Prokofiev's Piano Sonatas

Prokofiev's Piano Sonatas

Author: Boris Berman

Publisher: Yale University Press

Published: 2008-10-01

Total Pages: 256

ISBN-13: 0300145004

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Boris Berman draws on his intimate knowledge of Prokofiev's work to guide music lovers and pianists through the composer's nine piano sonatas.


The Music of Alban Berg

The Music of Alban Berg

Author: David John Headlam

Publisher: Yale University Press

Published: 1996-01-01

Total Pages: 476

ISBN-13: 9780300064001

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Headlam closely analyzes Berg's compositional technique and the use of symmetry and cycles throughout his oeuvre. He brings into the discussion Berg's own writings, as well as those of composer and musicologist George Perle; the techniques of Schoenberg, Webern, and other serialists; and aspects of pitch-class set and twelve-tone theory.


Brahms and His World

Brahms and His World

Author: Walter Frisch

Publisher: Princeton University Press

Published: 2009-07-06

Total Pages: 479

ISBN-13: 1400833620

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Since its first publication in 1990, Brahms and His World has become a key text for listeners, performers, and scholars interested in the life, work, and times of one of the nineteenth century's most celebrated composers. In this substantially revised and enlarged edition, the editors remain close to the vision behind the original book while updating its contents to reflect new perspectives on Brahms that have developed over the past two decades. To this end, the original essays by leading experts are retained and revised, and supplemented by contributions from a new generation of Brahms scholars. Together, they consider such topics as Brahms's relationship with Clara and Robert Schumann, his musical interactions with the "New German School" of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists. The essays are complemented by a new selection of criticism and analyses of Brahms's works published by the composer's contemporaries, documenting the ways in which Brahms's music was understood by nineteenth- and early twentieth-century audiences in Europe and North America. A new selection of memoirs by Brahms's friends, students, and early admirers provides intimate glimpses into the composer's working methods and personality. And a catalog of the music, literature, and visual arts dedicated to Brahms documents the breadth of influence exerted by the composer upon his contemporaries.


The Sonata

The Sonata

Author: Thomas Schmidt-Beste

Publisher: Cambridge University Press

Published: 2011-03-10

Total Pages: 279

ISBN-13: 1107310547

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What is a sonata? Literally translated, it simply means 'instrumental piece'. It is the epitome of instrumental music, and is certainly the oldest and most enduring form of 'pure' and independent instrumental composition, beginning around 1600 and lasting to the present day. Schmidt-Beste analyses key aspects of the genre including form, scoring and its social context - who composed, played and listened to sonatas? In giving a comprehensive overview of all forms of music which were called 'sonatas' at some point in musical history, this book is more about change than about consistency - an ensemble sonata by Gabrieli appears to share little with a Beethoven sonata, or a trio sonata by Corelli with one of Boulez's piano sonatas, apart from the generic designation. However, common features do emerge, and the look across the centuries - never before addressed in a single-volume survey - opens up new and significant perspectives.


Beethoven Sonata No. 5 in C Minor

Beethoven Sonata No. 5 in C Minor

Author: Ludwig Van Beethoven

Publisher:

Published: 2021-02-14

Total Pages: 24

ISBN-13:

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Sonata no. 5 in c minor, opus 10 no. 1, URTEXT with Fingerings. For advanced students and professional pianists


Piano Sonatas, Volume 1 (Nos. 1-8)

Piano Sonatas, Volume 1 (Nos. 1-8)

Author: Ludwig van Beethoven

Publisher: Alfred Music

Published:

Total Pages: 248

ISBN-13: 9781457411052

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Beethoven wrote 32 sonatas for piano. Volume 1, edited by Stewart Gordon, includes the first 8 sonatas (Op. 2, Nos. 1-3; Op. 7; Op. 10, Nos. 1-3; and Op. 13 ["Pathétique"]), written between 1795 and 1799. Since these autographs no longer exist, this edition is based on the first editions, published by various Viennese engravers. Dr. Gordon discusses a variety of topics including Beethoven's life; the pianos of his time and their limitations; Beethoven's use of articulation, ornamentation, tempo; and the age-old challenge of attempting to determine the definitive interpretation of Beethoven's music. Valuable performance recommendations, helpful fingering suggestions and ornament realizations are offered in this comprehensive critical body of Beethoven's sonatas. Where performance options are open to interpretation, other editors' conclusions are noted, enabling students and teachers to make informed performance decisions.