In 1819 Sir Stamford Raffles, without authority from London, raised the British flag on a small jungle-covered island and founded a settlement which would become the city state of Singapore. It was the crowning moment in an extraordinary career in South-East Asia, which saw Raffles shake off his humble beginnings to become Lieutenant-Governor of Java. But his success in the tropics was overshadowed by professional conflict and personal tragedy. Acclaimed biographer Victoria Glendinning charts the extraordinary life of an English adventurer, disobedient employee of the East India Company, utopian imperialist, linguist, naturalist, collector and troublesome visionary. If Raffles' own end was tragic, the mark he left on the world is indelible. His name and fame are undimmed today and, as he hoped, Singapore has become his lasting monument.
The Tears of the Rajas is a sweeping history of the British in India, seen through the experiences of a single Scottish family. For a century the Lows of Clatto survived mutiny, siege, debt and disease, everywhere from the heat of Madras to the Afghan snows. They lived through the most appalling atrocities and retaliated with some of their own. Each of their lives, remarkable in itself, contributes to the story of the whole fragile and imperilled, often shockingly oppressive and devious but now and then heroic and poignant enterprise. On the surface, John and Augusta Low and their relations may seem imperturbable, but in their letters and diaries they often reveal their loneliness and desperation and their doubts about what they are doing in India. The Lows are the family of the author's grandmother, and a recurring theme of the book is his own discovery of them and of those parts of the history of the British in India which posterity has preferred to forget. The book brings to life not only the most dramatic incidents of their careers - the massacre at Vellore, the conquest of Java, the deposition of the boy-king of Oudh, the disasters in Afghanistan, the Reliefs of Lucknow and Chitral - but also their personal ordeals: the bankruptcies in Scotland and Calcutta, the plagues and fevers, the deaths of children and deaths in childbirth. And it brings to life too the unrepeatable strangeness of their lives: the camps and the palaces they lived in, the balls and the flirtations in the hill stations, and the hot slow rides through the dust. An epic saga of love, war, intrigue and treachery, The Tears of the Rajas is surely destined to become a classic of its kind.
“For this brief moment, the two sisters could be ‘together in heart and affection’, and through such letters bridge the distance of empire.” We often learn about the commerce, diplomacy, and military campaigns of the British empire without reference to the intimate side of life in these times—the development of self, the position of women, and the importance of family. In this book, the story of empire, so often told from a man’s perspective, is given a unique vantage point through Eliza Hillier’s letters to her younger sister, Martha. Written largely from Hong Kong, Shanghai, England, and Siam, the letters allow us to become a member of her family and follow the daily tribulations associated with the life of a young British woman in the port cities of Asia. We are thus able to share Eliza’s experiences as she leaves home to embark on married life, starts and raises a family, grieves at the abrupt and tragic loss of her husband, Charles Batten Hillier, and then sets about re-building her life. At once a reflection on the daily components of empire, an entertaining narrative of familial relationships, and the story of one woman’s inner feelings, My Dearest Martha guides us through the vagaries of life for a family who were very much a part of imperial careering and missionary circles in East and Southeast Asia. The letters are complemented by images and commentary from the author, a descendant of Eliza, providing context and depth, which together give us a fuller picture of British colonial life in the mid-1800s from a perspective that will resonate with readers around the world.
Through close readings of diverse examples by Lamb, De Quincey, Hazlitt, Irving and Poe, this book argues that the familiar essay in the Romantic period embodies a quintessentially metropolitan mode of affect. The generic traits of the essay—astuteness of observation, an ambulatory or paratactic movement of thought, and an urbane tone of wry or ironic humour—all predispose it to the expression of a detached, non-pathological state of mind. This is a mind conditioned by the quickened pace, assorted humanity, and plenitude of spectacle which characterise urban and urbanised life. In making a valuable, genre-based contribution to scholarship on the importance to Romantic studies of the city and metropolitan culture, the traditional concept of Romantic affect is reassessed. The book proposes a more complex and varied model than the simple binary one of a “feeling” reaction to Enlightenment “reason.” Partly enacted within its own formal parameters and partly through its disruptive and genre-transcending progeny, the essayistic figure, the familiar essay articulates a blithe and, at times, shocking and provocative discourse of “un-affect,” or a strategically and often satirical callousness. Therefore, the overall concept of affect in this period needs to be understood not as a unified entity opposed to Enlightenment reason, but a dialogue between concurrent, opposing modes, played out against a dichotomized geo-cultural landscape of the country and the city. Essayistic un-affect emerges, in the end, as an apolitical phenomenon, a primary vehicle for the essayist’s inherent scepticism, sometimes enabling outright ridicule and, at other times, a tentative questioning or probing of both orthodox thought and emerging ideas: from the rarefied liberalist sensibility of the Lake poets, to the hubristic vanity of the colonial adventurer, and from the allure of hedonistic, Old World decadence to the proscriptive strictures of moralistic art.
Two hundred years after Singapore’s foundation by Stamford Raffles in 1819, this book reflects on the historical development of the city, putting forward much new research and new thinking. It discusses Singapore’s emergence as a regional economic hub, explores its strategic importance and considers its place in the development of the British Empire. Subjects covered include the city’s initial role as a strategic centre to limit the resurgence of Dutch power in Southeast Asia after the Napoleonic Wars, the impact of the Japanese occupation, and the reasons for Singapore’s exit from the Malaysian Federation in 1965. The book concludes by examining how Singapore’s history is commemorated at present, reinforcing the image of the city as prosperous, peaceful and forward looking, and draws out the lessons which history can provide concerning the city’s likely future development.
Half a world away from her home in Manitoulin Island, Ethel Mulvany is starving in Singapore’s infamous Changi Prison, along with hundreds of other women jailed there as POWs during the Second World War. They beat back pangs of hunger by playing decadent games of make-believe and writing down recipes filled with cream, raisins, chocolate, butter, cinnamon, ripe fruit – the unattainable ingredients of peacetime, of home, of memory. In this novelistic, immersive biography, Suzanne Evans presents a truly individual account of WWII through the eyes of Ethel – mercurial, enterprising, combative, stubborn, and wholly herself. The Taste of Longing follows Ethel through the fall of Singapore in 1942, the years of her internment, and beyond. As a prisoner, she devours dog biscuits and book spines, befriends spiders and smugglers, and endures torture and solitary confinement. As a free woman back in Canada, she fights to build a life for herself in the midst of trauma and burgeoning mental illness. Woven with vintage recipes and transcribed tape recordings, the story of Ethel and her fantastical POW Cookbook is a testament to the often-overlooked strength of women in wartime. It’s a story of the unbreakable power of imagination, generosity, and pure heart.
Singapore has gained a reputation for being one of the wealthiest and best-educated countries in the world and one of the brightest success stories for a colony-turned-sovereign state, but the country's path to success was anything but assured. Its strategic location and natural resources both allowed Singapore to profit from global commerce and also made the island an attractive conquest for the world's naval powers, resulting in centuries of stunting colonialization. In Singapore: Unlikely Power, John Curtis Perry provides an evenhanded and authoritative history of the island nation that ranges from its Malay origins to the present day. Singapore development has been aided by its greatest natural blessing-a natural deepwater port, shielded by mountain ranges from oceanic storms and which sits along one of the most strategic straits in the world, cementing the island's place as a major shipping entrepot throughout modern history. Perry traces the succession of colonizers, beginning with China in the fourteenth and fifteenth centuries and followed by the island's most famous colonizer, Britain, which ruled Singapore until the 1960s excluding the Japanese occupation of World War II. After setting a historical context, Perry turns to the era of independence beginning in the 1960s. Plagued with corruption, inequality, lack of an educated population, Singapore improbably vaulted from essentially third-world status into a first world dynamo over the course of three decades-with much credit due longtime leader Lee Kuan Yew, Singapore's first prime minister who led the country for over three decades, who embraced the colonial past, established close ties with former foe Japan, and adopted a resolutely pragmatist approach to economic development. His efforts were successful, and Singapore today is a model regime for other developing states. Singapore's stunning transformation from a poor and corrupt colonial backwater into an economic powerhouse renowned for its wealth, order, and rectitude is one of the great-and most surprising-success stories of modern era. Singapore is an accessible, comprehensive, and indeed colorful overview of one of the most influential political-economic models in the world and is an enlightening read for anyone interested in how Singapore achieved the unachievable.
For much of the nineteenth and early twentieth centuries, Britain was the dominant world power, its strength based in large part on its command of an Empire that, in the years immediately after World War I, encompassed almost one-quarter of the earth’s land surface and one-fifth of its population. Writers boasted that the sun never set on British possessions, which provided raw materials that, processed in British factories, could be re-exported as manufactured products to expanding colonial markets. The commercial and political might was not based on any grand strategic plan of territorial acquisition, however. The Empire grew piecemeal, shaped by the diplomatic, economic, and military circumstances of the times, and its speedy dismemberment in the mid-twentieth century was, similarly, a reaction to the realities of geopolitics in post-World War II conditions. Today the Empire has gone but it has left a legacy that remains of great significance in the modern world. The Historical Dictionary of the British Empire covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Britain.
This book is a study of the history, role and significance of copying art. Copies have enjoyed a different status from authentic artworks and though often acknowledged, very rarely have they been considered collectively as a genre in their own right. This volume showcases a variety of examples—from copies of famous artworks made and used as props in movies to those made innocently by student artists as part of their training. Examining the motivations for making copies, and reflecting on the reception of copies, is central to this book. Copies have historically filled voids in collections, where some sadly languish, and have become a curatorial burden. In other cases, having a copy assists in conservation projects and fills the place of a lost work. Ultimately by interrogating a copy’s role and intent we might ask ourselves if viewing a copy changes our experience and perception of an artwork.
