A captivating exploration of the sacred and mystical underpinnings of Indian textiles, illuminating their deeply rooted religious, philosophical, and ceremonial significance.
"Published to accompany the exhibition The Fabric of India at the Victoria and Albert Museum, London, from 3 October 2015 to 10 January 2016"--Title page verso.
It’s the trip of a lifetime—a textile-based tour of colorful Rajasthan, India featuring more than 200 lush photographs depicting everyday life in one of the most vibrant regions in the world. ”Get lost in the beauty of the photographs in Patterns of India, a striking journey through the colorful Indian state of Rajasthan.”—BuzzFeed Patterns of India is a visual experience that offers intimate insights into the diverse and richly hued Western Indian culture. Color is the thread that binds the vast country together, defining every aspect of life from religion and politics to food and dress. Organized by the five dominant colors royal blue, sandstone, marigold, ivory, and rose, this book explores how deeply color and pattern exist in a symbiotic relationship and are woven into every part of the culture. For instance, the fuchsia found in the draping fabric of a sari is matched by the vibrant chains of roses offered at temple, and the burnt orange spices in the marketplaces are reflected in the henna tattoos given to brides and wedding guests. While every color is imbued with meaning, it is often within the details of patterns that the full story comes to light. Photographer and writer Christine Chitnis spent over a decade traveling through, getting to know, and falling in love with the intricate patterns of everyday Rajasthani life. With history and culture-based essays woven throughout the more than 200 stunning photographs of architecture, markets, cuisine, art, textiles, and everyday goings-on, Patterns of India captures the beauty and essence of this unique part of the world.
"When a rich man in seventeenth-century South Asia enjoyed a peaceful night's sleep, he imagined himself enveloped in a velvet sleep. In the poetic imagination of the time, the fine dew of early evening was like a thin cotton cloth from Bengal, and woolen shawls of downy pashmina sent by the Mughal emperors to their trusted noblemen approximated the soft hand of the ruler on the vassal's shoulder. Textiles in seventeenth-century South Asia represented more than cloth to their makers and users. They simulated sensory experience, from natural, environmental conditions to intimate, personal touch. The Art of Cloth in Mughal India is the first art historical account of South Asian textiles from the early modern era. Author Sylvia Houghteling resurrects a truth that seventeenth-century world citizens knew, but which has been forgotten in the modern era: South Asian cloth ranked among the highest forms of art in the global hierarchy of luxury goods, and had a major impact on culture and communication. While studies abound in economic history about the global trade in Indian textiles that flourished from the seventeenth to the nineteenth centuries, they rarely engage with the material itself and are less concerned with the artistic-and much less the literary and social-significance of the taste for cloth. This book is richly illustrated with images of textiles, garments, and paintings that are held in little-known collections and have rarely, if ever, been published. Rather than rely solely on records of European trading companies, Houghteling draws upon poetry in local languages and integrates archival research from unpublished royal Indian inventories to tell a new history of this material culture, one with a far more balanced view of its manufacture and use, as well as its purchase and trade"--
Textiles provide a visual history of a country's culture and crafting traditions in a way few other things can accomplish. In Textiles of Southeast Asia, Dr. Robyn Maxwell provides the definitive work on Southeast Asian textiles. Traditional textiles are one of the most widely collected and important categories of Southeast Asian art. Using an extensive range of locally produced raw materials and an astonishing array of techniques—including applique, weaving, batik and embroidery—the textiles of Southeast Asia are astonishing in their versatility and originality. Textiles are used to fashion everything from everyday clothing to sacred and ceremonial costumes, shrouds and wrapping cloths, hangings, banners and ritual regalia—all of which are represented and explained in Textiles of Southeast Asia. This authoritative text focuses on the changing relationship between indigenous Southeast Asian traditions and the outside influences continuing to be brought to the area, which change the nature of the region's textile traditions. This book considers the various ways Southeast Asian textile artisans reacted over the centuries to the steady stream of new and powerful ideas and raw materials arriving from India, China, the Islamic world and Europe. A detailed and definitive resource, Textiles of Southeast Asia is a welcome addition to the field of textiles.
In Clothing as Devotion in Contemporary Hinduism, Urmila Mohan explores the materiality and visuality of cloth and clothing as devotional media in contemporary Hinduism. Drawing upon ethnographic research into the global missionizing group “International Society for Krishna Consciousness” (ISKCON), she studies translocal spaces of worship, service, education, and daily life in the group’s headquarters in Mayapur and other parts of India. Focusing on the actions and values of deity dressmaking, devotee clothing and paraphernalia, Mohan shows how activities, such as embroidery and chanting, can be understood as techniques of spirituality, reverence, allegiance—and she proposes the new term “efficacious intimacy” to help understand these complex processes. The monograph brings theoretical advances in Anglo-European material culture and material religion studies into a conversation with South Asian anthropology, sociology, art history, and religion. Ultimately, it demonstrates how embodied interactions as well as representations shape ISKCON’s practitioners as devout subjects, while connecting them with the divine and the wider community.
What if you set out to travel the world and got sidetracked in a Himalayan sewing workshop? What if that sidetrack turned out to be your life’s path—your way home? Part art book, part memoir, part spiritual travelogue, Threads of Awakening is a delightful and inspiring blend of adventure and introspection. Leslie Rinchen-Wongmo shares her experience as a California woman traveling to the seat of the Tibetan government-in-exile in India to manage an economic development fund, only to wind up sewing pictures of Buddha instead. Through her remarkable journey, she discovered that a path is made by walking it—and that some of the best paths are made by walking off course. For more than 500 years, Tibetans have been creating sacred images from pieces of silk. Much rarer than paintings and sculptures, these stitched fabric thangkas are among Tibet's finest artworks. Leslie studied this little-known textile art with two of its brightest living masters and let herself discover where curiosity and devotion can lead. In this book, she reveals the unique stitches of an ancient needlework tradition, introduces the Buddhist deities it depicts, and shares insights into the compassion, interdependence, and possibility they embody. Includes 49 full-color photos and a foreword by the Dalai Lama.
Textile Arts of India is the most lavish volume ever published on the magnificent textiles of India. Hundreds of full-color photographs, taken especially for this volume, present a glorious array of cloths: painted and block-printed, roller-printed, tie-dyed, woven, embroidered or exquisitely hand-painted with gold and silver leaf; as well as prized ikats. Dating from the seventeenth to the first half of the twentieth century, this dazzling collection presents a wonderful spectrum of designs, from graceful florals and simple geometric patterns to spectacular day-to-day life. An informative text traces the history of textile manufacturing in India and discusses the various methods of weaving, dying, and other means of decoration. Each textile is accompanied by an identifying caption.