SONGS FROM ALICE IN WONDERLAND. How doth the little Crocodile You are Old, Father William Twinkle, twinkle, little Bat! Pig and Pepper The Lobster Quadrille 'Tis the Voice of the Lobster Beautiful Soup The Queen of Hearts Who Stole the Tarts? SONGS FROM THROUGH THE LOOKING-GLASS. Jabberwocky Tweedledum and Tweedledee The Walrus and the Carpenter Humpty, Dumpty The Message to the Fish The Lion and the Unicorn The Aged, Aged Man Queen Alice The Fish Riddle Hush-a-by, Lady
Songs From Alice in Wonderland and Through the Looking-Glass is an unusual book containing the poems from the Alice books set to music by Lucy E Broadwood. This delightful book was originally published in 1921 and the scores are decorated by the incredible colour plates and line work of Charles Folkard. Charles Dodgson (1832-1898) is best known by his pseudonym Lewis Carroll. A polymath who is arguably best known as an author, but who also worked as a mathematician, logician, Anglican deacon and photographer, his most famous works are Alice’s Adventures in Wonderland and the sequel Alice Through the Looking-Glass. Dodgson was a prolific writer who contributed children’s stories, mathematical theses and political pamphlets to a variety of magazines. Charles Folkard (1878 – 1963) was an English illustrator. He worked as a conjuror before becoming a prolific illustrator of children’s books. In 1915, he created Teddy Tail, a popular cartoon character who ran in the Daily Mail newspapers for decades. Folkard is well known for his work on The Arabian Nights, Grimms’ Fairy Tales, Aesop’s Fables, and Pinocchio. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children’s stories, and the work of some of the most celebrated artists, illustrators and authors.
How can you march to the beat of your own drummer when you're still writing the song? Everyone's search for one's authentic self is at the heart of Wonderland: Alice's Rock & Roll Adventure. Carroll's beloved, poetic tale of self-actzualization is brought to life by a cast of actor/musicians who create an eclectic, live rock soundtrack as 7 1/2-year-old Alic search for her own inner musical voice. Along the way, Alice faces challenges and fears, but she meets the ultimate test in the form of the Jabberwocky, an insidious monster made up of the dark thoughts and self-doubt that lurks inside us all. In learning to believe in the impossible, Alice learns to belief in herself. Throughout her journey, thea ctors surround Alice in a live musical tapestry ranging from classic rock to punk to ska and even a little bit of Bollywood. Rock concert meets live theatre as Alice reflects the vulnerabilities of all kids and then confidently finds her own inner voice.
Songs From Alice in Wonderland and Through the Looking-Glass is a collection of Lewis Carroll's poems set to music. Alice's Adventures in Wonderland (commonly Alice in Wonderland) is an 1865 English novel by Lewis Carroll. It details the story of a young girl named Alice who falls through a rabbit hole into a fantasy world of anthropomorphic creatures. Excerpt: "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On ev'ry golden scale! How cheerfully he seems to grin, How neatly spreads his claws, And welcomes little fishes in With gently smiling jaws!"
The Myth: Alice was an ordinary girl who stepped through the looking glass and entered a fairy-tale world invented by Lewis Carroll in his famous storybook. The Truth: Wonderland is real. Alyss Heart is the heir to the throne, until her murderous aunt Redd steals the crown and kills Alyss? parents. To escape Redd, Alyss and her bodyguard, Hatter Madigan, must flee to our world through the Pool of Tears. But in the pool Alyss and Hatter are separated. Lost and alone in Victorian London, Alyss is befriended by an aspiring author to whom she tells the violent, heartbreaking story of her young life. Yet he gets the story all wrong. Hatter Madigan knows the truth only too well, and he is searching every corner of our world to find the lost princess and return her to Wonderland so she may battle Redd for her rightful place as the Queen of Hearts.
Here is all the charm of Barrie, of Peter Pan and Tinker Bell, of the children, Indians, Pirates and Lost Boys of Never Land in the sparkling musical adaptation, suitable for schools and youth theatres as well as dramatic and musical societies. This is a new version of the musical, encompassing the revisions Mr Chater-Robinson made for the 1995 West End production and tour. The delightful score - for solo keyboard, 4-piece or 7-piece band, 22-piece orchestra or backing track CD - adds to the charm of the original classic and will endear the theatrical fantasy to both old and new audiences.
Alice's Adventures in Wonderland is an 1865 English children's novel by Lewis Carroll, a mathematics don at the University of Oxford. It details the story of a girl named Alice who falls through a rabbit hole into a fantasy world of anthropomorphic creatures. It is seen as an example of the literary nonsense genre. The artist John Tenniel provided 42 wood-engraved illustrations for the book.It received positive reviews upon release and is now one of the best-known works of Victorian literature; its narrative, structure, characters and imagery have had a widespread influence on popular culture and literature, especially in the fantasy genre. It is credited as helping end an era of didacticism in children's literature, inaugurating an era in which writing for children aimed to "delight or entertain". The tale plays with logic, giving the story lasting popularity with adults as well as with children. The titular character Alice shares her name with Alice Liddell, a girl Carroll knewscholars disagree about the extent to which the character was based upon her.
Emerging in several different versions during the author's lifetime, Lewis Carroll's Alice novels have a publishing history almost as magical and mysterious as the stories themselves. Zoe Jaques and Eugene Giddens offer a detailed and nuanced account of the initial publication of Alice's Adventures in Wonderland and Through the Looking-Glass and investigate how their subsequent transformations through print, illustration, film, song, music videos, and even stamp-cases and biscuit tins affected the reception of these childhood favourites. The authors consider issues related to the orality of the original tale and its impact on subsequent transmission, the differences between the manuscripts and printed editions, and the politics of writing and publishing for children in the 1860s. In addition, they take account of Carroll's own responses to the books' popularity, including his writing of major adaptations and a significant body of meta-textual commentary, and his reactions to the staging of Alice in Wonderland. Attentive to the child reader, how changing notions of childhood identity and needs affected shifting narratives of the story, and the representation of the child's body by various illustrators, the authors also make a significant contribution to childhood studies.
