Rubbings of Maya Sculpture

Rubbings of Maya Sculpture

Author: Merle Greene Robertson

Publisher:

Published: 1998-09-01

Total Pages:

ISBN-13: 9780806199467

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This packet of twelve CD-ROM disks and printed instructions provides the first easy access to 2,000 of Merle Greene Robertson's rubbings of low-relief sculpture from ninety Mesoamerican sites. Many of the rubbings are irreplaceable records of monuments since destroyed by deterioration or looting, and some have never before been published. Access to the images carved on memorial Maya sculpture has always presented problems. Many of the Classic Maya sites are difficult to get to, and in those that can be visited easily the sculpture is often difficult to see. Since nearly every trace of the original paint has eroded, the viewer is dependent upon the sun or artificial light to produce contrasts between the background and the carved surfaces. The rubbings preserved at the Latin American Library at Tulane University can be viewed by scholars only on special occasions because of their size and the difficulties of unwrapping and rewrapping them. This easy-to-use compilation of high-resolution scans makes it possible to enhance and manipulate images and print them out as needed. The Viewer CD allows the user to interact with low-resolution versions of the imagery and the extensive cataloging system.


Ancient Maya Relief Sculpture

Ancient Maya Relief Sculpture

Author: Merle Greene

Publisher: Museum of Primitive Art & Culture

Published: 1967-09-10

Total Pages: 102

ISBN-13: 9780300085556

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A selection of rubbings taken by Merle Greene from outstanding Maya monuments, primarily of the classic period.


A Maya Universe in Stone

A Maya Universe in Stone

Author: Stephen Houston

Publisher: Getty Publications

Published: 2021-12-28

Total Pages: 194

ISBN-13: 1606067451

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The first study devoted to a single sculptor in ancient America, as understood through four unprovenanced masterworks traced to a small sector of Guatemala. In 1950, Dana Lamb, an explorer of some notoriety, stumbled on a Maya ruin in the tropical forests of northern Guatemala. Lamb failed to record the location of the site he called Laxtunich, turning his find into the mystery at the center of this book. The lintels he discovered there, long since looted, are probably of a set with two others that are among the masterworks of Maya sculpture from the Classic period. Using fieldwork, physical evidence, and Lamb’s expedition notes, the authors identify a small area with archaeological sites where the carvings were likely produced. Remarkably, the vividly colored lintels, replete with dynastic and cosmic information, can be assigned to a carver, Mayuy, who sculpted his name on two of them. To an extent nearly unique in ancient America, Mayuy can be studied over time as his style developed and his artistic ambition grew. An in-depth analysis of Laxtunich Lintel 1 examines how Mayuy grafted celestial, seasonal, and divine identities onto a local magnate and his overlord from the kingdom of Yaxchilan, Mexico. This volume contextualizes the lintels and points the way to their reprovenancing and, as an ultimate aim, repatriation to Guatemala.