Sadie was angry: Why wouldn't her family believe that she hadn't taken or lost Momma's sewing basket? Did that new boy Mitch have something to do with it?
With God's help, thirteen-year-old Sadie tries to resolve the running feud that develops between her and Barr, the orphan who has come to live with her Nebraska pioneer family.
This first book in the Prairie Family Adventure series is full of suspense and includes a daring escape that will leave you breathless. Beyond that, it is a story about God's love and His tender forgiveness. The series is written for 9-12 year olds.
Twelve-year-old Sadie's prairie community is visited by possible romance and possible danger in the form of a handsome con man who has turned his back on God.
"One of the books every boy should have on his bookshelf." -- San Francisco Examiner No outlaw could draw as fast as Lightning Larry. But what really terrified those bad men was that peculiar gun of his. It didn't shoot bullets. It shot light. And Larry always aimed for the heart. Can Larry save the town of Brimstone from Evil-Eye McNeevil's outlaw gang? Find out in this rip-roaring original tale of a gunfighter with a huge smile and a hankering for lemonade. TEACHERS AND LIBRARIANS -- A READER'S THEATER SCRIPT OF THIS BOOK IS AVAILABLE IN AARON'S BOOK "STORIES ON STAGE," OR FREE ON AARON'S WEB SITE. ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of "The Baker's Dozen," "The Sea King's Daughter," "The Monkey King," and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Once a professional storyteller, Aaron specializes in lively retellings of folktales and other traditional literature, which have won him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. Toni Goffe is the British illustrator of numerous well-loved children's books and is a winner of the 1993 Gold Medallion Book Award. He is also illustrator of Aaron's "The Legend of Slappy Hooper." ///////////////////////////////////////////////// "One of the books every boy should have on his bookshelf; girls will probably like the story too . . . The language is perfect, [with] the right dose of silliness to make both parents and children chuckle . . . The illustrations are ideal." -- Cindi Rose, San Francisco Examiner, Aug. 20, 2012 "A tall-tale superhero for our time. . . . A readaloud that could lighten up classes well up in the elementary grades." -- Kirkus Reviews, Mar. 1, 1993 "Pass out the bandanas and dig out the spittoon. Read this story in an old-timer's voice, and everyone will have a good time." -- Chris Sherman, American Library Association Booklist, Mar. 1, 1993 "Move over, Wyatt Earp. Make room for a cowboy of a different caliber. A wide age range of listeners will request this one again and again." -- School Library Journal, Nov. 1993 "A rib-tickler. . . . Kids will enjoy acting this out as readers theatre." -- Jan Lieberman, TNT, Spring 1993 "Lovely. . . . Should reach the tickly bone of youngsters." -- Storyline, June 1993 "Perfect for telling or reading out loud." -- Katy Rydell, Stories, Spring 1993 "My class loved this story. Great to use when introducing tall tales." -- D. Peccianti, Reviews of All Resources (Monterey Peninsula United School District) "Introduces one amazing cowpoke. . . . Will have young listeners laughing out loud and asking you to 'read it again.'" -- Smithsonian, Nov. 1993 "Told in the spirited language of a true yarn-spinner, this is a rollicking picture book to warm the heart of just about everyone." -- Kids' Line, Summer 1993
Drawing on previously untapped archival materials including letters, interviews, and more, Bernard F. Dick traces the history of Columbia Pictures, from its beginnings as the CBC Film Sales Company, through the regimes of Harry Cohn and his successors, and ending with a vivid portrait of today's corporate Hollywood. The book offers unique perspectives on the careers of Rita Hayworth and Judy Holliday, a discussion of Columbia's unique brands of screwball comedy and film noir, and analyses of such classics as The Awful Truth, Born Yesterday, and From Here to Eternity. Following the author's highly readable studio chronicle are fourteen original essays by leading film scholars that follow Columbia's emergence from Poverty Row status to world class, and the stars, films, genres, writers, producers, and directors responsible for its transformation. A new essay on Quentin Tarantino's Once Upon a Time...in Hollywood rounds out the collection and brings this seminal studio history into the 21st century. Amply illustrated with film stills and photos of stars and studio heads, Columbia Pictures is the first book to integrate history with criticism of a single studio, and is ideal for film lovers and scholars alike.