Tells of the dramatic, often hilarious story of Arthur Miller working with the Beijing People's Theatre to produce his play "Death of a Salesman" from first read-through to opening night.
Cycle through the sights of Beijing with Lunzi as she searches for her best friend. One, two; yi, er. Side by side, two bicycles, Lunzi and Huangche, come out of the factory. Side by side, they watch the city of Beijing from their shop window. Then a young girl comes in and buys Huangche, rolling him away from Lunzi! With the help of a delivery boy, Lunzi begins an epic race to find her friend that introduces readers to all the sights and sounds of Beijing.
Banned in China for its candid exploration of a young girl's sexual awakening yet widely acclaimed as being "the first novel of 'tough youth' in China" (Beijing Today), Beijing Doll cuts a daring path through China's rock-and-roll subculture. This cutting edge novel -- drawn from the diaries the author kept throughout her teenage years -- takes readers to the streets of Beijing where a disaffected generation spurns tradition for lives of self expression, passion, and rock-and-roll. Chun Sue's explicit sensuality, unflinching attitude towards sex, and raw, lyrical style break new ground in contemporary Chinese literature.
Beijing Comrades is the story of a torrid love affair set against the socio-political unrest of late-eighties China. Due to its depiction of gay sexuality and its critique of the totalitarian government, it was originally published anonymously on an underground gay website within mainland China. This riveting and heart-breaking novel, circulated throughout China in 1998, quickly developed a cult following and remains a central work of queer literature from the People's Republic. This is the first English-language translation.
Voices Carry is the moving autobiography of the late Ying Ruocheng, beloved Chinese stage and screen actor, theatre director, translator, and high-ranking politician as vice minister of culture from 1986-1990. One of twentieth-century China's most prominent citizens, Ying was imprisoned during the Cultural Revolution and devised unique strategies for survival, including playing pranks on guards and keeping a clandestine notebook. Ying's memoir opens with his prison years, and then flashes back to his boyhood growing up in a prince's palace as a member of a progressive Manchu Catholic intellectual family. He also details his experiences as a university student during the heady days when the People's Republic was being founded, followed by his subsequent experiences on stage, in film, and in politics. A founding member of the Beijing People's Art Theatre, Ying Ruocheng helped open its doors to Sino-American exchange when he brought Arthur Miller to China to stage Death of a Salesman in 1983, playing the role of Willy Loman in his own translation of the play. Simultaneously a "spy" for his own government and a cultural ambassador for countless foreigners and fellow countrymen, Ying lived out his life as a bridge between China and the West, gaining a singular perspective on matters related to culture and politics. While suffering from cirrhosis of the liver during the final decade of his life, Ying Ruocheng reflected on his experiences, collaborating with coauthor Claire Conceison to tell his story. Together, they take the reader on an exhilarating journey from Manchu wrestling matches to missionary schools, from behind prison bars to behind the scenes at ground-breaking stage performances, and from public moments of international recognition to private moments of intimacy and despair.
What are Beijing’s objectives towards the developing world and how they have evolved and been pursued over time? Featuring contributions by recognized experts, China Steps Out analyzes and explains China’s strategies in Southeast Asia, Central Asia, South Asia, Africa, Middle East, and Latin America, and evaluates their effectiveness. This book explains how other countries perceive and respond to China’s growing engagement and influence. Each chapter is informed by the functionally organized academic literature and addresses a uniform set of questions about Beijing’s strategy. Using a regional approach, the authors are able to make comparisons among regions based on their economic, political, military, and social characteristics, and consider the unique features of Chinese engagement in each region and the developing world as a whole. China Steps Out will be of great interest to students and scholars of Chinese foreign policy, comparative political economy, and international relations.
"F R E E M E" A psalm of my culture. Restrained for 14 days in a country where I am a foreigner. In my native land I felt foreign, but I felt at home simultaneously. Never would I have thought the phrase "F R E E M E" would mean free me. Glad I'm not dead, lest the front of a shirt be my final resting place. Pride stained on my flesh, how I, a cub, have wandered into the Serengeti. A clock on the wall knows my future, freedom in its hands. A second is life, a minute, eternity. "F R E E M E." Peace is my cell, cold, dark, unchanging. Unfamiliar eyes accompany me daily. Twenty four, seven, fifteen, nine, three, one, one. My lucky numbers. Red and blue. Life and substance. Knowledge and power. A trial of the mind to test the resolve of the soul. "Never let a hard time humble us, the marathon continues." (Hussle, 2019).
"Between Mecca and Beijing" examines how a community of urban Chinese Muslims uses consumption to position its members more favorably within the Chinese government's official paradigm for development. Residents of the old Muslim district in the ancient Chinese capital of Xi'an belong to an official minority (the Hui nationality) that has been classified by the state as "backward" in comparison to China's majority (Han) population. Though these Hui urbanites, like the vast majority of Chinese citizens, accept the assumptions about social evolution upon which such labels are based, they actively reject the official characterization of themselves as less civilized and modern than the Han majority. By selectively consuming goods and adopting fashions they regard as modern and non-Chinese--which include commodities and styles from both the West and the Muslim world--these Chinese Muslims seek to demonstrate that they are capable of modernizing without the guidance or assistance of the state. In so doing, they challenge one of the fundamental roles the Chinese Communist government has claimed for itself, that of guide and purveyor of modernity. Through a detailed study of the daily life--eating habits, dress styles, housing, marriage and death rituals, religious practices, education, family organization--of the Hui inhabitants of Xi'an, the author explores the effects of a state-sponsored ideology of progress on an urban Chinese Muslim neighborhood.
Beijing presents a clear and gathering threat to Washington -- but not for the reasons you think. China's challenge to the West stems from its transformative brand of capitalism and an entirely different conception of the international community. In The Beijing Consensus, a leading expert in international relations presents a coherent integration of the many sides of U.S.-China relations.