Power Chord is the story of one man’s epic pilgrimage to gain rock enlightenment from the gods and guitar heroes of the Golden Age of heavy metal. Author Scott McKenzie set off to make contact with the legendary metal superstars he worshipped in his rural Kentucky youth—men like George Lynch of Dokken, Glen Tipton of Judas Priest, and Ace Frehley of KISS—hoping to gain wisdom and a better understanding of the electric guitar mystique. The result is a veritable treasure trove of enthralling behind-the-scenes stories and “where are they now” revelations that will delight anyone who has ever felt a Mötley Crüe, Guns ’N’ Roses, or Black Sabbath song reach out from the speakers and grab them by the ears.
(Essential Elements Guitar). Take your guitar teaching to a new level! Hal Leonard's top-selling comprehensive method for band and strings is now also available for guitar. With the time-tested classroom teaching methods of Will Schmid and Bob Morris and popular songs in a variety of styles, Essential Elements for Guitar is sure to become a staple of guitar teachers' instruction and get beginning guitar students off to a great start. This method has been designed to meet the National Standards for Music Education, with features such as cross-curricular activities, quizzes, multicultural songs, basic improvisation and more. Concepts covered in Book 1 include: getting started; basic music theory; guitar chords; notes on each string; ensemble playing; and much more! Songs used in Book 1 include such hits as: Dust in the Wind * Eleanor Rigby * Every Breath You Take * Hey Jude * Hound Dog * Let It Be * Ode to Joy * Rock Around the Clock * Stand By Me * Surfin' USA * Sweet Home Chicago * This Land Is Your Land * You Really Got Me * and more!
Younger students will enjoy this creative approach to playing simple guitar chords. Chords are taught with exercises that build upon each other and eventually lead the student to playing logical and common chord progressions. These progressions include I-iii-vi-ii-V-I and twelve bar blues in many different keys. Chords are shown in chord diagram form with detailed illustrations showing finger positions in relationship to the fretboard. Open chords for folk music as well as power chords for rock music are presented clearly and easily in this text. A complete easy chord chart and capo chart is provided at the end of the book for easy reference. Examples and exercises are presented in strum bar notation.
"A very comprehensive book containing chords from the beginning stages and beyond. Everything is very well explained with no stone left unturned. I'd highly recommend it to anyone who's starting out with the guitar." -- Nigel Elliott, Guitarist & Tutor (N.Ireland) Guitar Chords for Beginners contains 65 different chords arranged in easy fingerings. Technique: Fretting hand technique for playing guitar chords is looked at in detail with diagrams. Where necessary, some chords are taught incrementally because taking on only the harder aspects of a chord’s fingering first means our hand is freer to adjust. Other chords are shown with different fingerings for you to choose which you prefer. Playing guitar chords may seem like a contortion for the hands of the beginner so there is some basic guidance on stretching to keep the hands flexible. Audio and More: Each guitar chord has a downloadable audio example enabling you to hear if you have played it right, or to hear what you need to work towards. There is an introduction to moveable power chords and barre chords, in which barre chords are shown as easier cut-down versions of full barre chord shapes. At the back of Guitar Chords for Beginners there is a list of suggested songs that contain chords from within the book. Grab a copy today! "I like what’s been put together! The information covered in technical issues for beginners especially explaining the difference between chords on piano and guitar is great. I think starting with the small position chords for C and G etc and building up to full position is also really important for beginners. The picture diagrams of hand position is a nifty feature, I know lots of beginners respond more to visuals and will often revert to looking at the hand pictures rather than the chord diagrams. Also think the added audio clips are a great feature so students can compare the sounds of their chords with the audio for reference. There could be a couple of chord progressions at the end of each section (Apart from the song suggestions at the end of the book) and strumming patterns. That would be an added feature that I think could work nicely, although this would make for a larger book and it is only £1.99 for the eBook. Otherwise I think what’s been put together is great :)" -- Anthony Bierman, Bmus(Hons) Contemporary/Jazz Guitar (South Africa) "Looks fab. I particularly like the different ways of playing the A chord. The physical warm-up exercises for flexibility are also good. It is good that movable major and minor barre chords are shown as partial versions to make them initially easier, and beginners might find extra interest where near the back of the book easy open versions of other more exotic chords are shown, such as Dm(maj7), the "James Bond" chord." -- Campbell Murray, RGT & MU Registered Tutor (Scotland)
(Guitar Educational). Finally, a guitar method solely for south paws! This comprehensive book covers: chords, scales, riffs and strumming; rock, blues, fingerpicking and other styles; tuning, theory and other fundamentals; reading standard notation and tab; and lots more. Includes lots of photos, diagrams and grids designed especially for the left-handed player.
Originally published in 1985, One Chord Wonders was the first full-length study of the glory years of British punk rock. The book argues that one of punk’s most significant political achievements was to expose the operations of power in the British entertainment industries as they were thrown into confusion by the sound and the fury of musicians and fans. Through a detailed examination of the conditions under which punk emerged and then declined, Dave Laing develops a view of the music as both complex and contradictory. Special attention is paid to the relationship between punk and the music industry of the late 1970s, in particular the political economy of the independent record companies through which much of punk was distributed. The rise of punk is also linked to the febrile political atmosphere of Britain in the mid-1970s. Using examples from a wide range of bands, individual chapters use the techniques of semiology to consider the radical approach to naming in punk (from Johnny Rotten to Poly Styrene), the instrumental and vocal sound of the music, and its visual images. Another section analyses the influence of British punk in Europe prior to the music’s division into “real punk” and “post-punk” genres. The concluding chapter critically examines various theoretical explanations of the punk phenomenon, including the class origins of its protagonists and the influential view that punk represented the latest in a line of British youth “subcultures.” There is also a chronology of the punk era, plus discographies and a bibliography.
