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Author: Schirmer Books
Publisher: G Schirmer, Incorporated
Published: 1986-11
Total Pages: 0
ISBN-13: 9780793554058
DOWNLOAD EBOOKContents: Fantasy Piece (Schumann) * First Sonata (Brahms) * Grand Duo Concertant (Weber) * Second Sonata (Brahms) * Sonata (Mendelssohn) * Variations, Op.33 (Weber).
Author: Edward Klorman
Publisher: Cambridge University Press
Published: 2016-04-21
Total Pages: 359
ISBN-13: 1107093651
DOWNLOAD EBOOKThis study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Author: Cyrille Rose
Publisher: Independently Published
Published: 2019-03-12
Total Pages: 33
ISBN-13: 9781728849546
DOWNLOAD EBOOKBeloved for his 32 Rose Etudes for Clarinet book, C. Rose -- full name Chrysogone Cyrille Rose was an important French clarinetist, and served as principal clarinet at the Paris Opera. He was a teacher and composer of pedagogical material for the clarinet, much of which (like this 32 Etudes) is still widely in use today. Cyrille Rose was taught by Hyacinthe Klosé. He studied under Klosé at the Paris Conservatoire, winning the First Prize in 1847. He taught many famous clarinet players, such as: Louis Cahuzac, Paul Jean, Manuel Gomez, Francisco Gomez, Henri Lefèbvre, Henri Paradis, Henri Selmer, and Alexandre Selmer.
Author: Eric Hoeprich
Publisher: Yale University Press
Published: 2008-01-01
Total Pages: 426
ISBN-13: 9780300102826
DOWNLOAD EBOOKThe clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history. Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late 1700s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers. The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz.
Author: Heinrich Schenker
Publisher: Pendragon Press
Published: 2001
Total Pages: 196
ISBN-13: 9781576470749
DOWNLOAD EBOOKThe first two volumes of Heinrich Schenker's masterwork Neue musikalische Theorien und Phantasien, Harmonielehren (1906), and Kontrapunkt (1910 and 1922), laid the foundations for the harmonic aspect of his theory. The specific voice-leading component was a later development, progressing with brilliance over the last 15 years of his life. It is in Free Composition (Freie Satz, 1935) that the idea of voice-leading receives its most detailed and precise formulation. Pendragon Press is honored to make this distinguished reprint available once again, with a new preface by Carl Schacter.
Author: Brahms
Publisher:
Published: 2002
Total Pages: 32
ISBN-13:
DOWNLOAD EBOOKAuthor: Laura Tunbridge
Publisher:
Published: 2007
Total Pages: 246
ISBN-13:
DOWNLOAD EBOOKThere are many reasons why Robert Schumann's late style of the 1850s has been considered of little musical value, the reason most often given suggesting that his mental illness affected his work. This book attempts to disentangle such assumptions and considers Schumann's style in broader artistic, social and cultural contexts.
Author:
Publisher: Faber Music Piano Anthology series
Published: 2020-04-09
Total Pages: 208
ISBN-13: 9780571541195
DOWNLOAD EBOOKAuthor: Elaine King
Publisher: Routledge
Published: 2017-07-05
Total Pages: 284
ISBN-13: 1351557793
DOWNLOAD EBOOKThis volume showcases key theoretical ideas and practical considerations in the growing area of scholarship on musical gesture. The book constructs and explores the relations between music and gesture from a range of differing perspectives, identifying theoretical approaches and examining the nature of certain types of gesture in musical performance. The twelve chapters in this volume are organized into a heuristic progression from theory to practice, from essay to case study. Theoretical considerations about the interpretation of musical gestures are identified and phrased in terms of semiotics, the mimetic hypothesis, concepts of musical force, immanence, quotation and topic, and the work of musical gestures. The lives of musical gestures in performance are revealed through engaging with their rhythmic properties as well as inquiring into the breathing of pianists, the nature of clarinettists' bodily movements, and the physical acts and personae of individual artists, specifically Keith Jarrett and Robbie Williams. The reader is encouraged to listen to the various resonances and tensions between the chapters, including the importance given to bodies, processes, motions, expressions, and interpretations of musical gesture. The book will be of significance to musicologists, theorists, semioticians, analysts, composers and performers, as well as scholars working in different research communities with an interest in the study of gesture.
Author: Library of Congress. Copyright Office
Publisher:
Published: 1952
Total Pages: 866
ISBN-13:
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