Having stopped the wave of the undead that swarmed their facility, Ashley Parker and the other wild cards (those immune to the zombie virus) are assaulted by an unknown enemy and forced to travel to a secret laboratory in San Francisco. En route some are killed, while others are kidnapped by their shadowy foe, who seems to use the zombies as a weapon. But the worst is yet to come, as the plague begins to manifest in key locations nationwide. And the truth begins to emerge about the paramilitary society, the Dolofónoi tou Zontanoús Nekroús (DZN).
Sequel to the thrilling zombie novel PLAGUE TOWN. Ashley Parker was a ordinary woman who was also a “wild card,” immune to the emerging zombie plague, drawn unwillingly into a shadowy paramilitary organization. Having been ambushed in San Francisco, which is now fully engulfed in the zombie plague, Ashley and the wild cards must pursue the enemy to San Diego. There they will discover adark organization which seeks to weaponize the plague. But that isn't the worst news. The plague itself has gone airborne, making it transferable without physical contact. It cannot be controlled by anyone, so reports of the zombie swarm are coming in from across the United States - and across the world.
An expert legal review of the US government’s response to epidemics through history—with larger conclusions about COVID-19, and reforms needed for the next plague In this narrative history of the US through major outbreaks of contagious disease, from yellow fever to the Spanish flu, from HIV/AIDS to Ebola, Polly J. Price examines how law and government affected the outcome of epidemics—and how those outbreaks in turn shaped our government. Price presents a fascinating history that has never been fully explored and draws larger conclusions about the gaps in our governmental and legal response. Plagues in the Nation examines how our country learned—and failed to learn—how to address the panic, conflict, and chaos that are the companions of contagion, what policies failed America again and again, and what we must do better next time.
People are dying. Then they are waking up hungry. In the small university town of Redwood Grove, people are succumbing to a lethal strain of flu. They are dying—but not for long. Ashley Parker and her boyfriend are attacked by these shambling, rotting creatures that crave human flesh. Their lives will never be the same again. When she awakes Ashley discovers that she is a "wild card"— immune to the virus—and is recruited by a shadowy paramilitary organization that offers her the chance to fight back. Trained by gorgeous vegan Gabriel, and bonding with her fellow wild cards, Ashley begins to discover skills she never knew she had. As the town falls to ever-growing numbers of the infected, Ashley and her team fight to contain the outbreak—but will they be enough?
Survival was just the start of it . . . Eighteen months have passed since the events of Plague Land. Leon and Freya have seen no sign of the virus, clinging on to the hope that two hard winters just may have killed it off. When news of a rescue ship arriving off the coast comes in, the pair are on the move once again. But all is not as safe as it seems. The virus has been busy, it has learned and evolved. And now, it is reborn. Plague Nation is the explosive second book in the Remade trilogy, by the bestselling author of the TimeRiders series, Alex Scarrow. Continue the horror-thriller series with Plague World. This book was previously published in paperback as Reborn.
The thrilling conclusion of the zombie apocalypse begun in PLAGUE TOWN and continued in PLAGUE NATION! The zombie plague has gone airborne, and the conspiracy that began it all reaches the boiling point. Having been ambushed in San Francisco, which is now fully engulfed in the zombie plague, Ashley and the wild cards must pursue the enemy to San Diego. There they will discover a splinter of their own organization, the Dolofónoi tou Zontanoús Nekroús, which seeks to weaponize the plague. But that isn't the worst news. The plague has gone airborne, making it transferable without physical contract. It cannot be controlled by anyone, so reports of the zombie swarm are coming in from across the United States - and across the world.
It has a plan . . . Leon is stuck in England. Grace is on her way to New Zealand and Freya to the 'New United States' in Cuba. The virus has assimilated all of humanity except for these three communities and now it is prepared to talk with them. How they each choose to respond to the virus, will ultimately decide their fate in Plague World, the apocalyptic finale to the Remade trilogy from bestselling author of the TimeRiders series, Alex Scarrow.
It happened within a week . . . Leon and his younger sister, Grace, have recently moved to London from New York and are struggling to settle into their new school, when rumours of an unidentified virus in Africa begin to fill the news. Within a week the virus hits London. The siblings witness people turning to liquid before their eyes, and they run for their lives. A month after touching Earth's atmosphere, the virus has assimilated the world's biomass. But the virus isn't their only enemy, and survival is just the first step. Plague Land is the explosive first novel in the Remade trilogy from the bestselling and award-winning author of TimeRiders, Alex Scarrow. 'A high-impact horrific thriller that will keep readers on the edge of their seat and begging for the next installment.' School Library Journal 'Terror, anxiety, and anticipation will flow rapidly through the veins of readers as they piece together clues...in this fast-paced horror' The Bulletin of the Center for Children's Books
In the years between the end of World War II and the mid-1950s, the popular culture of today was invented in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics in this engrossing history. "Marvelous . . . a staggeringly well-reported account of the men and women who created the comic book, and the backlash of the 1950s that nearly destroyed it....Hajdu’s important book dramatizes an early, long-forgotten skirmish in the culture wars that, half a century later, continues to roil."--Jennifer Reese,Entertainment Weekly(Grade: A-) "Incisive and entertaining . . . This book tells an amazing story, with thrills and chills more extreme than the workings of a comic book’s imagination."--Janet Maslin,The New York Times "A well-written, detailed book . . . Hajdu’s research is impressive."--Bob Minzesheimer,USA Today "Crammed with interviews and original research, Hajdu’s book is a sprawling cultural history of comic books."--Matthew Price,Newsday "To those who think rock 'n' roll created the postwar generation gap, David Hajdu says: Think again. Every page ofThe Ten-Cent Plagueevinces [Hajdu’s] zest for the 'aesthetic lawlessness' of comic books and his sympathetic respect for the people who made them. Comic books have grown up, but Hajdu’s affectionate portrait of their rowdy adolescence will make readers hope they never lose their impudent edge."--Wendy Smith, Chicago Tribune "A vivid and engaging book."--Louis Menand,The New Yorker "David Hajdu, who perfectly detailed the Dylan-era Greenwhich Village scene in Positively 4th Street, does the same for the birth and near death (McCarthyism!) of comic books inThe Ten-Cent Plague." --GQ "Sharp . . . lively . . . entertaining and erudite . . . David Hajdu offers captivating insights into America’s early bluestocking-versus-blue-collar culture wars, and the later tensions between wary parents and the first generation of kids with buying power to mold mass entertainment."--R. C. Baker,The Village Voice "Hajdu doggedly documents a long national saga of comic creators testing the limits of content while facing down an ever-changing bonfire brigade. That brigade was made up, at varying times, of politicians, lawmen, preachers, medical minds, and academics. Sometimes, their regulatory bids recalled the Hays Code; at others, it was a bottled-up version of McCarthyism. Most of all, the hysteria over comics foreshadowed the looming rock 'n' roll era."--Geoff Boucher, Los Angeles Times "A compelling story of the pride, prejudice, and paranoia that marred the reception of mass entertainment in the first half of the century."--Michael Saler,The Times Literary Supplement(London) David Hajdu is the author ofLush Life: A Biography of Billy StrayhornandPositively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña.
