A crumbling mansion is the setting for a gothic romance of young love and true friendship that spans the early decades of the 20th century. A young boy finds himself in another -- but which is it, the boy in the mirror or the boy lost in shadows beyond time? No sexual situations. CLICK ON TITLE LINK FOR PREVIEW AND BOOK DETAILS. ALSO AVAILABLE AT AMAZON.
A crumbling mansion is the setting for a gothic romance of young love and true friendship that spans the early decades of the 20th century. One young boy finds himself in another -- but which is it, the boy in the mirror or the boy lost in shadows beyond time?
A crumbling mansion is the setting for a gothic romance of young love and true friendship that spans the early decades of the 20th century. A young boy finds himself in another -- but which is it, the boy in the mirror or the boy lost in shadows beyond time? SPECIAL EDITION - TRADE SOFTCOVER.
Once upon a time . . . in a kingdom high in the Pyrenees, three young princesses were forced to flee the chaos in their land—vanishing without a trace and lost to their people . . . until the day a courageous prince can bring the princesses home. One of Scotland's most dangerous men, Robert MacKenzie is dazzled by the enchanting beauty who rides into the town he is sworn to defend. Though he is wary of the exquisite stranger, Clarice stirs emotions within him that Robert buried deeply years before. And now he must have her at any cost, vowing to gain her trust through the powers of his sensuous seduction. Torn between her need to protect her secrets and her aching desire for the dark, tormented earl of Hepburn, Clarice is pulled into Robert's glamorous world . . . and into his perilous plan for justice and revenge. And with the winds of treachery swirling around them, a runaway princess must draw Robert's heart from the shadows and make him believe in happily-ever-after.
This book will provide an educational and entertaining read. It will explain the contradictions and complexities of the Welsh national identity. This book will reveal the hardships and horrors of some people's lives. It will reveal how religion and superstition ebbed and flowed together.
Bob Dylan has constantly reinvented the persona known as “Bob Dylan,” renewing the performance possibilities inherent in his songs, from acoustic folk, to electric rock and a late, hybrid style which even hints at so-called world music and Latin American tones. Then in 2016, his achievements outside of performance – as a songwriter – were acknowledged when he was awarded the Nobel Literature Prize. Dylan has never ceased to broaden the range of his creative identity, taking in painting, film, acting and prose writing, as well as advertising and even own-brand commercial production. The book highlights how Dylan has brought his persona(e) to different art forms and cultural arenas, and how they in turn have also created these personae. This volume consists of multidisciplinary essays written by cultural historians, musicologists, literary academics and film experts, including contributions by critics Christopher Ricks and Nina Goss. Together, the essays reveal Dylan's continuing artistic development and self-fashioning, as well as the making of a certain legitimized Dylan through critical and public recognition in the new millennium.
Ever since the word romantic and its many cognates in European languages began to be used as technical terms towards the end of the eighteenth century, the quest for a satisfactory definition of their meanings has continued unabated. This collection of essays traces the history of the word in the major European languages, showing how romantic and its cognates were first introduced, how their usage spread and their connotations proliferated, and how their present usage became established. This book opens with an introduction by the editor, followed by an essay in which Professor Raymond Immerwaher, Chairman of the Department of German, University of Western Ontario, shows how romantic and its cognates became fashionable in England, France and Germany, and traces the extension of the meanings of these words up to 1790. The story is then taken up in individual essays on the history of the word and its cognates in the major European countries: in Germany, by the editor; in England, by Professor George Whalley, FRSC, of the Department of English, Queen's University, Kingston; in France, by Professor Maurice Z. Shroder of the Department of French, Barnard College, Columbia University; in Italy, by Professor Olga Ragusa of the Department of Italian, Columbia University; in Spain, by Professor Donald L. Shaw of the Department of Hispanic Studies, University of Edinburgh; in Scandinavia, by Professor P.M. Mitchell of the Department of Germanic Languages and Literature, University of Illinois; and in Russia, by Professor Sigrid McLaughlin of the Department of Slavic Studies, University of California at Santa Cruz. The final essay, by H.H.H. Remak, Professor of German and Comparative Literature at the University of Indiana, reports on trends of recent research on West European romanticism and suggests fruitful avenues for further exploration. The book will be of immense value to students and specialists interested in literary, linguistic and cultural aspects of romanticism, and to those concerned with comparative literature and the history of ideas. Hans Eicner taught at Queen's University, Kingston, from 1950 to 1967 when he was appointed Professor and Chairman of German, University of Toronto. Among his published books are: Thomas Mann, Eine Einführung in sein Werk; Friedrich Schlegel: Literary Notebooks 1797-1801; Reading German for Scientists; Kritische Friedrich Schlegel-Ausgabe (in four volumes); Four Modern German Authors: Mann, Rilke, Kafka, Brecht. In 1967 he was elected a Fellow of the Royal Society of Canada.
As children, Eliza Blacknall and William Denton ran wild over the fields of southern Ireland and swore they would be friends forever. Then fate took Will away to England, while Eliza stayed behind to become a proper Irish countess. Years later, Will finally makes his way home-as an English soldier sent to crush the Irish uprising. When he spies the lovely Eliza, he is captivated by the passionate woman she has become. But Eliza's passions have led her to join the Irish rebel cause, and Will and Eliza now find themselves on opposite sides of a dangerous conflict. When Ireland explodes in bloody rebellion, Will's regiment is ordered to the front lines, and he is forced to choose between his duty to the English king and his love for Eliza and their Irish homeland.
The new lodger in her father's bed and breakfast has sixteen-year-old Tiffany Hunter wondering what kind of sinister happenings are going on in the woods around Otter Lake.
