The bald eagle is the national bird of the United States. Readers will love learning more about this amazing bird through a relatable story about a field trip to the zoo. This book introduces readers to the bald eagle's physical features, as well as the reasons why this bird is so special to Americans everywhere. The story is brought to life through colorful illustrations and engaging text. The text is accessible enough for emerging readers, and exciting enough for younger listeners.
Meet the national bird of the United States. It makes an appearance on both the Great Seal of the United States and the Seal of the President of the United States. Gorgeous photographs of majestic bald eagles are sure to enchant readers. Featuring easy-to-read text in English and standard Latin American Spanish.
This book is a study of the Basque variety spoken in Lekeitio (Vizcaya). As such we have intended to make a direct contribution to Basque dialectology, aiming at setting certain standards for research in this area. In addition, we believe that some of the materials assembled in this work will be of interest to a larger audience beyond Basque specialists. It is for this reason that we decided to write the present book in English. In our opinion, certain linguistic aspects are treated in more detail here than in any previous work on any other Basque variety. A case in point would be accentuation, both at the lexical level and in its relation to the syntactic process of focalization.
This volume provides a fascinating study of the revolutionary painter and teacher, Josef Albers (1888-1976). Albers began his teaching career in 1923, when Walter Gropius invited him to join the faculty of the Bauhaus in Germany, where he quickly replaced the school's standard course curriculum with his own innovative methods. After moving to the United States, he taught at Black Mountain College in North Carolina and then at Yale University in New Haven, Connecticut until he retired in 1954. Overall, Albers's passionate commitment to teaching was matched only by his devotion to his own artistic development. While he is widely perceived as a strong-minded theoretician, he was, in fact, as this volume reveals, against rigid dogma and he encouraged his students to develop lively and original solutions to his many and varied design exercises. On their first day in his classroom, Albers's students were informed that his goal was to educate their eyes and that he was going to teach them how to think and to see, an agenda belied by the somewhat prosaic course names "Basic Drawing" and "Basic Design." Overall, as a thinker, writer (Albers's important volume The Interaction of Colorwas published in 1963 by Yale) and educator he has directly and indirectly influenced generations of established artists, including Robert Mangold, Robert Rauschenberg, and Donald Judd, among many others. This book provides not only a compelling study of a key figure of 20th century art, but also ponders what constitutes art and how it is made.
This book explains in a clear and simple way what life is and how it flows within our cells, between people and through people. It is a practical manual that will help us to "feel" life, to vibrate and breathe the life inside of our bodies and of all living beings. A key focus of this work is how emotional impact affects our pericardium, which is the membrane that envelops, maintains and protects the heart.
This career-spanning exhibition catalog reveals the enormous artistic achievements--both individual and shared--of two of the greatest pioneers of twentieth-century modernism. Featuring more than two hundred and fifty works, including paintings, photographs, drawings, textiles and furniture, this essential volume traces the creative development of Josef and Anni Albers--both instrumental figures in the development of modernism and abstract art. Illustrated profusely throughout, this book features contributions from leading experts in chapters exploring the couple's relationship and important aspects of their professional partnership, including their meeting at the Bauhaus School and their influential years at Black Mountain College in North Carolina. Wide-ranging essays examine topics such as the influence of Pre-Colombian art; Josef's masterwork Homage to the Square; Anni's jewelry and works on paper; Josef's famed classes at Yale University; and Anni's years as a graphic designer after her husband's death. Both artists are celebrated for their lasting achievements in their respective fields--Josef for his color theory classes at Yale, Anni for her innovative use of unconventional materials. Readers will come away with an appreciation for the Albers' experimentation and innovation; their collaboration and teamwork; their dedication to education and mentorship; and the many ways their work challenged
This book is the first comprehensive treatment of the phonological system of Basque available in English. Basque is a morphologically rich and fairly regular language with a number of active phonological rules that are limited to certain morphological environments. In addition, it has a high degree of dialectical fragmentation. These characteristics of Basque make this language a good test ground to investigate the interaction of phonological rules both with each other and with morphological processes, which the author does within the Lexical Phonology framework. The effects of rule interaction on feature geometry are a major concern - how phonological operations modify underlying structures and how the structures created by one phonological rule can serve as input to other rules. These effects are examined in a study of the rather peculiar behaviour of Basque affricates. Another area which requires particular attention, and in which Basque dialects differ widely, is prosody. Along with stress-accent systems of different types, Basque also possesses pitch-accent or restricted tonal systems in some of its western dialects. This book should be of interest to advanced students and teachers of linguistics, especially Romance linguistics and lexical phonology.
The Four-Who-Are-One go it alone! The Demon, Starchild, Celestial, and Catman each get the spotlight shined on them in four individual tales by writers Chris Ryall and Tom Waltz, who are joined by artists Angel Medina, Tone Rodriguez, and Alan Robinson.
