Written before his masterpiece Peter Pan, J. M. Barrie's novel Sentimental Tommy grapples with a number of the same themes that the author would later so memorably enshrine in his best-known work. Both feature a central character who clings to the vestiges of youth and refuses to grow up -- often with dire consequences.
Sentimental Tommy (1921) is an American silent film directed by John S. Robertson which has Mary Astor in one of her earliest roles, although her scenes were deleted before release. The story is based on James M Barrie's novel and play. The film, which made a star of Gareth Hughes, is now considered to be a lost film............ Sir James Matthew Barrie, 1st Baronet, OM (9 May 1860 - 19 June 1937) was a Scottish novelist and playwright, best remembered today as the creator of Peter Pan. He was born and educated in Scotland but moved to London, where he wrote a number of successful novels and plays. There he met the Llewelyn Davies boys, who inspired him to write about a baby boy who has magical adventures in Kensington Gardens (included in The Little White Bird), then to write Peter Pan, or The Boy Who Wouldn't Grow Up, a "fairy play" about an ageless boy and an ordinary girl named Wendy who have adventures in the fantasy setting of Neverland. Although he continued to write successfully, Peter Pan overshadowed his other work, and is credited with popularising the name Wendy. Barrie unofficially adopted the Davies boys following the deaths of their parents. Barrie was made a baronet by George V on 14 June 1913, and a member of the Order of Merit in the 1922 New Year Honours. Before his death, he gave the rights to the Peter Pan works to Great Ormond Street Hospital for Children in London, which continues to benefit from them..............
Written before his masterpiece Peter Pan, J. M. Barrie's novel Sentimental Tommy grapples with a number of the same themes that the author would later so memorably enshrine in his best-known work. Both feature a central character who clings to the vestiges of youth and refuses to grow up -- often with dire consequences.
The first book-length look at childhood in Edwardian fiction, this book challenges assumptions that the Edwardian period was simply a continuation of the Victorian or the start of the Modern. Exploring both classics and popular fiction, the authors provide a a compelling picture of the Edwardian fictional cult of childhood.
In the 1840s novelists such as Brontë and Dickens began to explore the inner world of the child. Simultaneously the first psychiatric studies of childhood were appearing. Moving between literature and science, this book explores issues such as childhood fears, imaginary lands, sexuality, and the relation of the child to animal life
