He must solve a mystery She’s a beguiling distraction! Inspector Hazard Manning is determined to catch the art forger plaguing London’s aristocracy. As his investigation leads him to Kent’s new art school, sweet, beautiful Addy Stansfield volunteers as his guide. He’s used to a dark criminal world, but Addy’s sunny nature draws him to the light. However, as long-awaited passions stir, so do Hazard’s professional instincts… Could she unwittingly be the very person he’s been sent to unmask? From Harlequin Historical: Your romantic escape to the past. The Rebellious Sisterhood Female artists…taking their world by storm! Book 1: Portrait of a Forbidden Love Book 2: Revealing the True Miss Stansfield
Do you dream of wicked rakes, gorgeous Highlanders and muscled Viking warriors? Harlequin® Historical brings you three new full-length titles in one collection! This box set includes: REVEALING THE TRUE MISS STANSFIELD The Rebellious Sisterhood By Bronwyn Scott (Regency) Inspector Hazard Manning’s search for an art forger leads him to Kent, where his guide, Addy Stansfield, is a beguiling distraction… But might she unwittingly be the very person he’s been sent to unmask? FLIRTING WITH HIS FORBIDDEN LADY The Ashburton Reunion By Laura Martin (Regency) Joshua Ashburton returns from India and heads directly to his brother’s ball, where he’s captivated by Lady Elizabeth’s vitality and spark. Until he learns she’s all but engaged to his brother! THE WARRIOR’S INNOCENT CAPTIVE The House of Leofric By Ella Matthews (Medieval) Steward Erik Ward finally has noblewoman Linota Leofric in his arms after rescuing the kidnapped beauty. But their attraction risks his secret plan to reunite his family, forcing him to choose between duty and love… Look for Harlequin® Historical’s April 2021 Box Set 1 of 2, filled with even more timeless love stories!
From USA Today bestselling author Amanda Siegrist comes a brand new series full of humor, angst, a sassy heroine, and a sexy, sinful hero that will sweep you off your feet. Objective: Get hired as a temporary secretary and find out if Champ Holloway is a dirty, cheating scumbag. Time Frame: One week. Gabby would do anything for her best friend, Mia. Anything. That’s what besties are for, right? But going undercover at her boyfriend’s work to find out if he’s cheating seems a bit extreme. Except she can’t say no. Never to Mia. The moment she walks in and sees her boyfriend, she knows she made a mistake. He’s sex on a stick, and she wants to take a delicious bite. He’s also a bit too arrogant, needs to work on his pleases and thank yous, and he never smiles. Everyone should smile at least once a day. It’s one long week of a battle of wills, sinful glances, and keeping her hands to herself. All she can do is repeat Mia. Mia. Mia. This is all for Mia. Until she realizes…there are two Mr. Holloways. And she got hired by the wrong one. Warning: This is not a full romcom. While it has moments of humor, it also has a twist of angst. Okay, now you can dive in, you’re prepared! The entire Perfect For You series: (Each book can be read as a standalone.) The Wrong Brother (Book 1): Dane & Gabriella The Right Time (Book 2): Jaxson & Mia The Easy Part (Book 3): Brick & Jezebelle The Hard Choice (Book 4): Corey & Genevieve
In a bold rethinking of the Hollywood blacklist and McCarthyite America, Joseph Litvak reveals a political regime that did not end with the 1950s or even with the Cold War: a regime of compulsory sycophancy, in which the good citizen is an informer, ready to denounce anyone who will not play the part of the earnest, patriotic American. While many scholars have noted the anti-Semitism underlying the House Un-American Activities Committee’s (HUAC’s) anti-Communism, Litvak draws on the work of Theodor W. Adorno, Hannah Arendt, Alain Badiou, and Max Horkheimer to show how the committee conflated Jewishness with what he calls “comic cosmopolitanism,” an intolerably seductive happiness, centered in Hollywood and New York, in show business and intellectual circles. He maintains that HUAC took the comic irreverence of the “uncooperative” witnesses as a crime against an American identity based on self-repudiation and the willingness to “name names.” Litvak proposes that sycophancy was (and continues to be) the price exacted for assimilation into mainstream American culture, not just for Jews, but also for homosexuals, immigrants, and other groups deemed threatening to American rectitude. Litvak traces the outlines of comic cosmopolitanism in a series of performances in film and theater and before HUAC, performances by Jewish artists and intellectuals such as Zero Mostel, Judy Holliday, and Abraham Polonsky. At the same time, through an uncompromising analysis of work by informers including Jerome Robbins, Elia Kazan, and Budd Schulberg, he explains the triumph of a stoolpigeon culture that still thrives in the America of the early twenty-first century.
A national bestseller, this extraordinary work of investigative reporting uncovers the identities, and the remarkable stories, of the CIA secret agents who died anonymously in the service of their country. In the entrance of the CIA headquarters looms a huge marble wall into which seventy-one stars are carved-each representing an agent who has died in the line of duty. Official CIA records only name thirty-five of them, however. Undeterred by claims that revealing the identities of these "nameless stars" might compromise national security, Ted Gup sorted through thousands of documents and interviewed over 400 CIA officers in his attempt to bring their long-hidden stories to light. The result of this extraordinary work of investigation is a surprising glimpse at the real lives of secret agents, and an unprecedented history of the most compelling—and controversial—department of the US government.
Authors Elizabeth Black and Fletcher Walker go head-to-head as rival writers of Victorian Penny Dreadfuls. As an upper class schoolteacher, Elizabeth must write under the pseudonym "Mr. King" in order to keep her identity a secret, while former street urchin Fletcher is determined to uncover the truth behind this up-and-coming new talent.
Using espionage as a metaphor for politics, John le Carré explores the dilemmas that confront individuals and governments as they act during and in the aftermath of the Cold War. His unforgettable characters struggle to maintain personal and professional integrity while facing conflicting personal, institutional, and ideological loyalties. In The Spy Novels of John le Carré , author Myron Aronoff interprets the ambiguous ethical and political implications of the work of John le Carré, revealing him to be one of the most important political writers of our time. Aronoff shows how through his writing, le Carré poses the difficult question of to what extent are western governments justified in pursuing raison d'état without undermining the very democratic freedoms that they claim to defend. He also draws parallels between the self-parody of le Carré and that of the seventeenth-century Dutch artist Jan Steen, and explains how it expresses a unique form of ambiguous moralism. In this volume Aronoff relates le Carré's fictional world to the real world of espionage, and demonstrates the need to balance the imperatives of ethics and politics in regard to some of the most pressing issues facing the world today.
Five men and five women entertain their hostess with stories exploring some aspect of enchantment or love between a handsome gallant and a lovely lady. The sharp contrast between the women's and men's stories transmits a subtle, often ironic, feminism.
