Solomon

Solomon

Author: William Boyce

Publisher: London : Stainer and Bell

Published: 1996

Total Pages: 244

ISBN-13:

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Solomon, a Serenata

Solomon, a Serenata

Author: Edward Moore

Publisher: Gale Ecco, Print Editions

Published: 2018-04-23

Total Pages: 20

ISBN-13: 9781385500460

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ William Andrews Clark Memorial Library (UCLA) N022565 The libretto only, by Edward Moore. With a half-title. London: printed by John Moore, 1744. 16p.; 8°


The Foundling

The Foundling

Author: Edward Moore

Publisher: University of Delaware Press

Published: 1996

Total Pages: 456

ISBN-13: 9780874135305

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"Finally available to modern scholars, this book is the first critical edition of these two plays by Edward Moore. The success of the initial run of Moore's sentimental comedy The Foundling (1748) was due in part to its cast, which included Susannah Maria Cibber and David Garrick, and the play continued to enjoy moderate success on the London stage. It remained popular among critics throughout the eighteenth century and was reprinted and performed regularly in the nineteenth. In the twentieth century, as the most important and the best sentimental comedy of the mid-eighteenth century, it has been generally accepted by literary historians as the bridge between the comedies of Colley Cibber and Richard Steele in the first part of the century and those of Hugh Kelly and Richard Cumberland in the last. The initial run of Moore's domestic tragedy The Gamester(1753), with Garrick in the title role, was also largely successful. From its first revival in 1771 to its last in 1871, the play was performed by Britain's finest actors and actresses - and performed more frequently on the London stage than any other Restoration or eighteenth-century tragedy." "Anthony Amberg's introduction discusses the sources and composition, production, publication and reception, and final revision of both plays. The text of The Foundling is based on Moore's holograph manuscript, that of The Gamester on the first edition. In both the author's spelling, punctuation, capitalization, and italicization have been retained, and both have been provided with full textual and explanatory notes."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved