Working as a scavenger on a hostile planet, fourteen-year-old Timas finds his life thrown into turmoil by the crash-landing of a mysterious stranger who bears a warning that an alien intelligence is coming to invade the planet.
Calypso, with its diverse cultural heritage, was the most significant Caribbean musical form from World War I to Trinidad and Tobago Independence in 1962. Though wildly popular in mid-1950s America, Calypso--along with other music from "the island of the hummingbird"--has been largely neglected or forgotten. This first-ever discography of the first 50 years of Trinidadian music includes all the major artists, as well as many obscure performers. Chronological entries for 78 rpm recordings give bibliographical references, periodicals, websites and the recording locations. Rare field recordings are cataloged for the first time, including East Indian and Muslim community performances and Shango and Voodoo rites. Appendices give 10-inch LP (78 rpm), 12-inch LP (33 1/3 rpm), extended play (ep) and 7-inch single (45) listings. Non-commercial field recordings, radio broadcasts and initially unissued sessions also are listed. The influence of Trinidadian music on film, and the "Calypso craze" are discussed. Audio sources are provided. Indexes list individual artists and groups, recording titles and labels.
Adelaide Law Review News About Us Advisory Committee For Readers Submitting Proposals Links Contact Adelaide: a literary city Download PDFRead Online Direct Adelaide: a literary city edited by Philip Butterss $33.00 | 2013 | Paperback | 978-1-922064-63-9 | 280 pp FREE | 2013 | Ebook (PDF) | 978-1-922064-64-6 | 280 pp From the tentative beginnings of European settlement to today’s flourishing writing scene, Adelaide has always been a literary city. Novelists, poets and playwrights have lived here; readers have pored over books, sharing them and discussing them; literary celebrities have visited and sometimes stayed; writers have encouraged each other and fought with each other. Adelaide is literary, too, in the sense of having been written about—sometimes with love, sometimes with scorn. Literature has been important not only to the city’s cultural life but to its identity, to the way it has been seen and, most importantly, to the way it has seen itself.
Marion's relationship with the ocean has been the defining element in the small town's development since its settlement as Sippican in America's colonial era. Since 1678, generation after generation of Marion families have relied upon the opportunities a port and sea provide in both life and industry. The waters of Buzzards Bay run deep in this coastal community, and its influence leaves an indelible mark not only upon every cove, beach, and inlet, but upon the very spirit of each resident and visitor. For many, the sea is a temperamental and dangerous mistress, and Marion's affair with her is no different, for this town has experienced both great gain in wealth and horrific loss of life and property by her hands over the centuries. In Maritime Marion, Massachusetts, readers take a remarkable journey across four centuries of struggle and prosperity as a simple coastal hamlet evolves into a celebrated nautical center for shipbuilding, fishing, and racing. This unique volume, containing over 100 black-and-white illustrations, chronicles the many aspects of maritime life, from trade to recreation, including the once-prominent whaling industry, the various local saltworks, the traditions of Tabor Academy, the influence of the Marconi Wireless Telegraph Company, and the prestige of the Beverly Yacht Club. However, one of the greatest pleasures and customs of any seacoast community is its storytelling, and Maritime Marion recounts several of the town's most interesting and puzzling tales, such as the mystery of the Mary Celeste's lost crew, the tragedies of numerous hurricanes, the fate of the British warship HMS Nimrod, and the experiences of the first lighthouse keepers on Bird Island.
Priestley offers new insight into Parker's career, beginning as a teenager single-mindedly devoted to mastering the saxophone through his death at 34 in such wretched condition that the doctor listed his age as 53.
This book contains 15 stories and 48 poems. Four of the stories are works of fiction. Some of the stories, for example, Life on a sugar plantation in colonial Guyana, contain a lot of information of historical significance that has previously been unrecorded and could well be lost in the passage of time. I was born in 1945 on Springlands Sugar Estate where we lived in a small cottage in the estate compound behind and west of the District Commissioners Office building. The story about life on a British colonial sugar plantation is drawn from personal experience and it is told in the voice of someone who actually lived that life. The story entitled: Going to America represents todays reality of Guyanese who have left, leaving, or trying to leave Guyana. The expatriate Guyanese community, particularly in North America, should certainly be able to relate to that experience. Many of my compatriots were forced to undergo a second traumatic deracination for economic and political reasons, lack of opportunity in the homeland, no jobs, no viable future, and other reasons, when they emigrated to Britain, United States of America, Canada, the West Indies, and other places. The ancestors of Afro-Guyanese were dragged out of Africa and brought to the New World as slaves. The forefathers of Indo-Guyanese were lured to British Guiana by deception and false promises and became bound coolies trapped in a form of indentured servitude that some regard as another form of slavery. The second Guyanese uprooting and displacement, though done largely voluntarily, was no less disruptive, frightening, emotionally turbulent, and difficult than the first one either from Africa or India. Life for these people in a new land, very often in hostile climatic conditions quite unlike the tropical conditions in the homeland, was difficult, harrowing, stressful, tumultuous, psychologically traumatic, and distressing for new emigrants. The history of the Guyanese people is written in blood, sweat, tears, suffering, and misery. The children of the new Guyanese diaspora will subsequently have their own story to tell about life in an alien land. It has been said that it is easy for the poor to escape from a poor nation but it is not so easy for them to escape poverty in a rich nation. Emigrants, particularly those of an older generation, who are set in their ways, often experience extreme difficulties acculturating and assimilating into a different society and adjusting to an alien way of life. They are often relegated to a shadowy existence in the marginalized immigrant community standing on the periphery of an alien culture looking in and experiencing loneliness, hopelessness, helplessness, and lacking a sense of belonging. Refer to the poem in this book entitled: Living in a place where you were not born for some insights on this issue. Stories such as: Hunting birds with slingshots in Guyana, Making and flying kites in Guyana, Catching mullet at No. 73 waterside, Notorious fowl thieves of the village, and When you really know it was Christmas time, can elicit strong nostalgia and sentimental memories of youthful experiences so pleasurable and engrossing that it could cause you to yearn for a past life that was simple, care-free, full of wonderful remembrances and recollections. When I think of the wonderful life I once lived at Clonbrook, I am a young lad all over again and I am happy. Those who lived that life and had fond memories of it should certainly share these stories with their children and grandchildren. Make these stories more real and fascinating by adding your own memories and experiences as you read them to your descendants. After all, everybody has a story to tell. There are forty eight poems in this compilation that are sure to evoke emotions and nostalgia. Many deal with subject matters pertaining to the Corentyne. The reason for that is simple. I was born and raised in the Upper Corentyne and I hold lots of treasured an
A CHOICE 2018 Outstanding Academic Title In Jazz Transatlantic, Volume II, renowned scholar Gerhard Kubik extends and expands the epic exploration he began in Jazz Transatlantic, Volume I. This second volume amplifies how musicians influenced by swing, bebop, and post-bop in Africa from the end of World War II into the 1970s were interacting with each other and re-creating jazz. Much like the first volume, Kubik examines musicians who adopted a wide variety of jazz genres, from the jive and swing of the 1940s to modern jazz. Drawing on personal encounters with the artists, as well as his extensive field diaries and engagement with colleagues, Kubik looks at the individual histories of musicians and composers within jazz in Africa. He pays tribute to their lives and work in a wider social context. The influences of European music are also included in both volumes as it is the constant mixing of sources and traditions that Kubik seeks to describe. Each of these groundbreaking volumes explores the international cultural exchange that shaped and continues to shape jazz. Together, these volumes culminate an integral recasting of international jazz history.
The Concise New Partridge Dictionary of Slang and Unconventional English presents all the slang terms from The New Partridge Dictionary of Slang and Unconventional English in a single volume. Containing over 60,000 entries, this concise new edition of the authoritative work details the slang and unconventional English of from around the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge’s own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning. New to this second edition: a new preface noting slang trends of the last eight years over 1,000 new entries from the US, UK and Australia, reflecting important developments in language and culture new terms from the language of social networking from a range of digital communities including texting, blogs, Facebook, Twitter and online forums many entries now revised to include new dating and new glosses, ensuring maximum accuracy of content. The Concise New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language.