Public Art and Urban Memorials in Berlin
Public Art and Urban Memorials in Berlin

Author: Biljana Arandelovic

Publisher: Springer

Published: 2018-02-21

Total Pages: 371

ISBN-13: 3319734946

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This book provides insight into the significant area of public art and memorials in Berlin. Through diverse selected examples, grouped according to their basic character and significance, the most important art projects produced in the period since World War II are presented and discussed. Both as a critical theoretical work and rich photo book, this volume is a unique selection of Berlin’s diverse visual elements, contemporary and from the recent past. Some artworks are very famous and are already symbols of Berlin while others are less well known. Public Art and Urban Memorials in Berlin analyzes the connections created by public art on one hand, and urban space and architectural forms on the other. This volume considers the Berlin works of iconic artists such as Christo and Jeanne-Claude, Daniel Libeskind, Dani Karavan, Bernar Venet, Keith Haring, Christian Boltanski, Richard Serra, Peter Eisenman, Henry Moore, Claes Oldenburg and Coosje van Brüggen, Wolf Vostell, Gerhard Richter, Eduardo Chillida, Jonathan Borofsky, Olaf Metzel, Sol LeWitt, Frank Gehry, Max Lingner, Bernhard Heiliger, Frank Thiel, Juan Garaizabal and more. The reader is led through seven chapters: Creative City Berlin, Introduction to Public Art, Public Art in Berlin, the Celebration of Berlin’s 750th Anniversary in 1987, Temporary public art, Socialist Realism in Art, and Urban Memorials. The chapter Public Art in Berlin discusses selected projects, Bundestag Public Art Collection, Public Art at Potsdamer Platz and The City and the river – a renewed relationship. The chapter on urban memorials discusses: Remembering the Divided City and Holocaust Memorials in Berlin. The book delivers nine interviews with artists whose Berlin work is revealed through this volume (Bernar Venet, Hubertus von der Goltz, Dani Karavan, Juan Garaizabal, Susanne Lorenz, Kalliopi Lemos, Frank Thiel, Karla Sachse and Nikolaus Koliusis).

The City as Subject
The City as Subject

Author: Carolyn S. Loeb

Publisher: Bloomsbury Publishing

Published: 2022-02-24

Total Pages: 256

ISBN-13: 135025861X

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In The City as Subject, Carolyn S. Loeb examines distinctive bodies of public art in Berlin: legal and illegal murals painted in West Berlin in the 1970s and 1980s, post-reunification public sculptures, and images and sites from the street art scene. Her careful analyses show how these developed new architectural and spatial vocabularies that drew on the city's infrastructure and daily urban experience. These works challenged mainstream urban development practices and engaged with citizen activism and with a wider civic discourse about what a city can be. Loeb extends this urban focus to her examination of the extensive outdoor installation of the Berlin Wall Memorial and its mandate to represent the history of the city's division. She studies its surrounding neighborhoods to show that, while the Memorial adopts many of the urban-oriented vocabularies established by the earlier works of public art she examines, it truncates the story of urban division, which stretches beyond the Wall's existence. Loeb suggests that, by embracing more multi-vocal perspectives, the Memorial could encourage the kind of participatory and heterogeneous construction of the city championed by the earlier works of public art.

Belgrade
Belgrade

Author: Biljana Arandelovic

Publisher: Springer Nature

Published: 2020-01-01

Total Pages: 308

ISBN-13: 3030350703

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This book highlights Belgrade, reviewing its recent and historical developments and emphasizing its major ongoing planning projects. The book is divided into eight chapters. The first, entitled The urban, political and socioeconomic rise and fall of Belgrade through its history, introduces the reader to the city, and is followed by a chapter on Belgrade’s urban plans through history. The book continues with a chapter on one of the major urban projects in the former Yugoslavia, the construction of New Belgrade, its development and results, entitled New Belgrade: from no man’s land to modern city. In turn, the following three chapters explore three dominant contemporary topics: Belgrade’s riverfront redevelopment; Reimaging Belgrade: the case of Savamala; and Sustainable Belgrade. Expansion of the pedestrian zone in the city center. The book draws to a close with a chapter on Future predictions: South-Eastern European metropolis of the 21st century. This chapter in particular discusses large city projects and includes predictions about the city’s future.

The City as Subject
The City as Subject

Author: Carolyn S. Loeb

Publisher: Bloomsbury Publishing

Published: 2022-02-24

Total Pages: 313

ISBN-13: 1350258628

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In The City as Subject, Carolyn S. Loeb examines distinctive bodies of public art in Berlin: legal and illegal murals painted in West Berlin in the 1970s and 1980s, post-reunification public sculptures, and images and sites from the street art scene. Her careful analyses show how these developed new architectural and spatial vocabularies that drew on the city's infrastructure and daily urban experience. These works challenged mainstream urban development practices and engaged with citizen activism and with a wider civic discourse about what a city can be. Loeb extends this urban focus to her examination of the extensive outdoor installation of the Berlin Wall Memorial and its mandate to represent the history of the city's division. She studies its surrounding neighborhoods to show that, while the Memorial adopts many of the urban-oriented vocabularies established by the earlier works of public art she examines, it truncates the story of urban division, which stretches beyond the Wall's existence. Loeb suggests that, by embracing more multi-vocal perspectives, the Memorial could encourage the kind of participatory and heterogeneous construction of the city championed by the earlier works of public art.

The Past Made Present
The Past Made Present

Author: Yiran Zheng

Publisher:

Published: 2015

Total Pages: 0

ISBN-13:

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Since the 1990s, memorial making in Germany has been dominated by a trend of "countermonuments". In the belief that straightforward representations of the Holocaust in an urban surrounding as a public gesture would make it less urgent for the viewers to engage in the memorial, artists who dedicate themselves to "countermonuments" attempt to invite the viewers to actively interpret the meaning of the work for themselves. This trend coincides with a broader trend in memorial design, following the modernist and constructivist movements in art and architecture, which has shifted away from explicit representation toward the use of more abstract forms, and focuses visitors' attention on the shape and material of the artwork. This paper will examine three memorials in Berlin, namely the Mirrored Wall Memorial, Places of Remembrance and the Garden of Exile, with a focus on their contexts and artistic expressions. Featuring a direct phenomenological interaction with the site and space around them, these memorials associate their viewers with the historic contexts of the sites in their unique way. In doing so, a knowledge and understanding of the past is accessible within the present.

Encountering Nazi Tourism Sites
Encountering Nazi Tourism Sites

Author: Derek Dalton

Publisher: Routledge

Published: 2019-08-05

Total Pages: 223

ISBN-13: 1351599615

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Encountering Nazi Tourism Sites explores how the terrible legacy of Nazi criminality is experienced by tourists, bridging the gap between cultural criminology and tourism studies to make a significant contribution to our understanding of how Nazi criminality is evoked and invoked in the landscape of modern Germany. This study is grounded in fieldwork encounters with memorials, museums and perpetrator sites across Germany and the Netherlands, including Berlin Holocaust memorials and museums, the Anne Frank House, the Wannsee House, Wewelsburg Castle and concentration camps. At the core of this research is a respect for each site’s unique physical, architectural or curatorial form and how this enables insights into different aspects of the Holocaust. Chapters grapple with themes of authenticity, empathy, voyeurism and vicarious experience to better comprehend the possibilities and limits of affective encounters at these sites. This will be of great interest to upper level students and researchers of criminology, Holocaust studies, museology, tourism studies, memorialisation studies and the burgeoning field of ‘difficult’ heritage.

The Past Made Present
The Past Made Present

Author: Yiran Zheng

Publisher:

Published: 2015

Total Pages: 31

ISBN-13:

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Since the 1990s, memorial making in Germany has been dominated by a trend of "countermonuments". In the belief that straightforward representations of the Holocaust in an urban surrounding as a public gesture would make it less urgent for the viewers to engage in the memorial, artists who dedicate themselves to "countermonuments" attempt to invite the viewers to actively interpret the meaning of the work for themselves. This trend coincides with a broader trend in memorial design, following the modernist and constructivist movements in art and architecture, which has shifted away from explicit representation toward the use of more abstract forms, and focuses visitors' attention on the shape and material of the artwork. This paper will examine three memorials in Berlin, namely the Mirrored Wall Memorial, Places of Remembrance and the Garden of Exile, with a focus on their contexts and artistic expressions. Featuring a direct phenomenological interaction with the site and space around them, these memorials associate their viewers with the historic contexts of the sites in their unique way. In doing so, a knowledge and understanding of the past is accessible within the present.

Memorials as Spaces of Engagement
Memorials as Spaces of Engagement

Author: Quentin Stevens

Publisher: Routledge

Published: 2015-08-11

Total Pages: 289

ISBN-13: 1317600037

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Memorials are more diverse in design and subject matter than ever before. No longer limited to statues of heroes placed high on pedestals, contemporary memorials engage visitors in new, often surprising ways, contributing to the liveliness of public space. In Memorials as Spaces of Engagement Quentin Stevens and Karen A. Franck explore how changes in memorial design and use have helped forge closer, richer relationships between commemorative sites and their visitors. The authors combine first hand analysis of key examples with material drawn from existing scholarship. Examples from the US, Canada, Australia and Europe include official, formally designed memorials and informal ones, those created by the public without official sanction. Memorials as Spaces of Engagement discusses important issues for the design, management and planning of memorials and public space in general. The book is organized around three topics: how the physical design of memorial objects and spaces has evolved since the 19th century; how people experience and understand memorials through the activities of commemorating, occupying and interpreting; and the issues memorials raise for management and planning. Memorials as Spaces of Engagement will be of interest to architects, landscape architects and artists; historians of art, architecture and culture; urban sociologists and geographers; planners, policymakers and memorial sponsors; and all those concerned with the design and use of public space.

Denise Scott Brown
Denise Scott Brown

Author: Biljana Arandelovic

Publisher: Springer Nature

Published: 2023-08-21

Total Pages: 301

ISBN-13: 3031367812

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Denise Scott Brown is best known as part of one of the most acclaimed architectural partnerships in modern architectural history, Denise Scott Brown & Robert Venturi. Together with Venturi, she ran the firm Venturi, Scott Brown & Associates (VSBA). Their architectural and urban planning designs, theories and publications caused a revolution in the world of architecture. Their most famous theoretical work, co-authored with Steven Izenour, Learning from Las Vegas, became a global phenomenon that marked the 20th century. Scott Brown & Venturi were also a married couple. However, in the traditional male-dominated architectural world, men were automatically put in leadership positions while the role of women was always underplayed, although they worked in equal partnership and made the same contribution. The role of Denise Scott Brown in joint projects, in the eyes of the public, was for decades diminished, while Venturi was brought to the forefront and celebrated as a genius. She never received due recognition for her work. This book is entirely dedicated to Denise Scott Brown and gives her the credit she deserves. It informs readers about her life, analyzes her projects in both architecture and urban planning, and offers a better understanding of her theories. The seven chapters provide a comprehensive insight into the world of legendary Denise and complete the knowledge necessary to understand her as a true and authentic diva of architecture, an innovative urban planner, theorist and passionate professor. Chapter 8 is a comprehensive conclusion that rounds off the monograph through a shorter review of numerous topics covered in the previous chapters. At the very beginning of the book is a letter that Denise wrote to the author. Her words are an authentic testimony of her life after 1967. The book is richly illustrated with a total of 274 photographs, urban planning layouts and various project illustrations.

Street Art, Public City
Street Art, Public City

Author: Alison Young

Publisher: Routledge

Published: 2013-11-20

Total Pages: 181

ISBN-13: 1135143595

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What is street art? Who is the street artist? Why is street art a crime? Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art. Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. It considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalised. It investigates the implications of street art for conceptions of property and authority, and suggests that street art and the urban imagination can point us towards a different kind of city: the public city. Street Art, Public City will be of interest to readers concerned with art, culture, law, cities and urban space, and also to readers in the fields of legal studies, cultural criminology, urban geography, cultural studies and art more generally.