A classic romance in the tradition of Georgette Heyer Winner of the $10,000 Woman's Day/Random House Romantic Fiction Prize Romantic Book of the Year Finalist - Romance Writers Australia It's 1745, the age of hedonism and enlightenment. A young girl is abandoned at the court of Versailles. The predatory Comte de Salvan plots her seduction. An all-powerful adversary snatches her to safety. But is he noble savior or a satyr most despicable?
The origins of satyr drama, and particularly the reliability of the account in Aristotle, remains contested, and several of this volume’s contributions try to make sense of the early relationship of satyr drama to dithyramb and attempt to place satyr drama in the pre-Classical performance space and traditions. What is not contested is the relationship of satyr drama to tragedy as a required cap to the Attic trilogy. Here, however, how Aeschylus, Sophocles, and Euripides (to whom one complete play and the preponderance of the surviving fragments belong) envisioned the relationship of satyr drama to tragedy in plot, structure, setting, stage action and language is a complex subject tackled by several contributors. The playful satyr chorus and the drunken senility of Silenos have always suggested some links to comedy and later to Atellan farce and phlyax. Those links are best examined through language, passages in later Greek and Roman writers, and in art. The purpose of this volume is probe as many themes and connections of satyr drama with other literary genres, as well as other art forms, putting satyr drama on stage from the sixth century BC through the second century AD. The editors and contributors suggest solutions to some of the controversies, but the volume shows as much that the field of study is vibrant and deserves fuller attention.
One of the 20 Most Romantic Books Ever, According to BookBub Members Inspired by real events, a secretly arranged marriage establishes a dynasty. After years in exile, Julian returns to claim a bride he doesn’t know. To his delight, he discovers she is everything he’d hoped for. Unaware they are already married, Deb is content with her independent life. Julian’s challenge is to have her accept him on his merit, even though she has no choice at all. The future of the Roxton dukedom depends upon it. Set in the opulent world of the Georgian aristocracy, Lucinda Brant delivers another lavish 18th century experience in her trademark style—heart-wrenching drama with a happily ever after. Character-driven romantic adventure Non-explicit, mild sensuality Story length 100,000 words (not including bonus material) Reviews Lucinda Brant’s sweeping family sagas are a perfect reminder of why I fell in love with historical romance —Cheryl Bolen, New York Times bestselling author You will once again be reminded why Lucinda Brant’s books are such a treasure. —SWurman, Night Owl Reviews 5 STAR TOP PICK The energy starts on page one and never lets up. Twists and turns, dramatic revelations, and some enjoyable chaos make this a book that keeps the reader turning pages. Highly recommended! — Fiona Ingram, Readers’ Favorite 5 STAR MEDAL WINNER Lucinda Brant fully immerses the reader in the world of Georgian England, keeping you turning pages, or listening late into the night as the case may be. For those historical romance fans who have been gobsmacked by Nicholas Boulton (as a narrator), I am thrilled to report that Alex Wyndham is every bit as good. His narrative voice is deep and lovely. I unreservedly recommend that you listen to Midnight Marriage.—Lady Wesley, Romantic Historical Reviews audiobook review Accolades B.R.A.G. Medallion Honoree Readers’ Favorite Audiobook Silver Medal Winner Readers’ Favorite International Book Award Finalist
A beautiful duchess mourns for her beloved. A sun-bronzed merchant returns to claim a birthright. Disparate souls in need of love and renewal. Paths cross and the journey begins... The Roxton family saga continues. Set in Hampshire, England 1777, this is the story of Antonia, Dowager Duchess of Roxton, and how she emerges from utter despair after the death of her husband and soul mate to unexpectedly find love again.
Heir to an earldom, Dair Fitzstuart enjoys the life of a reckless rogue. Rory Talbot, on the other hand, is a wallflower. Dair and Rory's paths will surely never cross. Until one night they do, and everything turns upside down...
The esteem in which satyr drama was held in antiquity still arouses curiosity and controversy. Twelve new papers, generated in North America by a distinguished cast of scholars, explore questions central to the genre. How did satyr drama relate to comedy and tragedy; how closely was it tied to its tragic trilogy? How did the Athenians react to pro-satyric drama, such as the Alcestis? How far did satyr plays reflect contemporary political life? Fresh conclusions are adduced from the fragments, particularly those of Aeschylus, and there is special study of Euripides' Cyclops, not least for its possible reflection of the fifth-century sophists.
Bold and skilled, Francis takes us into the still landscapes of Texas, evoking the African American South in fluid detail. Her poems become panhandle folktales fraught with the weight of memories both individual and collective. Her creative tangle of metaphors, people, and geography will keep the reader rooted in the good earth of extraordinary verse.