Representing Jewish Thought offers essays on modes and media of transmitting and re/presenting thought pertinent to Jewish past and present, zooming in on textual and visual hermeneutics to material and textual culture to performing arts.
"Representing Jewish Thought originated in the conference, convened in honour of Professor Ada Rapoport-Albert, on the theme of visual representations of Jewish thought from antiquity to the early modern period. The volume encompasses essays on various modes and media of transmitting and re/presenting thought, pertinent to Jewish past and present. It explores several approaches to the study of the transmission of ideas in historical sources, zooming in on textual and visual hermeneutics to material and textual culture to performative arts. The volume has brought together scholars from different subfields of Jewish Studies, covering thousands of years of Jewish history, who invite further scholarly reflection on the expression, transmission, and organisation of knowledge in Jewish contexts"--
Moshe Idel, the Max Cooper Professor Emeritus at the Hebrew University of Jerusalem, and Senior Researcher at the Shalom Hartman Institute, is a world-renowned scholar of the Jewish mystical tradition. His historical and phenomenological studies of rabbinic, philosophic, kabbalistic, and Hasidic texts have transformed modern understanding of Jewish intellectual history and highlighted the close relationship between magic, mysticism, and liturgy. A recipient of two of the most prestigious awards in Israel, the Israel Prize for Jewish Thought (1999) and the Emmet Prize for Jewish Thought (2002), Idel’s numerous studies have uncovered persistent patterns of Jewish religious thought that challenge conventional interpretations of Jewish monotheism, while offering a pluralistic understanding of Judaism. His explorations of the mythical, theurgical, mystical, and messianic dimensions of Judaism have been attentive to history, sociology, and anthropology, while rejecting a naïve historicist approach to Judaism.
This classic survey of the main features of the Jewish historical landscape exposes students to the rich scholarly literature on Jewish history, theology, philosophy, mysticism, and social thought that has been produced in the last century and a half. It shows Judaism as a creative response to ultimate issues of human concern by members of a group that has faced a unique concatenation of political, economic, and geographical circumstances. -- From product description.
Rather than assume that the terms "philosophy" and "Judaism" simply belong together, Aaron W. Hughes explores the juxtaposition and the creative tension that ensues from their cohabitation. He examines the historical, cultural, intellectual, and religious filiations between Judaism and philosophy.
This book is a collection of letters from a religious Jew in Israel to a Christian friend in Barcelona on life as an Orthodox Jew. Equal parts lighthearted and insightful, it's a thorough and entertaining introduction to the basic concepts of Judaism.
This collection constitutes the first extended discussion of the relationship between Judaism and process thought. In the last half century the philosophies of Alfred North Whitehead and Charles Hartshorne have become important sources for contemporary theological reflection. Recently, a number of Jewish thinkers have examined process thought as a potentially valuable resource for postmodern Jewish theology. This book brings together many Jewish thinkers who have pioneered this discussion. Jewish thinkers who have found process thought to be a useful framework for contemporary Jewish thought discuss issues that are primarily theological, such as God's transcendence and immanence, the problem of evil, the idea of revelation. Also included is a dialogue between Jewish and Christian thinkers on the appropriateness of process thought for their religious traditions. Critical reflection on the continuities and discontinuities between Judaism and the process model is also covered.
This book is about the beliefs, doctrines, history, institutions, and leaders of the Jewish religious community. It is based on historical evidence as well as interviews and direct observation of about 100 synagogues in the country and presents a full portrait of a religious tradition that comprises only two percent of America's population but has a large influence on American culture.
The rootless Jew, wandering disconnected from history, homeland, and nature, was often the target of early twentieth-century nationalist rhetoric aimed against modern culture. But following World War II, a number of prominent French philosophers recast this maligned figure in positive terms, and in so doing transformed postwar conceptions of politics and identity. Sarah Hammerschlag explores this figure of the Jew from its prewar usage to its resuscitation by Jean-Paul Sartre, Emmanuel Levinas, Maurice Blanchot, and Jacques Derrida. Sartre and Levinas idealized the Jew’s rootlessness in order to rethink the foundations of political identity. Blanchot and Derrida, in turn, used the figure of the Jew to call into question the very nature of group identification. By chronicling this evolution in thinking, Hammerschlag ultimately reveals how the figural Jew can function as a critical mechanism that exposes the political dangers of mythic allegiance, whether couched in universalizing or particularizing terms. Both an intellectual history and a philosophical argument, The Figural Jew will set the agenda for all further consideration of Jewish identity, modern Jewish thought, and continental philosophy.