Reinventing Shakespeare

Reinventing Shakespeare

Author: Gary Taylor

Publisher:

Published: 1991

Total Pages: 461

ISBN-13: 9780099819707

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Discusses changing interpretations of Shakespeare and his plays through the centuries, arguing that claims of his uniqueness reflect the characteristics of particular eras and critics more than Shakespeare.


Shakespeare Restored

Shakespeare Restored

Author: Lewis Theobald

Publisher: Routledge

Published: 2021-07-28

Total Pages: 292

ISBN-13: 042953406X

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Published in 1971, this book is a restored copy of the many works of Shakespeare. This is a work originally from 1725, written in Old English, gives a commentary on the errors in the works of William Shakespeare by Pope. The play merited this treatment is Hamlet, with cross-referencing to his other plays.


English Drama

English Drama

Author: Alexander Leggatt

Publisher: Routledge

Published: 2014-06-06

Total Pages: 311

ISBN-13: 1317871464

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The most important period in the history of English drama is revealed in Alexander Leggatt's challenging account. The author considers English drama from the beginning of Shakespeare's career to the restoration of Charles II. Focusing on Shakespeare and the development of his art, he examines all his major contemporaries: Jonson, Middleton, Webster, Beaumont, Fletcher and Ford. He combines close analysis of specific plays with a broader look at trends within drama.


Shakespeare and the Book

Shakespeare and the Book

Author: David Scott Kastan

Publisher: Cambridge University Press

Published: 2001-09-20

Total Pages: 168

ISBN-13: 9780521786515

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An account of Shakespeare's plays as they were transformed from scripts into books.


Performing Restoration Shakespeare

Performing Restoration Shakespeare

Author: Amanda Eubanks Winkler

Publisher: Cambridge University Press

Published: 2023-01-26

Total Pages: 245

ISBN-13: 1009241206

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The first book on Restoration Shakespeare in performance, drawing on theatre history, musicology and literary criticism.


A Short History of Shakespeare in Performance

A Short History of Shakespeare in Performance

Author: Richard Schoch

Publisher: Cambridge University Press

Published: 2021-05-13

Total Pages: 160

ISBN-13: 110878867X

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This short history of Shakespeare in global performance-from the re-opening of London theatres upon the restoration of the monarchy in 1660 to our present multicultural day-provides a comprehensive overview of Shakespeare's theatrical afterlife and introduces categories of analysis and understanding to make that afterlife intellectually meaningful. Written for both the advanced student and the practicing scholar, this work enables readers to situate themselves historically in the broad field of Shakespeare performance studies and equips them with analytical tools and conceptual frameworks for making their own contributions to the field.


Big-Time Shakespeare

Big-Time Shakespeare

Author: Michael D. Bristol

Publisher: Routledge

Published: 2005-08-12

Total Pages: 494

ISBN-13: 1134928580

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Shakespeare has made the big time. No less than the Beatles or Liberace, Elvis Presley or Mick Jagger, Shakespeare is big-time in the idiomatic sense of cultural success and widespread notoriety. Not only has he achieved canonical status, Shakespeare is a contemporary celebrity. His artistic distinction and aptitude for controversy constantly keeps his name in the public eye. Bristol debates Shakespeare's cultural authority, and clarifies the semantics of his name in our culture. Big-Time Shakespeare suggests his plays represent the pathos of our civilisation with extraordinary force and clarity. Shakespeare's contradictory understanding of the social and cultural past is also examined with close analysis of The Winter's Tale, Othello, and Hamlet.


Reading Robert Greene

Reading Robert Greene

Author: Darren Freebury-Jones

Publisher: Routledge

Published: 2022-06-15

Total Pages: 245

ISBN-13: 1000594564

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Robert Greene holds a significant place in our understanding of Elizabethan literature. This book offers the most rigorous attempt yet undertaken to determine the scope of the playwright’s canon through analyses of Greene’s verse style, vocabulary, rhyming habits, and the dramatist’s phraseology in his attested plays and in comparison to four plays that have long been on the margins of Greene’s corpus: Locrine, Selimus, George a Greene, and A Knack to Know a Knave. The book defines the ranges for Greene’s stylistic habits for the very first time and proceeds to identify parallels of thought, language, and overall dramaturgy that reveal a single author’s creative consciousness. This volume also casts light on Greene as a more collaborative dramatist than has hitherto been acknowledged. Through emphasizing the immediate surroundings in which Greene was writing – the flourishing of popular theatres in two compact areas of London, in which each theatre company and their dra-matists kept a close eye on what their competitors were producing – Greene emerges as an influential playwright, whose restored oeuvre enables us to establish new ways in which his dramatic methods impacted other writers of the period, including Shakespeare.