analysis that commingles art, amateur, and documentary photography, genres usually not considered architectural but that often take the built environment as their subject. Woods explores how photographers used their built environment to capture the disparate American landscapes prior to World War II, when urban and rural areas grew further apart in the face of skyscrapers, massive industrialization, and profound cultural shifts. Central to this study is the work of Alfred Stieglitz, Frances Benjamin Johnston, and Marion Post Wolcott, but Woods weaves a wider narrative that also includes Alice Austen, Gertrude Käsebier, Berenice Abbott, Margaret Bourke-White, Helen Levitt, Lisette Model, Louise Dahl-Wolfe, Morgan and Marvin Smith, Eudora Welty, Samuel Gottscho, Walker Evans, Max Waldman, and others. In such disparate places as New York City, the rural South, and the burgeoning metropolis of Miami, these unconventional architectural photographers observed buildings as deeply connected to their context. Whereas Stieglitz captured New York as the quintessential modern urban landscape in the period, the South was its opposite, a land supposedly frozen in the past. Yet just as this myth of the Old South crystallized in photographs like Johnston's, a New South shaped by popular culture and modern industry arose. Miami embodied both of these visions. In Wolcott's work, agricultural fields where stoop labor persisted were juxtaposed with Art Deco hotels, a popular modernism of the machine age that remade Miami Beach into a miniaturized "Manhattan on the beach." Beyond the Architect's Eye is a groundbreaking study that melds histories of American art, cities, and architecture with visual studies of landscape, photography, and cultural geography.
