Rembrandt van Rijn Masterpieces of Art

Rembrandt van Rijn Masterpieces of Art

Author: Susan Grange

Publisher: Flame Tree Illustrated

Published: 2016-04-07

Total Pages: 0

ISBN-13: 9781783619085

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Rembrandt Harmenszoon van Rijn was the leading painter and graphic artist of the ‘Golden Age of Dutch Art’. He excelled in imbuing his art with the ‘deepest and most lifelike emotion’, with rich detail and stunning lighting. This richly enjoyable book gives the reader an illuminating overview of the life, work and influences of the artist, before going on to showcase the most stunning and varied examples of his oeuvre, broken down into themes – Portraits, Landscape & Narrative, Self-portraits, and Etchings & Drawings. Discover his versatility in the range of works selected, from the electric The Storm on the Sea of Galilee to the treasured The Night Watch, with its triumph in chiaroscuro and energy. A visual feast, it will underline the artist’s status as a true master.


Rembrandt and the Boy Who Drew Dogs

Rembrandt and the Boy Who Drew Dogs

Author: Molly Blaisdell

Publisher:

Published: 2008

Total Pages: 0

ISBN-13: 9780764160974

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At first, master artist Rembrandt van Rijn rebuffs his young son Titus and his attempt at art, but gradually Rembrandt is won over by his enthusiasm and persistence, and begins to teach Titus the basic techniques of drawing.


Rembrandt: The Painter Thinking

Rembrandt: The Painter Thinking

Author: Ernst van de Wetering

Publisher: Univ of California Press

Published: 2016-04-18

Total Pages: 348

ISBN-13: 0520290259

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Throughout his life, Rembrandt van Rijn (1606-1669) was considered an exceptional artist by contemporary art lovers. In this highly original book, Ernst van de Wetering investigates why Rembrandt, from a very early age, was praised by high-placed connoisseurs like Constantijn Huygens. It turns out that Rembrandt, from his first endeavours in painting on, had embarked on a journey past all the 'foundations of the art of painting' which were considered essential in the seventeenth century. In his systematic exploration of these foundations, Rembrandt achieved mastery in all of them, thus becoming the 'pittore famoso' that count Cosimo the Medici visited at the end of his life. Rembrandt never stopped searching for ever better solutions to the pictorial problems he saw himself confronted with; this sometimes led to radical decisions and alterations in his way of working, which cannot simply be explained by attributing them to a 'change in style' or a 'natural development'. In a quest as rigorous and novel as Rembrandt's, Van de Wetering shows us how Rembrandt dealt with the foundations of his art and used them to try and become the best painter the world had ever seen. His book sheds new light both on Rembrandt's exceptional accomplishments and on the practice of painting in the Dutch Golden Age at large.


Rembrandt and the Inspiration of India

Rembrandt and the Inspiration of India

Author: Stephanie Schrader

Publisher: Getty Publications

Published: 2018-03-20

Total Pages: 162

ISBN-13: 1606065521

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This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.


Irrational Marks

Irrational Marks

Author: Francis Bacon

Publisher:

Published: 2011

Total Pages: 0

ISBN-13: 9780957028708

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Irrational Marks: Bacon and Rembrandt is Ordovas' inaugural exhibition and the first to be devoted to exploring the connections and influences of Rembrandt's late self-portraits on Francis Bacon's own self-portraits. Bacon considered Rembrandt's self-portraits the artist's greatest works. He spoke in depth about Rembrandt's Self-Portrait with Beret in the Musee Granet in Aix-en-Provence, which he often visited, yet his creative dialogue with Rembrandt's art has been, until now, largely overlooked."


Responses to Rembrandt

Responses to Rembrandt

Author: Anthony Bailey

Publisher:

Published: 1994

Total Pages: 194

ISBN-13:

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In 1968, a group of Dutch scholars known as the Rembrandt Research Project, feeling that the master's oeuvre was inflated, began to take Rembrandt to task. The group's members traveled around the world, subjecting Rembrandt to intense scrutiny: they x-rayed paintings; examined the rendering of lace, hands, and signatures; counted threads of warp and woof. Paintings long considered Rembrandts started to fall. Then, in 1984, one of the members of the Project suggested, in print, that The Polish Rider might be next. Perhaps this painting, "one of the world's masterpieces," wasn't a Rembrandt after all but the work of a lesser-known pupil, Willem Drost.


Rembrandt & Saskia

Rembrandt & Saskia

Author: Marlies Stoter

Publisher: W Books

Published: 2018

Total Pages: 168

ISBN-13: 9789462583030

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"In 1634 the up-and-coming painting talent Rembrandt van Rijn wed the love of this life in Friesland: Saskia Uylenburgh, the daughter of a councillor at the Court of Friesland. The story of their marriage is also that of seventeenth-century marriages in general, from courtship to drawing up a will. How did such a stylish wedding come about, and how did life proceed afterwards, when love and suffering were shared? Using evocative paintings, etchings, documents and precious wedding gifts, this book shows us the world of Friesland's most famous bride and groom ever--and that marriage vows back then actually appear to differ little from those of today."--from back cover


Rembrandt's Late Religious Portraits

Rembrandt's Late Religious Portraits

Author: Arthur K. Wheelock

Publisher: University of Chicago Press

Published: 2005

Total Pages: 151

ISBN-13: 9780226894430

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One of the most fascinating aspects of Rembrandt's extraordinary artistic career is his suite of brooding half-length portraits of religious figures from the late 1650s and early 1660s. Painted during a difficult time in the artist's life—when he no longer enjoyed a ready market for his works and may have turned to his deep religious convictions for solace—these images are among the most evocative Rembrandt created. For years scholars have debated whether these paintings were intended as a series, yet until now these works have, unbelievably, never been shown together. An exhibition by the National Gallery of Art and this accompanying catalog assemble seventeen of the paintings for the first time, finally giving the powerful images their due. Many of these subtle and wondrous paintings have been identified as images of apostles and evangelists, but among them are also representations of Christ, the Virgin, and still-unidentified saints and monks. In Rembrandt's typical fashion, the men and women in these portraits peer out of the dark recesses of dimly lit interiors as though burdened by the weight of their spiritual and emotional concerns. Yet recent archival research has raised questions about their attribution, the relationships among the paintings, and, in a broader sense, Rembrandt's life and career—issues addressed by the contributors to this volume. With its lavish color images and state-of-the-field research, Rembrandt's Late Religious Portraits will make a profound contribution to the understanding of this unique and provocative body of work.