Shakespeare Studies
Shakespeare Studies

Author: Susan Zimmerman

Publisher: Fairleigh Dickinson Univ Press

Published: 2009

Total Pages: 321

ISBN-13: 0838642535

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Shakespeare Studies is an international volume published every year in hard cover that contains essays and studies by scholars and cultural historians from both hemispheres. Although the journal maintains a focus on the theatrical milieu of Shakespeare and his contemporaries, it is also concerned with Britain's intellectual and cultural connections to the continent, its sociopolitical history, and its place in the emerging globalism of the period. The journal also includes substantial reviews of significant publications dealing with these issues, as well as theoretical studies relevant to scholars of early modern culture. This issue features another Forum, entitled "The Universities and the Theater." Organized and introduced by John H. Astington, the Forum includes commentary considering the relationship between theater in the universities and the Renaissance public stage. Volume XXXVII also features articles on the Fortune contract, and Titus Andronicus and the New World, as well as a review article on women and the early modern stage. There are nineteen reviews in this volume on such varying topics as angels in the early modern world, Shakespeare and the nature of love, and Shakespeare in French theory. Susan Zimmerman is Professor of English at Queens College, City University of New York. Garrett Sullivan is Professor of English at Pennsylvania State University.

A Weaver-Poet and the Plague
A Weaver-Poet and the Plague

Author: Scott Oldenburg

Publisher: Penn State Press

Published: 2021-05-13

Total Pages: 165

ISBN-13: 0271088710

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William Muggins, an impoverished but highly literate weaver-poet, lived and wrote in London at the turn of the seventeenth century, when few of his contemporaries could even read. A Weaver-Poet and the Plague’s microhistorical approach uses Muggins’s life and writing, in which he articulates a radical vision of a commonwealth founded on labor and mutual aid, as a gateway into a broader narrative about London’s “middling sort” during the plague of 1603. In debt, in prison, and at odds with his livery company, Muggins was forced to move his family from the central London neighborhood called the Poultry to the far poorer and more densely populated parish of St. Olave’s in Southwark. It was here, confined to his home as that parish was devastated by the plague, that Muggins wrote his minor epic, London’s Mourning Garment, in 1603. The poem laments the loss of life and the suffering brought on by the plague but also reflects on the social and economic woes of the city, from the pains of motherhood and childrearing to anxieties about poverty, insurmountable debt, and a system that had failed London’s most vulnerable. Part literary criticism, part microhistory, this book reconstructs Muggins’s household, his reading, his professional and social networks, and his proximity to a culture of radical religion in Southwark. Featuring an appendix with a complete version of London’s Mourning Garment, this volume presents a street-level view of seventeenth-century London that gives agency and voice to a class that is often portrayed as passive and voiceless.

Edward Jerman 1605-1668
Edward Jerman 1605-1668

Author: Helen Collins

Publisher:

Published: 2004

Total Pages: 216

ISBN-13:

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Edward Jerman, a metropolitan master-craftsman, was the designer of some of the most prestigious secular buildings in the City of London following the Great Fire of 1666. Considered 'the City's most able known artist' by the Mercers' Company, in 1667 Edward Jerman was invited by a committee composed of the Corporation of the City and the Mercers' Company to make designs for the new Royal Exchange. The halls of the 'Twelve Great Companies' had also been destroyed by the Fire, along with thirty-five halls of the Livery Companies. Having designed four of the new livery buildings, Jerman was now commissioned to design four more for the prestigious Twelve. These companies were the wealthiest and most superior, whose members included the most eminent citizens.Thus Edward Jerman was chosen as architect by many of the rulers of the City, an august body of men of authority and privilege who controlled its affairs both politically and commercially. Together with Sir Christopher Wren, whose City work was mainly confined to ecclesiastical architecture, Jerman was responsible for the most important City buildings of the post-Fire period. This book celebrates that contribution. Jerman's major designs - the Royal Exchange, eight Livery Company halls and St Paul's School - received acclaim from contemporary critics. His town planning for the Goldsmiths' Company was innovative and his designs for the Lord Mayor's pageants exemplified his versatility and ingenuity. His palette was wide and the City of London in the thirdquarter of the seventeenth century proved fertile ground wherein Jerman's artistic talent could take root and flourish.