Nearly 400 years after the death of Rudolph II, the city of Prague is hosting during the summer of 1997 a celebration of art, music, and science in honor of the enlightened and eccentric Hapsburg ruler. Prepared with the Prague Castle Administration, this official and comprehensive catalog contains significant artistic achievements of both court and city. 1500 illus. 250 in color.
"Prague ""in the Reign of Rudolph II"takes readers back to the days of the Habsburg Emperor Rudolph II (1576 1611) when Prague became the metropolis of the Holy Roman Empire, and when the imperial court was a much sought-after milieu for scholars and artists, as well as magicians and adventurers. As the author notes, almost anyone of importance from inside and even outside the empire had to spend some time in Prague if they wanted to make their name. After an introduction in the form of an historical outline, the reader is guided on an engaging and informative stroll through Rudolphine Prague, which to this day remains full of mystery and legend. On this tour through the period and its monuments, including a peek into the famous imperial collection, the reader is guided by Eli ka Fu ikova, an outstanding and internationally reknowned expert on Rudolphine art. Her lively and authoritative account is accompanied by about a hundred colour plates of buildings and historic monuments dating from the late Renaissance, together with other graphic documentation, an index of locations with a map of Rudolphine monuments, and an overview of prominent figures. Compare: http: //www.metmuseum.org/toah/hd/rupr/hd_rupr.htm Note: This is the first book in our Prague series, a facelifted sequel to Wittlich s "Art-Nouveau Prague" (Chicago catalog F09). All books in the series will be published first in Czech, then in translation by native English speakers with expertise in the field. Translations into other languages are likely. A pdf of the Czech version attached. "
An intriguing portrait of Holy Roman Emperor Rudolf II, heir to the Habsburg empire, focuses on the thirty-six-year reign and the extraordinary mathematicians, alchemists, artists, astronomers, and philosophers who made up his court--including Johannes Kepler, Tycho Brahe, Francis Bacon, and others--and made Prague the artistic and scientific center of Europe. 25,000 first printing.
In the late 16th century the greatest philosophers, alchemists, astronomers, painters, and mathematicians of the day flocked to Prague to work under the patronage of the Holy Roman Emperor Rudolf II, an emperor more interested in the great minds of his times than in the exercise of his immense power. Rarely leaving Prague Castle, he gathered around him a galaxy of famous figures: among them the painter Arcimboldo, the astronomer Tycho Brahe, the mathematician Johannes Kepler, the philosopher Giordano Bruno and the magus John Dee. Fascinated by the new Renaissance learning, Rudolf found it nearly impossible to make decisions of state. Like Faust, he was prepared to risk all in the pursuit of magical knowledge and the Philosopher's Stone which would turn base metals into gold and prolong life indefinitely. But he also faced threats: religious discord, the Ottoman Empire, his own deepening melancholy and an ambitious younger brother. As a result he lost his empire and nearly his sanity. But he enabled Prague to enjoy a golden age of peace and creativity before Europe was engulfed in the Thirty Years' War. Filled with angels and devils, high art and low cunning, talismans and stars, The Mercurial Emperor offers a captivating perspective on a pivotal moment in the history of Western civilisation.
The court of Holy Roman Emperor Rudolf II produced nothing more amazing than the Mira colligrophioe monumenta, a flamboyant demonstration of two arts-calligraphy and miniature painting. The project began when Rudolf's predecessor commissioned the master calligrapher Georg Bocskay to create a model book of calligraphy. A preeminent scribe, Bocskay assembled a vast selection of contemporary and historic scripts. Many were intended not for practical use but for virtuosic display. Years later, at Rudolf's behest, court artist Joris Hoefnagel filled the spaces on each manuscript page with images of fruit, flowers, insects, and other natural minutiae. The combination of word and images is rare and, on its tiny scale, constitutes one of the marvels of the Central European Renaissance. The manuscript is now in the collections of the Getty Museum. Forty-eight of its pages are reproduced in this book, containing samples of classic italic hands; historical, invented, and exhibition hands; Rotunda, a classicizing humanist script based on Carolingian miniscule; classically based scripts; and Gothic blackletter and chancery.
The School of Prague provides both a much-needed catalogue raisonné of painting in Rudolfine Prague and a significant reassessment of Renaissance art theory and practice. Thomas DaCosta Kaufmann masterfully reconstructs the Prague court, discussing the "mannerist" art it patronized and the artists who were active in it.
A selection of forty-one pages of the manuscript Mira calligraphiae monumenta, comprising Joris Hoefnagel's illumination of Georg Bocskay's model book of calligraphy, now in the manuscript collection of the J. Paul Getty Museum.
A sweeping yet intimate narrative about the last hundred years of turbulent European history, as seen through one of Mitteleuropa’s greatest houses—and the lives of its occupants When Norman Eisen moved into the US ambassador’s residence in Prague, returning to the land his mother had fled after the Holocaust, he was startled to discover swastikas hidden beneath the furniture in his new home. These symbols of Nazi Germany were remnants of the residence’s forgotten history, and evidence that we never live far from the past. From that discovery unspooled the twisting, captivating tale of four of the remarkable people who had called this palace home. Their story is Europe’s, and The Last Palace chronicles the upheavals that transformed the continent over the past century. There was the optimistic Jewish financial baron, Otto Petschek, who built the palace after World War I as a statement of his faith in democracy, only to have that faith shattered; Rudolf Toussaint, the cultured, compromised German general who occupied the palace during World War II, ultimately putting his life at risk to save the house and Prague itself from destruction; Laurence Steinhardt, the first postwar US ambassador whose quixotic struggle to keep the palace out of Communist hands was paired with his pitched efforts to rescue the country from Soviet domination; and Shirley Temple Black, an eyewitness to the crushing of the 1968 Prague Spring by Soviet tanks, who determined to return to Prague and help end totalitarianism—and did just that as US ambassador in 1989. Weaving in the life of Eisen’s own mother to demonstrate how those without power and privilege moved through history, The Last Palace tells the dramatic and surprisingly cyclical tale of the triumph of liberal democracy.
Prague is the magic capital of Europe. Since the days of Emperor Rudolf II, 'devotee of the stars and cultivator of the spagyric art', who in the late 1500s summoned alchemists and magicians from all over the world to his castle on Hradcany hill, it has been a place of mystery and intrigue. Wars, revolutions, floods, the imposition of Soviet communism, or even the depredations of the tourist boom after the 'Velvet Revolution' of 1989, could not destroy the unique atmosphere of this beautiful, proud and melancholy city on the Vltava. John Banville traces Prague's often tragic history and portrays the people who made it, the emperors and princes, geniuses and charlatans, heroes and scoundrels, and paints a portrait of the Prague of today, revelling in its newfound freedoms, eager to join the European Community and at the same time suspicious of what many Praguers see as yet another totalitarian takeover. He writes of his first visit to the city, in the depths of the Cold War, when he engaged in a spot of art smuggling, and of subsequent trips there, of the people he met, the friends he made, the places he came to know.
