Television can be a storehouse of treasures, and one of its best kept secrets was a show called Charmed. Despite being scheduled at all hours, the series steadily built up a dedicated and vocal audience who became hooked by its beguiling and seductive power, attractive visuals and gentle wit. Charmed is the story of the four Halliwell sisters, Prue (Shannon Doherty), Piper (Holly Marie Combs), Phoebe (Alyssa Milano) and Paige (Rose McGowan). Together they are the Charmed Ones and they are sworn to protect the innocent. In Triquetra, best-selling author Keith Topping explores every episode, revealing the triumphs, the goofs, the guest stars, the intake of nicotine and alcohol, and generally gets under the skin of the Halliwell sisters and their lives, loves and spellbinding adventures.
Svagnar is the ferocious warrior jarl of Arkavic. To stop the neighbouring king from constantly attacking his country, he's formed an audacious plan: he will abduct his enemy's daughter and make her his wife, hoping that tying their countries together through marriage will end the war. But the last thing he intends is to become dangerously attracted to his stolen bride. Aster is the captain of the princess's guard. She is low-born, steadfast and fiercely loyal. But now, the princess is being sent away to be wed, and on the way they are surprised by a group of barbarian warriors from Arkavik. To save the princess from capture, Aster claims to be her and gets taken instead. The last thing she expects is to become a royal bride in a desperate bid to save a country. Caught between war and peace, lies and loyalty, duty and lust, the two find themselves dangerously drawn to each other. But in the chess game of war, the heart is always the first pawn to be sacrificed. This is a stand-alone, enemies-to-lovers, forced marriage romance set in the medieval fantasy world of Westmere and contains sexual content not suitable for adults. --- "A blend of Game of Thrones & Radiance (by Grace Draven)." Becca, Goodreads ★★★★★ "The world is is beautiful, you've got angst, you've got pining, you've got action, and the sex is hot as.I really adored this book." Emily, Amazon Review ★★★★★ "The lyrical narrative was an absolute joy to read. Was my first time reading a romance novel and if all romance novels are like this I should read more!" Grey, Goodreads ★★★★★ "With a bit of intrigue, a lot of chemistry and a bucket load of romance, this story was one I couldn't put down and I recommend it to anyone who enjoys romance." Jules, Amazon Review ★★★★★ "I love a good bodice-ripper and this absolutely qualifies. A traditional story line, told well, with compelling characters. I would definitely recommend this as a good, fun, sexy read." Amanda, Goodreads ★★★★★
"The Horse of the Invisible" is a short story with a gothic theme and a touch of mystery. It is a mysterious tale involving Thomas Carnacki, the famous Investigator of ghost stories, who shares the details of a peculiarly frightening experience relating a ghost of a horse, who interferes with marriages of several women from one family. But is there a more to it?
Patsy Stone in Absolutely Fabulous; Purdey in The New Avengers; Bond Girl in On Her Majesty's Secret Service; Sapphire in Sapphire and Steel; a castaway in Girl Friday; actress; model; writer; campaigner; inventor; TV presenter and journalist: Joanna Lumley has played many roles in her lifetime, but rarely had the opportunity to reveal her true self. Intimate, funny, intriguing and moving, No Room for Secrets is a more surprising and revealing autobiography than any sensational 'kiss and tell' memoir you will ever read. Inside you will find the real Joanna Lumley.
When Scotland Yard superintendent Duncan Kincaid takes Gemma, Kit, and Toby for a holiday visit to his family in Cheshire, Gemma is soon entranced with Nantwich's pretty buildings and the historic winding canal, and young Kit is instantly smitten with his cousin Lally. But their visit is marred by family tensions exacerbated by the unraveling of Duncan's sister Juliet's marriage. And tensions are brought to the breaking point on Christmas Eve with Juliet's discovery of a mummified infant's body interred in the wall of an old dairy barn—a tragedy hauntingly echoed by the recent drowning of Peter Llewellyn, a schoolmate of Lally's. Meanwhile, on her narrowboat, former social worker Annie Lebow is living a life of self-imposed isolation and preparing for a lonely Christmas, made more troubling by her meeting earlier in the day with the Wains, a traditional boating family whose case precipitated Annie's leaving her job. As the police make their inquiries into the infant's death, Kincaid discovers that life in the lovely market town of his childhood is far from idyllic and that the dreaming reaches of the Shropshire Union Canal hold dark and deadly secrets . . . secrets that may threaten everything and everyone he holds most dear.
This collection of writings by Mark Fisher, author of the acclaimed Capitalist Realism, argues that we are haunted by futures that failed to happen. Fisher searches for the traces of these lost futures in the work of David Peace, John Le Carré, Christopher Nolan, Joy Division, Burial and many others.
'Mischievous and measured, Joanna Lumley gives us a remarkable portrait of a groovy life' The Times 'Captures perfectly the mixture of poshness and larkiness that has captivated Joanna Lumley's audiences... thoughtful and amusing' Daily Mail 'An actress with an extraordinarily varied life... [a] gloriously illustrated, entertaining memoir' Woman & Home 'Immensely fun' Evening Standard Joanna Lumley is one of Britain's undisputed national treasures, who has lived many lives: a single mum; a voiceover artist; a TV presenter; an author; a former model and Bond girl; a human rights activist for Survival International and the Gurkha Justice Campaign; and as an iconic, award-winning actor, best known for her roles in timeless shows like Absolutely Fabulous and The New Avengers. In Absolutely, Joanna tells her story, from the very beginning up until the present day, in her own glamorous, wickedly funny style. 'Lumley has done it all, from sex kitten and TV star to activist for the Gurkhas. Read about it here.' Independent 'Joanna Lumley is, for many, something of a national treasure' Daily Express 'She writes beautifully' Daily Telegraph 'She's the glamorous age-defying star of stage and screen, who is famous as Patsy from Ab Fab yet a passionate human rights campaigner. But as her autobiography reveals, Joana's life has seen her fight through poverty and being a single mum' Best
David Eddings returns to The Elenium, the splendid fantasy series that began with the thrilling novels Diamond Throne and Ruby Knight. Finally the knight Sparhawk had come to possess Bhelliom, legendary jewel of magic that alone could save Queen Ehlana from the deadly poison that had felled her father. Sparhawk and Sephrenia, ageless instructor in Styric magics, made haste to free Ehlana from the crystalline cocoon that had preserved her life while they desperately sought a cure. But Bhellion carried dangers of its own. Once the stone came into his hands, Sparhawk found himself stalked by a dark, lurking menace. Whether the foul Zemoch God Azash was behind this threat, or some other enemy, even Sephrenia could not say—only that the sapphire rose held powers too dangerous for any mortal to bear. Restoring Queen Ehlana would be only the beginning of Sparhawk’s mission. With the aid of four stalwart knights, one from each Militant Order, he must thwart Ehlana’s prisoner, the Primate Annias, in his plot to assume the throne of the Church. For as Archprelate, Annias would serve his secret master, Azash, and deliver up to the dread God the one thing Azash thirsted for—Bhelliom itself!
A LOUDER THAN WAR BOOK OF THE YEAR A riveting journey into the psyche of Britain through its golden age of television and film; a cross-genre feast of moving pictures, from classics to occult hidden gems, The Magic Box is the nation's visual self-portrait in technicolour detail. 'The definition of gripping. Truly, a trove of wyrd treasures.' BENJAMIN MYERS 'A lovingly researched history of British TV [that] recalls the brilliant, the bizarre and the unworldly.' GUARDIAN 'A reclamation, not just of a visual 'golden age', but of Britain as a darkly magical place.' THE SPECTATOR 'A feat of argument, description and affection.' FINANCIAL TIMES 'Young unearths the ghosts of TV past - and Britain's dark psyche.' HERALD 'Highly entertaining . . . [A] fabulous treasure trove.' SCOTSMAN 'Young is a phenomonal scholar.' OBSERVER 'Impassioned.' THE CRITIC Growing up in the 1970s, Rob Young's main storyteller was the wooden box with the glass window in the corner of the family living room, otherwise known as the TV set. Before the age of DVDs and Blu-ray discs, YouTube and commercial streaming services, watching television was a vastly different experience. You switched on, you sat back and you watched. There was no pause or fast-forward button. The cross-genre feast of moving pictures produced in Britain between the late 1950s and late 1980s - from Quatermass and Tom Jones to The Wicker Man and Brideshead Revisited, from A Canterbury Tale and The Go-Between to Bagpuss and Children of the Stones, and from John Betjeman's travelogues to ghost stories at Christmas - contributed to a national conversation and collective memory. British-made sci-fi, folk horror, period drama and televisual grand tours played out tensions between the past and the present, dramatised the fractures and injustices in society and acted as a portal for magical and ghostly visions. In The Magic Box, Rob Young takes us on a fascinating journey into this influential golden age of screen and discovers what it reveals about the nature and character of Britain, its uncategorisable people and buried histories - and how its presence can still be felt on screen in the twenty-first century. '[A] forensic dissection . . . this tightly packed treatise takes pains to illustrate how what we view affects how we view ourselves.' TOTAL FILM
