Immerse your students in the history and literature of early 20th-century America. Using the power of their own communications corporation, students will develop and communicate their ideas about the events of the early 20th century. Your students will experience the excitement of the century's history and literature. This unit provides students with the opportunity to verbally and visually express their opinions and ideas about the early 20th century through art, writing, and drama. To demonstrate what they have learned, they will produce exciting and creative projects. The Simulation Series is made up of six exciting simulations designed to teach content while also helping students develop problem-solving skills. Each edition includes a teacher's guide, a student handbook, and blackline masters that can be copied for classroom participation. Other topics include Earth Friendly, Endangered Species, Introduction Pack, Medieval Destinations, and Western Explorations.
This book examines American screen culture and its power to create and sustain values. Looking specifically at the ways in which nostalgia colors the visions of American life, essays explore contemporary American ideology as it is created and sustained by the screen. Nostalgia is omnipresent, selling a version of America that arguably never existed. Current socio-cultural challenges are played out onscreen and placed within the historical milieu through a nostalgic lens which is tempered by contemporary conservatism. Essays reveal not only the visual catalog of recognizable motifs but also how these are used to temper the uncertainty of contemporary crises. Media covered spans from 1939's Gone with the Wind, to Stranger Things, The Americans, Twin Peaks, the Fallout franchise and more.
In Nostalgia and Political Theory, Lawrence Quill advocates the central importance of nostalgia as a theoretical response to the ‘historic’ past and a vertiginous present. He does so by offering detailed analyses of diverse theoretical approaches, from the ancient world to the modern day, in order to reassess the relation between nostalgia and politics. Quill proposes nostalgia as an organizing concept, silently (and not so silently) influencing theorists as they construct critiques of the present or visions of the political future. Nostalgia and Political Theory surveys key contributions to nostalgic and antinostalgic thinking from across the political spectrum. Assessing the influence of photography, radio, television, and personal computing on changing conceptions of the past, Quill also considers the relation between populism, nationalism, and nostalgia. By challenging those who would dismiss nostalgia as irrational or a symptom of cultural malaise, Quill concludes by advancing the case for a liberal theory of nostalgia. Nostalgia and Political Theory will be of interest to scholars and students in the fields of political theory, social theory, sociology, philosophy, political science, memory studies, and nostalgia studies.
"A highly original work that is extremely important to the study of both culture and politics. Demonstrating how the cultural icon of Marilyn Monroe provides the "body politic" in American mass-mediated society, Baty not only offers a provocative reading of the iconographic, biographic, cartographic and hagiographic modes in which "Marilyn" has been written by others, but also gives us a novel theorization of how popular culture translates, transforms, and embodies the political sphere."—Vivian Sobchack, author of The Address of the Eye "Reborn on coffee cups, T-shirts, and film footage, in conspiracy theory, biography, and necrophilia, the remembered fragments of Marilyn Monroe—so Paige Baty shows—make up cult objects of our imagined community. American Monroe is endlessly revelatory not only about the meanings of Marilyn but also about the nature of the common culture of the United States."—Mike Rogin, author of Ronald Reagan: The Movie "In this original, imaginative, and innovative book, Paige Baty asks and answers important questions about U.S. political culture by examining many mass-mediated memories of Marilyn Monroe. Baty uses our continuing national obsession with Monroe's life and death as a means of exploring the ways in which 'languages of belonging' dominate our mass-mediated political landscape. She explores how iconic representations, personal biographies, conspiracy theories, and anxieties about death shape the symbolic economy of American politics into what she calls the 'post-mortem condition.' This important inquiry about collective memory, mass media, and political culture starts with the life and the mass-mediated memory of one celebrity, but it builds into a fascinating and persuasive general discussion about the nature of knowledge and the social production of the individual self in a world where mass-mediated images and icons form the core of our collective consciousness."—George Lipsitz, author of Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place "If U.S. culture cannot forget Marilyn Monroe, readers of American Monroe will not be able to forget Professor Baty's elegant and provocative arguments. Elvis Presley and Marilyn Monroe are both representative figures in U.S. cultural politics. While his death is repetitively denied, Elvis's living clones endlessly populate hotel conventions and tabloids. But it is Marilyn's dissected body and haunting story of suicide that proliferate in the undead spaces of U.S. mass-mediated culture. In American Monroe, Baty writes a haunting kind of political theory. Her project probes the profusion of meanings associated with a cultural figure who is at the heart of contemporary crises in representation. American Monroe is a book about cultural memory as political practice; it is a work to remember."—Donna Haraway, author of Simians, Cyborgs, and Women: The Reinvention of Nature
The Routledge Handbook of Nostalgia serves as a guide to the complex and often contradictory concept of nostalgia, as well as the field of “nostalgia studies” more broadly. Nostalgia is an area of intense interest across several disciplines as well as within society and culture more generally. This handbook brings together an international, interdisciplinary team of researchers to survey the current landscape and identify common trends, achievements, and gaps in existing literature. Comprising 45 chapters, the volume covers the following topics: Disciplinary perspectives of nostalgias including philosophy, history, literature, and psychology. Conceptual aspects of nostalgia including homesickness, temporality, affectivity, and memory. Historical and political dimensions such as afro-nostalgia, populism, feminism, and queer nostalgia. Spatial and material aspects of nostalgia including ruins, regionalism, and objects. Media-related nostalgia such as analogue and digital nostalgia, reboots, revivals, gaming, and graphic novels. Essential reading for students and researchers working in nostalgia studies, this book will also be beneficial to related disciplines such as philosophy, anthropology, geography, history, and literature; cultural, media, heritage, museum, and film studies courses; and more generally for readers interested in how the past is represented and used in the present.
The suburban landscape is inseparable from American culture. Suburbia does not only relate to the geographical concept, but also describes a cultural space incorporating people’s hopes for a safe and prosperous life. Suburbia marks a dynamic ideological space constantly influenced and recreated by both the events of everyday life and artistic discourse. Fictional texts do not merely represent suburbia, but also have a decisive role in the shaping of suburban spaces. The widely held idealized image of suburbia evolved in the 1950s. Today, reality deviates from the concept of suburbs projected back then, due to e.g. high divorce rates and an increase of crime. Nevertheless, the nostalgic view of the suburbs as the “Promised Land" has survived. Postwar critics object to this perception, considering the suburbs rather as depressing landscapes of mass-consumption, conformity and alienation. This book exemplifies the dualistic representation of suburbs in contemporary American cinema by analyzing Pleasantville, The Truman Show and American Beauty. It examines how utopian concepts of suburbia are created culturally and psychologically in the films, and how the underlying anxieties of the suburban experience, visualized by the dystopian narratives, challenge this ideal.
Restructuring Architectural Theory addresses the impact of contemporary critical theory, from poststructuralism to deconstruction and beyond, on architecture. This unique collection of essays will be invaluable to students and scholars as well as to architects and art historians for the range of issues it covers and the depth of analysis it provides.
