The adventures of Angus McDermott, emissary of the British in the colonial period to the Indians in the Ohio country. Major roles in the story are played by Indian characters and native life, as well as by the romance of Angus with Charity Wilkinson.
Following the events of A TRACE OF SMOKE, journalist Hannah Vogel has been in hiding in Bolivia with her young ward, Anton, for the past three years. She believes she has outwitted Ernst Röhm, the head of the Nazi Party’s Storm Troopers who believes himself to be the boy’s father, so she seizes the offer from a newspaper to cover the journey of a zeppelin from South America to Switzerland, particularly as it will allow her a rare opportunity to meet with her lover, Boris Krause. When the zeppelin is diverted to Germany, she knows she’s walked straight into a trap. Röhm, facing expulsion from the party as a result of rumors of his homosexuality, has decided to claim his alleged son, and marry Hannah as a beard. Unfortunately for him, his solution has come too late. Hitler has supplanted the Storm Troopers with the SS, headed by Himmler, and the resulting purge, forever known as The Night of the Long Knives, has begun. Hannah manages to escape in the melee, while Röhm faces a firing squad. Unfortunately, she and Anton were separated, and Hannah must enlist all her allies—and a few of her enemies—to track him down before the Gestapo can. With nowhere else to turn, Hannah finds herself at Boris’ door in a wedding dress. She expects a safe haven, but she learns that her presence and search for Anton are putting Boris at risk. During her absence he has been helping Jews escape and he is already under suspicion. Finally she traces Anton to the home of Röhm’s mother, who offers a deal—her son's body in exchange for Anton. Traveling to Berlin, Hannah is caught up in the Nazi’s continuing purge and must learn to trust—and protect—those she has loved, and hated, in order to survive. Praise for the novel: “Cantrell knows suspense, and in Hannah Vogel she has created a compelling character. The first person narration draws you right into the action, and pairing that with graphic, visceral descriptions makes this book a hard one to put down…emphasizes the chilling dehumanization of the Third Reich.” — Susan Engberg at Bust “A Night of Long Knives, Rebecca Cantrell’s second novel featuring journalist Hannah Vogel, again flawlessly captures Germany’s descent into darkness under growing Nazi power. Can Hannah survive—and can she protect her adopted son Anton from his murderous Nazi father, Ernst Röhm?” — jewishjournal.com “Rebecca Cantrell has written another exciting thriller and with Hannah Vogel’s sometimes frenetic first person narrative she gives the reader a feeling of what it must have been like to be in Germany during those terrible years. She has cleverly blended her fictional story in with real life events and real life characters, such as British journalist Sefton Delmer, while cleverly imparting snippets of information that add to the atmosphere.” — CrimeScraps
Mentored by F. Scott Fitzgerald and Sinclair Lewis and published under the renowned Scribner editor Maxwell Perkins, Thomas Boyd attained only modest success as a novelist and biographer. He is known most widely for his World War I novel Through the Wheat, which critics, praising its realistic depiction of war and battle, compared to the Red Badge of Courage. How does a writer like Boyd, with his prominent literary friends, political ideals, professional aspirations, complicated personal life, and early death, fall so easily into obscurity? In this first full biography of Thomas Boyd, Brian Bruce explores the events of Boyd's life and rescues him from the realm of insignificance. The 1920s were a magical and very attractive time for critics and historians of American literature. Hollywood and the radio would soon end the careers enjoyed by many writers, like Boyd, and the nature of the book market would change forever in ways that mark the novel's descent from a privileged position of cultural importance or influence. Richly based on correspondence, this book not only illuminates a forgotten writer, but also captures the publishing world at a mercurial peak.
Author Tak Paris (Chris Kasparis) chronicles the next chapter of his extra-ordinary life in search for self-realisation and a deeper understanding of the ancient origins of Romano-Celtic Britain. This book is a sequel to The Burning Ground, his first autobiographical novel, detailing his probationary spiritual path, which smelted him into a spiritual warrior for Light, Love and Power. Chris's epic journey now entices him into a mystic chess game re-enactment which was initially played out in the treacherous Dark Ages. He is unwittingly pitted against reincarnated Dark Saxon Druid souls in the blood-soaked' killing fields' of Celtic, South Wales the dynastic home-lands of the real historic King Arthur. Armed with only his purity of purpose and an overshadowing of his Daemon, he is thrust into spiritual warfare, where he battles fallen angels, shape-shifting demons and satanic attacks for the salvation of human souls. His divine purpose is propelled forward with the mystic knowledge of a past life in King Arthur's epoch and his role 'holding the light' in those Dark Ages. This novel is based on real life events, with some experiences and persons being fictional. It is historic, mythic and esoteric, tracing the earliest origins of King Arthur's Romano-British heritage, coupled with the author's Herculian challenges, as he unfolds his destiny on his Arthurian spiritual quest.
Jon Sprunk delivers blood, betrayal, and “sword and sorcery action of a high order” in the thrilling conclusion to his epic fantasy adventure trilogy (SF Signal). In the far wastes of the Northern Marches, the assassin Caim lies in wait. Though he and his allies have defeated the monstrous witch Sybelle, there is a greater threat looming ahead... The Master--a being of nightmarish power who rules the Shadows and holds the answers that Caim has been searching for all his life. But before he can meet his greatest enemy, Caim must face an assassin whose skills and strength eerily match his own. Meanwhile, Empress Josey and the land of Nimea have fallen prey to an unforeseen attack by a barbarian army. Even if he somehow survives, the truth Caim has been seeking for so long may not offer solace. For the destiny he has sought for so long may be the very thing that curses him to a life of eternal darkness and damnation...
The second novel in Joseph M. Marshall III's acclaimed Lakota Western series begins ten years later, in 1875, as Sitting Bull begins gathering thousands of Lakota to face the growing problem of white incursion. What follows is a sweeping tale of the Battle of the Little Bighorn (the Greasy Grass), including the days and weeks leading up to the conflict and the remarkable defeat of General George Armstrong Custer and the 7th Cavalry. Told for the first time from the Native perspective through the eyes of Cloud, the story also weaves in the lesser-known but strategically important Battle of the Rosebud and the uncertain future that faced the Lakota following victory. Once again, Marshall infuses the story with his unique voice and eye for detail, creating a page-turning Western with a style of its own.
“A haunted, haunting examination of mental illness and murder in a more or less ordinary American city…Mature and thoughtful…A Helter Skelter for our time, though without a hint of sensationalism—unsettling in the extreme but written with confidence and deep empathy” (Kirkus Reviews, starred review). On March 11, 2003, in Brownsville, Texas—one of America’s poorest cities—John Allen Rubio and Angela Camacho murdered their three young children. The apartment building in which the brutal crimes took place was already run down, and in their aftermath a consensus developed in the community that it should be destroyed. In 2008, journalist Laura Tillman covered the story for The Brownsville Herald. The questions it raised haunted her and set her on a six-year inquiry into the larger significance of such acts, ones so difficult to imagine or explain that their perpetrators are often dismissed as monsters alien to humanity. Tillman spoke with the lawyers who tried the case, the family’s neighbors and relatives and teachers, even one of the murderers: John Allen Rubio himself, whom she corresponded with for years and ultimately met in person. Her investigation is “a dogged attempt to understand what happened, a review of the psychological, sociological and spiritual explanations for the crime…a meditation on the death penalty and on the city of Brownsville” Star Tribune (Minneapolis). The result is a brilliant exploration of some of our age’s most important social issues and a beautiful, profound meditation on the truly human forces that drive them. “This thought-provoking…book exemplifies provocative long-form journalism that does not settle for easy answers” (Publishers Weekly, starred review).
The thrilling Shadow Saga begins in Shadow’s Son—“a first-rate sword-and-sorcery tale, with intriguing characters, that moves at a quick pace” (Booklist). In the city of Othir, there are two kinds of people—the dead and those ones who made them that way. Caim is certainly not dead. Orphaned and adrift, Caim grows up to become a cold-blooded assassin with the aid of his ethereal companion Kit—a useful-but-maddening spirit only he can see or hear. And as far as Caim is concerned, he doesn’t need anyone else getting that close to him. But that changes when he’s betrayed on what should have been a simple job—and his only chance for survival lies with Josephine, the young daughter of the very nobleman he was hired to eliminate. Soon Caim is caught in a wide-ranging conspiracy that stretches from Othir’s gilded halls of power to its bloodied alleyways. He must stay sharp if he is to uncover a cabal of traitors, keep Josey alive, and confront the forgotten truth of his own dark past...