This memoir of Michelle Dunn Marsh's life and work as a book designer, cultural producer, and publisher unfolds through photographs drawn from the author's collection (featuring many prints gifted to her from projects, or obtained through trade), and notes on her formative encounters with some of American photography's master practitioners over the last twenty-five years.Portraits of her by Stephen Shore, Larry Fink, Sylvia Plachy, Will Wilson, and others punctuate a loosely chronological narrative exploring the author's evolution of seeing, the influences of family, education, geographies, mentors, and photography itself on that process, and her commitment to the printed book as a vessel of future histories.
This book examines the themes that surface when considering clinical situations where patients feel stuck and where a failure to develop impedes the progress of analysis.
From ancient Taoist sages and Sufi mystics to Christian contemplatives and contemporary Zen masters, Seeing, Knowing, Being explores the profound truth behind all the world’s mystic traditions: Living a spiritual life has nothing to do with fixing ourselves. It is simply a matter of awakening to what we already are. The real work of self-discovery-and the answer to our suffering, emptiness, and loss of meaning-is learning to see in a different way. “The mystical adventure is all in the seeing, says John Greer. “From departure to arrival, nothing changes but our eyes. But the process isn’t that simple. In this all-embracing work that is destined to become a classic, Greer artfully traces the steps and stages of the delicate process of awakening. He shows how we can move from society’s hand-me-down version of reality to the wonder of our true nature-from conceptual, habitual patterns of thinking to knowing the truth by being. Like a master artist who captures an image and stirs something deep inside of us, Greer also highlights nearly one hundred evocative metaphors, as varied and colorful as the sages themselves, to kindle your imagination and spark your intuition-to shift your perspective and shake you into an awareness that no amount of explanation can. What Greer shows, with great wisdom and compassion, is that when you put aside the map of the mind, you can follow the compass of your heart. You can move through the details of life-going to work, raising a family, throwing out the garbage-and still experience the wonders and oneness of life with deep reverence, gratitude, and joy. “Books often describe journeys. Seeing, Knowing, Being actually takes you on one. . . . A profound expedition into the true nature of life. -MATTHEW FLICKSTEIN, author and producer of the award-winning film With One Voice
Essentially clinical in its approach, Psychic Retreats discusses the problem of patients who are 'stuck' and with whom it is difficult to make meaningful contact. John Steiner, an experienced psychoanalyst, uses new developments in Kleinian theory to explain how this happens. He examines the way object relationships and defences can be organized into complex structures which lead to a personality and an analysis becoming rigid and stuck, with little opportunity for development or change. These systems of defences are pathological organisations of the personality: John Steiner describes them as 'psychic retreats', into which the patient can withdraw to avoid contact both with the analyst and with reality. To provide a background to these original and controversial concepts, the author builds on more established ideas such as Klein's distinction between the paranoid-schizoid and depressive positions, and briefly reviews previous work on pathological organizations of the personality. He illustrates his discussion with detailed clinical material, with examples of the way psychic retreats operate to provide a respite from both paranoid-schizoid and depressive anxieties. He looks at the way such organizations function as a defence against unbearable guilt and describes the mechanism by which fragmentation of the personality can be reversed so the lost parts of the self can be regained and reintegrated in to the personality. Psychic Retreats is written with the practising psychoanalysts and psychoanalytic psychotherapists in mind. The emphasis is therefore clinical throughout the book, which concludes with a chapter on the technical problems which arise in the treatment of such severely ill patients.
Using feminist theory and examining films that describe women artists who see others through the lens of feminist theology, this book puts forward an original view of the act of seeing as an ethical activity - a gesture of respect for and belief in another person's visible and invisible sides, which guarantees the safekeeping of the Other's memory.
This work explores the history of tourism in the American West and examines its effects on both the tourists and the places and people they visit. Scholars join government and National Park Service professionals to investigate the dilemmas that tourism poses for western communities, from economic and environmental questions to cultural change.
"Robert Irwin, perhaps the most influential of the California artists, moved from his beginnings in abstract expressionism through successive shifts in style and sensibility, into a new aesthetic territory altogether, one where philosophical concepts of perception and the world interact. Weschler has charted the journey with exceptional clarity and cogency. He has also, in the process, provided what seems to me the best running history of postwar West Coast art that I have yet seen."—Calvin Tomkins
The beloved New York Times bestselling author tells the poignant love story of caring for her parents in their final years in this beautifully written memoir. “I’ll Be Seeing You moved me and broadened my understanding of the human condition.”—Wally Lamb, author of I Know This Much Is True Elizabeth Berg’s father was an Army veteran who was a tough man in every way but one: He showed a great deal of love and tenderness to his wife. Berg describes her parents’ marriage as a romance that lasted for nearly seventy years; she grew up watching her father kiss her mother upon leaving home, and kiss her again the instant he came back. His idea of when he should spend time away from her was never. But then Berg’s father developed Alzheimer’s disease, and her parents were forced to leave the home they loved and move into a facility that could offer them help. It was time for the couple’s children to offer, to the best of their abilities, practical advice, emotional support, and direction—to, in effect, parent the people who had for so long parented them. It was a hard transition, mitigated at least by flashes of humor and joy. The mix of emotions on everyone’s part could make every day feel like walking through a minefield. Then came redemption. I’ll Be Seeing You charts the passage from the anguish of loss to the understanding that even in the most fractious times, love can heal, transform, and lead to graceful—and grateful—acceptance.
"In her raw, unflinching memoir . . . she tells the impassioned, wrenching story of the mental health crisis within her own family and community . . . A searing cry." —New York Times Book Review The Mohawk phrase for depression can be roughly translated to "a mind spread out on the ground." In this urgent and visceral work, Alicia Elliott explores how apt a description that is for the ongoing effects of personal, intergenerational, and colonial traumas she and so many Native people have experienced. Elliott's deeply personal writing details a life spent between Indigenous and white communities, a divide reflected in her own family, and engages with such wide-ranging topics as race, parenthood, love, art, mental illness, poverty, sexual assault, gentrification, and representation. Throughout, she makes thrilling connections both large and small between the past and present, the personal and political. A national bestseller in Canada, this updated and expanded American edition helps us better understand legacy, oppression, and racism throughout North America, and offers us a profound new way to decolonize our minds.
During the later Middle Ages people became increasingly obsessed with vision, visual analogies and the possibility of visual error. In this book Dallas Denery addresses the question of what medieval men and women thought it meant to see themselves and others in relation to the world and to God. Exploring the writings of Roger Bacon, Duns Scotus, Peter Aureol and Nicholas of Autrecourt in light of an assortment of popular religious guides for preachers, confessors and penitents, including Peter of Limoges' Treatise on the Moral Eye, he illustrates how the question preoccupied medieval men and women on both an intellectual and practical level. This book offers a unique interdisciplinary examination of the interplay between religious life, perspectivist optics and theology. Denery presents significant new insights into the medieval psyche and conception of the self, ensuring that this book will appeal to historians of medieval science and those of medieval religious life and theology.
