Self-Portrait with Russian Piano

Self-Portrait with Russian Piano

Author: Wolf Wondratschek

Publisher: Farrar, Straus and Giroux

Published: 2020-09-08

Total Pages: 135

ISBN-13: 0374720274

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A legendary literary figure who initiated a one-man Beat Generation in his native Germany, Wolf Wondratschek “is eccentric, monomaniacal, romantic—his texts are imbued with a wonderful, reckless nonchalance.”* Now, he tells a story of a man looking back on his life in an honest Portrait of the Artist as an Old Man. Vienna is an uncanny, magical, and sometimes brutally alienating city. The past lives on in the cafes where lost souls come to kill time and hash over the bygone glories of the twentieth century—or maybe just a recent love affair. Here, in one of these cafes, an anonymous narrator meets a strange character, “like someone out of a novel”: a decrepit old Russian named Suvorin. A Soviet pianist of international renown, Suvorin committed career suicide when he developed a violent distaste for the sound of applause. This eccentric gentleman—sometimes charming, sometimes sulky, sometimes disconcertingly frank—knows the end of his life is approaching, and allows himself to be convinced to tell his life story. Over a series of coffee dates, punctuated by confessions, anecdotes, and rages—and by the narrator’s schemes to keep his quarry talking—a strained friendship develops between the two men, and it soon becomes difficult to tell who is more dependent on whom. Rhapsodic and melancholic, with shades of Vladimir Nabokov, W. G. Sebald, Hans Keilson, and Thomas Bernhard, Wolf Wondratschek's Self-Portrait with Russian Piano is a literary sonata circling the eternal question of whether beauty, music, and passion are worth the sacrifices some people are compelled to make for them. “A romantic in a madhouse. To let Wondratschek’s voice be drowned in the babble of today’s literature would be a colossal mistake.” —*Patrick Süskind, international bestselling author of Perfume: The Story of a Murderer


The Russian Piano School

The Russian Piano School

Author: Christopher J. Barnes

Publisher:

Published: 2007

Total Pages: 264

ISBN-13:

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An insight into the views on technique and interpretation of several of the twentieth century's greatest Russian teachers and performers.


Self-Portrait of Percy Grainger

Self-Portrait of Percy Grainger

Author: Malcolm Gillies

Publisher: Oxford University Press

Published: 2006-06-29

Total Pages: 342

ISBN-13: 9780199719419

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Shortly before his death, Percy Grainger (1882-1961) lodged over twenty unpublished sketches in his Australian Museum. Self-Portrait of Percy Grainger draws exclusively from these sketches, revealing for the first time an illuminating portrait of the composer's life. With such titles as "The Aldridge-Grainger-Strom Saga," "Thunks," "Ere-I-Forget," "The Love-Life of Helen and Paris," and "Anecdotes," these manuscripts were intended as precursors to Grainger's autobiography, My Wretched Tone-Life, which he only commenced in his final years. Expertly shaping these sketches, the editors have created a "self-portrait" along the lines that Grainger himself had intended. The volume first introduces Grainger's forebears, parents, friends, wife, and himself before moving on to his views on composition, performance, and the musical world. In these sketches, Grainger addresses such topics as racial and national identity, the meaning of work, physical culture, language reform, sexual practice, and artistic patronage. Grainger also probes the nature of musical genius, discussing a broad range of composers including Igor Stravinsky, Thomas Beecham, Frederick Delius, Edvard Grieg, Charles Stanford, Cyril Scott, Fritz Kreisler, Donald Tovey, Ferruccio Busoni, and Balfour Gardiner. Among the works of his own that Grainger most featured are his The Warriors --Music for an Imaginary Ballet, Colonial Song, the Lincolnshire Posy series of band pieces, his greatest "hit" Country Gardens, and his many settings of English folk-music. Written in Grainger's own self-created "Nordic English" as well as translated from Danish, the language of his most intimate confessions, Self-Portrait of Percy Grainger sheds light on some of the most revealing details of the composer's life. The sketches trace Grainger's changing self-perception, from the romantically tinged, even lustful, views of his forties and fifties, through a period of wistfulness in his sixties, to the bitterness and self-loathing of his old age. The volume also includes several of Grainger's own drawings as well as both public and private photographs. A fascinating and revealing collection of vignettes, this extraordinary book will appeal to instructors, students, and enthusiasts in musicology, music history, cultural studies, and Australian, British, and American history.


Russian Painting

Russian Painting

Author: Peter Leek

Publisher: Parkstone International

Published: 2012-05-08

Total Pages: 272

ISBN-13: 1780429754

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From the 18th century to the 20th, this book gives a panorama of Russian painting not equalled anywhere else. Russian culture developed in contact with the wider European influence, but retained strong native intonations. It is a culture between East and West, and both influences in together. The book begins with Icons, and it is precisely Icon-painting which gave Russian artist their peculiar preoccupation with ethical questions and a certain kind of palette. It goes on the expound the duality of their art, and point out the originality of their contribution to world art. The illustrations cover all genres and styles of painting in astonishing variety. Such figures as Borovokovsky, Rokotov, Levitsky, Brullov, Fedatov, Repin, Shishkin and Levitan and many more are in these pages.


Underground Music from the Former USSR

Underground Music from the Former USSR

Author: Valeria Tsenova

Publisher: Routledge

Published: 2014-02-25

Total Pages: 284

ISBN-13: 1134371659

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What happened to contemporary music in the Soviet Union after Stravinsky, Shostakovich and Prokofiev? This book is a valuable source of information on the composers of the generations following these three great innovators. It is a document of the hidden period of Russian music, of what happened after the denunciation of Shostakovich and Prokofiev by the Composers' Union. It contains profiles of the most interesting and innovative composers from Russia and the former Soviet republics, written by leading musicologists. Featured composers include Andrei Volkonsky, Philip Gershkovich, Sergei Slonimsky, Boris Tishchenko, Valentin Silvestrov, Leonid Grabovsky , Nikolai Karetnikov , Alemdar Karamanov, Roman Ledenyov , Vyacheslav Artyomov , Faraj Karayev , Alexander Knaifel , Vladislav Shoot Alexander Vustin, Victor Ekimovksy , Alexander Raskatov , Sergei Pavlenko, Vladimir Tarnopolsy.


Self-Portrait of the Other

Self-Portrait of the Other

Author: Heberto Padilla

Publisher: Macmillan

Published: 1990

Total Pages: 258

ISBN-13: 0374526559

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The autobiography of Cuba's finest poet, whose condemnation by the Castro regime became a cause celebre. "Intellectuals alienated from the Castro government who have told their stories tend to sound spiteful and illiberal, like Cabrera Infante; Padilla takes pains to do better. His style is clear, sometimes witty, often bitter, persevering but not burdensome, and evincing an occasional affinity with both Orwell and Hemingway." - Publishers Weekly


Music of the Soviet Era: 1917-1991

Music of the Soviet Era: 1917-1991

Author: Levon Hakobian

Publisher: Taylor & Francis

Published: 2016-11-25

Total Pages: 529

ISBN-13: 1317091876

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This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Music of the Soviet Era: 1917–1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian’s work celebrates the human spirit’s wonderful capacity to derive advantage even from the most inauspicious conditions.


The American Bibliography of Slavic and East European Studies

The American Bibliography of Slavic and East European Studies

Author: Patt Leonard

Publisher: Routledge

Published: 2020-02-27

Total Pages: 1725

ISBN-13: 1315480832

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This bibliography, first published in 1957, provides citations to North American academic literature on Europe, Central Europe, the Balkans, the Baltic States and the former Soviet Union. Organised by discipline, it covers the arts, humanities, social sciences, life sciences and technology.


The Russian Piano Concerto, Volume 1

The Russian Piano Concerto, Volume 1

Author: Jeremy Norris

Publisher:

Published: 1994-06-22

Total Pages: 248

ISBN-13:

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The first volume delves into the origins and development of the Russian piano concerto, comparing and contrasting the concertos of Anton Rubinstein, Tchaikovsky, Balakirev, Mussorgsky, and Taneyev, among others, with those of their European progenitors. Among the elements that gave the Russian piano concerto genre its particularly unique and colorful flavor was the introduction of materials extracted from Slavic folk songs and orthodox chant of the Slavic race (Rimsky-Korsakov and Balakirev in particular). The author includes copious musical examples and charts, including one that delineates the importance and pedagogical influence of Irish pianist and composer John Field (who lived in Russian from 1803 to 1837) on Russian musicians and composers. David Griffioen's discography is invaluable for those interested in comparing renditions and tracing performance history.