"Two sizzling worlds are about to collide."When Gideon's Angels - renowned porn stars - show up at the Phoenix Club, the sexual heat is explosive from both sides.Ricky - the Angels' #1 fan - decides who better to be the star guests at his and the boys' porn party than the sexy porn stars themselves. The Angels go one better and invite the Phoenix boys back to Chicago to host the party on their own home turf where all inhibitions are left at the door and nothing is taboo.*Contains multiple explicit M/M sex scenes and sexual situations. Strong language. 18+ readers only.
Clint "The Cowboy" Maddox is a force to be reckoned with. Enforcer for the Sanitini family, the cowboy has known only violence, pain and death. But for a select few he calls "brothers", Clint feels no love for mankind and believes that "an eye for an eye" is the only true means of retribution. 'Let the punishment fit the crime' is his philosophy when dealing with his enemies. But upon meeting Axel Anders -a frightened and lost young man with a stained soul of his own -Clint's hard-as-steel exterior begins to crack as he finds himself intrigued by the effect this vulnerable "kid" has on him. Yet when Axel's presence begins to disturb the ground beneath which Clint's darkest, most painful memories have lain dormant for over two decades, he begins to understand that the young man poses a greater threat than any flesh and blood enemy -and knows he must put the kid out of his life, or face a resurrected past that he believed to be dead and buried.
*A continuation of The Phoenix Club series."I don't know if my story is truly that powerful, as to light the path for another soul. Will others who read this view my boys and I in a positive light, feel the love and beauty of what we have shared, sense the unbreakable bond of our "family"...or will we be cast aside as the dredge of society, written off as unwelcome scars that marred the face of this world. I suppose that remains to be seen. But now, as before, it doesn't matter. We know who we are to each other, what we would do for one another; there is no limit.We are friends.We are lovers.We are family.And this is our love story."*Contains explicit M/M sex scenes and strong language. 18+ readers only.
This ISBN refers to the ebook edition of this text, available directly from the publisher. It has erroneously been listed as paperback by some online vendors. The true paperback edition is indeed available at online vendors. Paste this ISBN into the search box: 9780874217810. In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life— mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.” Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema.
On a cold winter’s night in 1778, two patriot soldiers recall their first sensual encounter and ponder their future together with the women they love. Winter’s icy weather is not the only chill to descend upon New York’s Fort Revolution in January of 1778. Discontent hangs heavy in the air between Lieutenant Patrick Hamilton and Captain Samuel Taylor during an evening’s respite from America’s war for independence. Reminiscing brings a realization of their emotional and physical connection to each other. Will memories be enough to rouse reconciliation? Winter Interlude: An American Revolutionary Novelette (American Revolutionary Tales Book 2) is a prequel and interquel companion story to The General’s Wife: An American Revolutionary Tale, delving into the relationship between Captain Samuel Taylor and Lieutenant Patrick Hamilton. Much of the action of Winter Interlude takes place in the gap between Chapter Twenty-Three and Chapter Twenty-Four of The General’s Wife. American Revolutionary Tales Book 1: The General’s Wife: An American Revolutionary Tale An English Lady and a handsome American Patriot in a battle for her heart – will she submit to the enemy? Book 2: Winter Interlude: An American Revolutionary Novelette On a cold winter’s night in 1778, two patriot soldiers recall their first sensual encounter and ponder their future together with the women they love. Coming soon! Book 3: The Viscount and the Veteran: An American Federalist Tale
A Work in The Guy Series Anthony Carrino loves his big, gregarious Italian-American family, even if his sisters are interfering, and his dad, the local sheriff, knows everything going on in town. He's happy as a middle school guidance counselor. Despite helping kids and their parents fix their problems, Anthony can't manage to get his own love life right. If only everyone would stop calling him the "nice" guy. Dean Pierce doesn't do relationships. A tough-minded military man, he is dedicated to his job as a Night Stalker, flying Chinook helicopters and not speaking much to anybody. He certainly doesn't want to deal with a mess of emotions. But when tragedy strikes, Dean finds his hands full with his troubled niece, her irresistible guidance counselor, and a meddlesome family, which includes a rather large puppy.
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
For several decades David Bethea has written authoritatively on the “mythopoetic thinking” that lies at the heart of classical Russian literature, especially Russian poetry. His theoretically informed essays and books have made a point of turning back to issues of intentionality and biography at a time when authorial agency seems under threat of erasure and the question of how writers, and poets in particular, live their lives through their art is increasingly moot. Pushkin's Evgeny can be one incarnation of the poet himself and an everyman rising up to challenge Peter's new world order; Brodsky can be, all at once, Dante and Mandelstam and himself, the exile paying an Orphic visit to Florence (and, by ghostly association, Leningrad). This collection contains a liberal sampling of Bethea's most memorable previously published essays along with new studies.
Asking if the political requirements of gay pride have repressed discussion of the more uncomfortable or undignified aspects of homosexuality, 'Gay Shame' seeks to lift this unofficial ban on the investigation of homosexuality and shame by presenting critical work from the most vibrant frontier in contemporary queer studies.
The first science fiction course in the American academy was held in the early 1950s. In the sixty years since, science fiction has become a recognized and established literary genre with a significant and growing body of scholarship. The Cambridge History of Science Fiction is a landmark volume as the first authoritative history of the genre. Over forty contributors with diverse and complementary specialties present a history of science fiction across national and genre boundaries, and trace its intellectual and creative roots in the philosophical and fantastic narratives of the ancient past. Science fiction as a literary genre is the central focus of the volume, but fundamental to its story is its non-literary cultural manifestations and influence. Coverage thus includes transmedia manifestations as an integral part of the genre's history, including not only short stories and novels, but also film, art, architecture, music, comics, and interactive media.
