"Helena, the mother of the first Christian emperor Constantine, is best known for the last two years of her life, when she traveled around the Eastern Mediterranean, and for something that, in all likelihood, she did not do: the discovery of the True Cross relic. Using a vast range of sources, from textual and epigraphical to visual, and an array of archaeological insights from the places Helena lived at or visited, this book instead investigates Helena in the round, taking seriously the ruptures in her life course and her changing positions within the imperial and female networks of her time. The book follows Helena's life, the majority of which was spent in the third century and during the period of the tetrarchy, and explores the different ways in which she was commemorated after her death, up to the late sixth century. It wrestles Helena's historical significance back from medieval legends, to demonstrate the development and purpose of her role within Constantinian politics and to chart her meandering impact on the image and behavior of the Christian empress in the late Roman world"--
"Constantine was the first Christian emperor in the Roman empire. Before his victory in 312 at the battle of the Milvian Bridge outside Rome, he claimed to have seen a vision of a cross in the sky. The book analyzes the legends about the battle and the vision, from the later Roman empire to the later medieval period. By rehabilitating the significance of Maxentius, the losing emperor, this book also emphasizes the competing ideas at stake about Roman emperorship, the contours of the empire,and the place of Rome"
The aesthetic changes in late Roman literature speak to the foundations of modern Western culture. The dawn of a modern way of being in the world, one that most Europeans and Americans would recognize as closely ancestral to their own, is to be found not in the distant antiquity of Greece nor in the golden age of a Roman empire that spanned the Mediterranean, but more fundamentally in the original and problematic fusion of Greco-Roman culture with a new and unexpected foreign element-the arrival of Christianity as an exclusive state religion. For a host of reasons, traditionalist scholarship has failed to give a full and positive account of the formal, aesthetic and religious transformations of ancient poetics in Late Antiquity. The Poetics of Late Latin Literature attempts to capture the excitement and vibrancy of the living ancient tradition reinventing itself in a new context in the hands of a series of great Latin writers mainly from the fourth and fifth centuries AD. A series of the most distinguished expert voices in later Latin poetry as well as some of the most exciting new scholars have been specially commissioned to write new papers for this volume.
With over 750 illustrations, Roman Buildings is a thorough and systematic examination of Roman architecture and building practice, looking at large-scale public buildings as well as more modest homes and shops. Placing emphasis on the technical aspects of the subject, the author follows the process of building through each stage -- from quarry to standing wall, from tree to roof timbers -- and describes how these materials were obtained or manufactured. The author also discusses interior decoration and looks at the practical aspects of water supply, heating and roads.
How did Christianity become the dominant religion in the West? In the early first century, a small group of peasants from the backwaters of the Roman Empire proclaimed that an executed enemy of the state was God’s messiah. Less than four hundred years later it had become the official religion of Rome with some thirty million followers. It could so easily have been a forgotten sect of Judaism. Through meticulous research, Bart Ehrman, an expert on Christian history, texts and traditions, explores the way we think about one of the most important cultural transformations the world has ever seen, one that has shaped the art, music, literature, philosophy, ethics and economics of modern Western civilisation.
The Cambridge Companion to the Age of Constantine offers students a comprehensive one-volume survey of this pivotal emperor and his times. Richly illustrated and designed as a readable survey accessible to all audiences, it also achieves a level of scholarly sophistication and a freshness of interpretation that will be welcomed by the experts. The volume is divided into five sections that examine political history, religion, social and economic history, art, and foreign relations during the reign of Constantine, who steered the Roman Empire on a course parallel with his own personal development.
From one of Britain’s most respected and acclaimed art historians, art critic of The Guardian—the galvanizing story of a sixteenth-century clash of titans, the two greatest minds of the Renaissance, working side by side in the same room in a fierce competition: the master Leonardo da Vinci, commissioned by the Florentine Republic to paint a narrative fresco depicting a famous military victory on a wall of the newly built Great Council Hall in the Palazzo Vecchio, and his implacable young rival, the thirty-year-old Michelangelo. We see Leonardo, having just completed The Last Supper, and being celebrated by all of Florence for his miraculous portrait of the wife of a textile manufacturer. That painting—the Mona Lisa—being called the most lifelike anyone had ever seen yet, more divine than human, was captivating the entire Florentine Republic. And Michelangelo, completing a commissioned statue of David, the first colossus of the Renaissance, the archetype hero for the Republic epitomizing the triumph of the weak over the strong, helping to reshape the public identity of the city of Florence and conquer its heart. In The Lost Battles, published in England to great acclaim (“Superb”—The Observer; “Beguilingly written”—The Guardian), Jonathan Jones brilliantly sets the scene of the time—the politics; the world of art and artisans; and the shifting, agitated cultural landscape. We see Florence, a city freed from the oppressive reach of the Medicis, lurching from one crisis to another, trying to protect its liberty in an Italy descending into chaos, with the new head of the Republic in search of a metaphor that will make clear the glory that is Florence, and seeing in the commissioned paintings the expression of his vision. Jones reconstructs the paintings that Leonardo and Michelangelo undertook—Leonardo’s Battle of Anghiari, a nightmare seen in the eyes of the warrior (it became the first modern depiction of the disenchantment of war) and Michelangelo’s Battle of Cascina, a call to arms and the first great transfiguration of the erotic into art. Jones writes about the competition; how it unfolded and became the defining moment in the transformation of “craftsman” to “artist”; why the Florentine government began to fall out of love with one artist in favor of the other; and how—and why—in a competition that had no formal prize to clearly resolve the outcome, the battle became one for the hearts and minds of the Florentine Republic, with Michelangelo setting out to prove that his work, not Leonardo’s, embodied the future of art. Finally, we see how the result of the competition went on to shape a generation of narrative paintings, beginning with those of Raphael. A riveting exploration into one of history’s most resonant exchanges of ideas, a rich, fascinating book that gives us a whole new understanding of an age and those at its center.
David Icke's strongest book to date, The Robots' Rebellion reveals the alarming extent to which people of all nations are programmed by the ideas fed to them by those in power. We live in a world which is increasingly dominated by technology but, according to Icke, it is we who are the robots. Fearlessly, he tears down the veils of hypocrisy, built up for generations by the corrupt forces of Church, State, science and commerce — and reveals the true pathos of the human condition beneath. He points, too, to the frightening influence wielded throughout the planet by a merciless and manipulative network of secret societies. The existence of long-established links between Earth-bound humanity and beings from other dimensions and planets in the Universe has been suppressed for years, says Icke, by the world's power-broking hierarchy. When ordinary people learn the real role they have to play within a rich and varied cosmic society, rebellion against those who have kept this extraordinary truth from them will, he predicts, be inevitable. The author is no stranger to controversy. Formerly best-known as a TV sports commentator and leading spokesman for the British Green Party, he is gaining increasing authority as a tireless campaigner for truth. His widely-publicised spiritual transformation has given him the courage to speak out fearlessly against lies deceit. Hidebound politicians, bankers, economists, educationalists, scientists and the leaders of the world's established religions are not going to welcome Icke's challenging book. But it is not intended for those who wield and abuse power. This book is for the world's unwilling robots who, says Icke, in an upbeat conclusion, have it within themselves to rise up — and take control of their own exciting destiny. The Robots' Rebellion: Table of Contents Introduction Remember Who You Are PART ONE: The Darkness - The Takeover Bid - Collective Amnesia - The Brotherhood of Clans - Bible Stories - Hell on Earth - Arabian Knights - The Cracks Appear - Eagle Tails - The Rule of Science - The World at War - Big is Beautiful - The New World Order - When Will We Ever Learn? PART TWO: The Light - Goodbye to All That - The Economics of Enough - The Politics of People - The Science of Sanity - Bricks in the Wall - Exploitation of the Spirit - The World Needs Rebels
Constantine's victory in 312 at the battle of the Milvian Bridge established his rule as the first Christian emperor. This book examines the creation and dissemination of the legends about that battle and its significance. Christian histories, panegyrics and an honorific arch at Rome soon commemorated his victory, and the emperor himself contributed to the myth by describing his vision of a cross in the sky before the battle. Through meticulous research into the late Roman narratives and the medieval and Byzantine legends, this book moves beyond a strictly religious perspective by emphasizing the conflicts about the periphery of the Roman empire, the nature of emperorship and the role of Rome as a capital city. Throughout late antiquity and the medieval period, memories of Constantine's victory served as a powerful paradigm for understanding rulership in a Christian society.
