This book assesses Lloyd George's attempt to shape the history of 1914-18 through his War Memoirs. His account of the British conduct of the war focused on the generals' incompetence, their obsession with the Western Front, and their refusal to consider alternatives to the costly trench warfare in France and Belgium. Yet as War Minister and Prime Minister Lloyd George presided over the bloody offensives of 1916-17, and had earlier taken a leading role in mobilising industrial resources to provide the weapons which made them possible. Rewriting the First World War examines how Lloyd George addressed this paradox.
This lively collection of essays showcases recent research into the impact of the conflict on British women during the First World War and since. Looking outside of the familiar representations of wartime women as nurses, munitionettes, and land girls, it introduces the reader to lesser-known aspects of women’s war experience, including female composers’ musical responses to the war, changes in the culture of women’s mourning dress, and the complex relationships between war, motherhood, and politics. Written during the war’s centenary, the chapters also consider the gendered nature of war memory in Britain, exploring the emotional legacies of the conflict today, and the place of women’s wartime stories on the contemporary stage. The collection brings together work by emerging and established scholars contributing to the shared project of rewriting British women’s history of the First World War. It is an essential text for anyone researching or studying this history. This book was originally published as a special issue of Women’s History Review.
Winston Churchill was one of the giants of the twentieth century. As Britain’s prime minister from 1940 to 1945, he courageously led his nation and the world away from appeasement, into war, and on to triumph over the Axis dictators. His classic six-volume account of those years, The Second World War, has shaped our perceptions of the conflict and secured Churchill’s place as its most important chronicler. Now, for the first time, a book explains how Churchill wrote this masterwork, and in the process enhances and often revises our understanding of one of history’s most complex, vivid, and eloquent leaders. In Command of History sheds new light on Churchill in his multiple, often overlapping roles as warrior, statesman, politician, and historian. Citing excerpts from the drafts and correspondence for Churchill’s magnum opus, David Reynolds opens our eyes to the myriad forces that shaped its final form. We see how Churchill’ s manuscripts were vetted by Whitehall to conceal secrets such as the breaking of the Enigma code by British spymasters at Bletchley Park, and how Churchill himself edited the volumes to avoid offending postwar statesmen such as Tito, Charles de Gaulle, and Dwight D. Eisenhower. We explore his confusions about the true story of the atomic bomb, learn of his second thoughts about Stalin, and watch him repackage himself as a consistent advocate of the D-Day landings. In Command of History is a major work that forces us to reconsider much received wisdom about World War II. It also peels back the covers from an unjustly neglected period of Churchill’s life, his “second wilderness” years, 1945—1951. During this time Churchill, now over seventy, wrote himself into history, politicked himself back into 10 Downing Street, and delivered some of the most vital oratory of his career, including his pivotal “iron curtain” speech. Exhaustively researched and dazzlingly written, this is a revelatory portrait of one of the world’s most profiled figures, a work by a historian in full command of his craft. “A fascinating account that accomplishes the impossible: [Reynolds] actually finds something new and interesting to say about one of the most chronicled characters of all time.” –The New York Times Book Review A New York Times NOTABLE BOOK OF THE YEAR A BEST HISTORY OF THE YEAR SELECTION –The New York Sun NOTE: This edition does not include photographs.
This book explores how print journalism was a powerful and persistent influence on public attitudes to, and memories of, the First World War in a range of participant nations, including Britain, France, Germany, Ireland, the United States and Australia. With contributions from an international group of history, journalism and literary studies scholars, the book identifies and analyses five distinct roles played by the print media: producing and narrating histories of the war or its constituent episodes; serialising and reviewing memoirs or fictional accounts written by participants; reporting and framing the rituals and ceremonies of local and national commemoration; providing a platform for various war-related advocacy groups or campaigns, from veterans’ associations to early Civil Rights movements; and using the war as a lens through which to interpret future conflicts. This innovative collection demonstrates the significance of journalism in shaping the public understanding of the First World War after 1918, and shows how the representations and narratives of the conflict reflected the political and social changes of the post-war decades. This book was originally published as a special issue of Journalism Studies.
Death in the Peaceable Kingdom is an intelligent, innovative response to the incorrect assumption that Canadian history is dry and uninspiring. Using the "hooks" of murder, execution, assassination, and suicide, Dimitry Anastakis introduces readers to the full scope of post-Confederation Canadian history. Beginning with the assassination of Thomas D'Arcy McGee, Anastakis recounts the deaths of famous Canadians such as Louis Riel, Tom Thomson, and Pierre Laporte. He also introduces lesser-known events such as the execution of shell-shocked deserter Pte. Harold Carter during the First World War and the suicide of suspected communist Herbert Norman in Cairo during the Cold War. The book concludes with recent Canadian deaths including the suicides of Amanda Todd and Rehtaeh Parsons as a result of cyberbullying. Complementing the chapters are short vignettes--"Murderous Moments" and "Tragic Tales"--that point to broader themes and issues. The book also contains a number of "Active History" exercises such as activities, assignments, and primary document analyses. A timeline, 24 images, and further reading suggestions are included.
When war erupted in Europe in 1914, American journalists hurried across the Atlantic ready to cover it the same way they had covered so many other wars. However, very little about this war was like any other. Its scale, brutality, and duration forced journalists to write their own rules for reporting and keeping the American public informed. American Journalists in the Great War tells the dramatic stories of the journalists who covered World War I for the American public. Chris Dubbs draws on personal accounts from contemporary newspaper and magazine articles and books to convey the experiences of the journalists of World War I, from the western front to the Balkans to the Paris Peace Conference. Their accounts reveal the challenges of finding the war news, transmitting a story, and getting it past the censors. Over the course of the war, reporters found that getting their scoop increasingly meant breaking the rules or redefining the very meaning of war news. Dubbs shares the courageous, harrowing, and sometimes humorous stories of the American reporters who risked their lives in war zones to record their experiences and send the news to the people back home.
The Arab-Israeli conflict is one of the most intense and intractable international conflicts of modern times. This book is about the historical roots of that conflict. It re-examines the history of 1948, the war in which the newly-born state of Israel defeated the Palestinians and the regular Arab armies of the neighbouring states so decisively. The book includes chapters on all the principal participants, on the reasons for the Palestinian exodus, and on the political and moral consequences of the war. The chapters are written by leading Arab, Israeli and western scholars who draw on primary sources in all relevant languages to offer alternative interpretations and new insights into this defining moment in Middle East history. The result is a major contribution to the literature on the 1948 war. It will command a wide audience from among students and general readers with an interest in the region.
In Britain we have lost touch with the Great War. Our overriding sense now is of a meaningless, futile bloodbath in the mud of Flanders -- of young men whose lives were cut off in their prime for no evident purpose. But by reducing the conflict to personal tragedies, however moving, we have lost the big picture: the history has been distilled into poetry. In TheLong Shadow, critically acclaimed author David Reynolds seeks to redress the balance by exploring the true impact of 1914-18 on the 20th century. Some of the Great War's legacies were negative and pernicious but others proved transformative in a positive sense. Exploring big themes such as democracy and empire, nationalism and capitalism and re-examining the differing impacts of the War on Britain, Ireland and the United States,TheLong Shadowthrows light on the whole of the last century and demonstrates that 1914-18 is a conflict that Britain, more than any other nation, is still struggling to comprehend. Stunningly broad in its historical perspective, The Long Shadowis a magisterial and seismic re-presentation of the Great War.
Many Americans know something about the Navajo code talkers in World War II—but little else about the military service of Native Americans, who have served in our armed forces since the American Revolution, and still serve in larger numbers than any other ethnic group. But, as we learn in this splendid work of historical restitution, code talking originated in World War I among Native soldiers whose extraordinary service resulted, at long last, in U.S. citizenship for all Native Americans. The first full account of these forgotten soldiers in our nation’s military history, The First Code Talkers covers all known Native American code talkers of World War I—members of the Choctaw, Oklahoma Cherokee, Comanche, Osage, and Sioux nations, as well as the Eastern Band of Cherokee and Ho-Chunk, whose veterans have yet to receive congressional recognition. William C. Meadows, the foremost expert on the subject, describes how Native languages, which were essentially unknown outside tribal contexts and thus could be as effective as formal encrypted codes, came to be used for wartime communication. While more than thirty tribal groups were eventually involved in World Wars I and II, this volume focuses on Native Americans in the American Expeditionary Forces during the First World War. Drawing on nearly thirty years of research—in U.S. military and Native American archives, surviving accounts from code talkers and their commanding officers, family records, newspaper accounts, and fieldwork in descendant communities—the author explores the origins, use, and legacy of the code talkers. In the process, he highlights such noted decorated veterans as Otis Leader, Joseph Oklahombi, and Calvin Atchavit and scrutinizes numerous misconceptions and popular myths about code talking and the secrecy surrounding the practice. With appendixes that include a timeline of pertinent events, biographies of known code talkers, and related World War I data, this book is the first comprehensive work ever published on Native American code talkers in the Great War and their critical place in American military history.
