Philosophy, Humor, and the Human Condition

Philosophy, Humor, and the Human Condition

Author: Lydia Amir

Publisher: Springer Nature

Published: 2019-12-19

Total Pages: 314

ISBN-13: 3030326713

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This book presents an original worldview, Homo risibilis, wherein self-referential humor is proposed as the path leading from a tragic view of life to a liberating embrace of human ridicule. Humor is presented as a conceptual tool for holding together contradictions and managing the unresolvable conflict of the human condition till Homo risibilis resolves the inherent tension without epistemological cost. This original approach to the human condition allows us to effectively address life’s ambiguities without losing sight of its tragic overtones and brings along far-ranging personal and social benefits. By defining the problem that other philosophies and many religions attempt to solve in terms we can all relate to, Homo risibilis enables an understanding of the Other that surpasses mere tolerance. Its egalitarian vision roots an ethic of compassion without requiring metaphysical or religious assumptions and liberates the individual for action on others’ behalf. It offers a new model of rationality which effectively handles and eventually resolves the tension between oneself, others, and the world at large. Amir’s view of the human condition transcends the field of philosophy of humor. An original worldview that fits the requirements of traditional philosophy, Homo risibilis is especially apt to answer contemporary concerns. It embodies the minimal consensus we need in order to live together and the active role philosophy should responsibly play in a global world. Here developed for the first time in a complete way, the Homo risibilis worldview is not only liberating in nature, but also illuminates the shortcomings of other philosophies in their attempts to secure harmony in a disharmonious world for a disharmonious human being.


All Too Human

All Too Human

Author: Lydia L. Moland

Publisher: Springer

Published: 2018-08-24

Total Pages: 202

ISBN-13: 331991331X

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This book offers an analysis of humor, comedy, and laughter as philosophical topics in the 19th Century. It traces the introduction of humor as a new aesthetic category inspired by Laurence Sterne’s "Tristram Shandy" and shows Sterne’s deep influence on German aesthetic theorists of this period. Through differentiating humor from comedy, the book suggests important distinctions within the aesthetic philosophies of G.W.F. Hegel, Karl Solger, and Jean Paul Richter. The book links Kant’s underdeveloped incongruity theory of laughter to Schopenhauer’s more complete account and identifies humor’s place in the pessimistic philosophy of Julius Bahnsen. It considers how caricature functioned at the intersection of politics, aesthetics, and ethics in Karl Rosenkranz’s work, and how Kierkegaard and Nietzsche made humor central not only to their philosophical content but also to its style. The book concludes with an explication of French philosopher Henri Bergson’s claim that laughter is a response to mechanical inelasticity.


The Philosophy of Humour

The Philosophy of Humour

Author: Paul McDonald

Publisher: Humanities-Ebooks

Published: 2013-03-01

Total Pages: 138

ISBN-13: 184760238X

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Comic novelist and critic Paul McDonald explores the philosophy of humour in a book that will appeal to philosophers and creative writers alike. One aim of this book is to assess theories of humour and laughter. It concentrates mainly on philosophical approaches to humour- including those of Plato, Aristotle, Cicero, Descartes, Hobbes, Bergson, Kant, Schopenhauer, Kierkegaard, Freud and Bakhtin, but also explores such fields as cultural studies, literary theory, religion, psychoanalysis, and psychology; this broad focus makes for a richer account of humour, its relationship with philosophical thought, and its bearing on the human condition. Readers are invited to engage in creative writing exercises designed to exploit this crucial facet of humour, and to help them explore relevant issues imaginatively. In this way they will deepen their understanding of those issues, whilst at the same time cultivating their own creative skills. REVIEW COMMENT "The philosophical study of humour has a complex and fitful history: few people have been brave enough to write about humour seriously, and those who have tend to disagree with one another. For those seeking an entry point, Paul McDonald’s 'The Philosophy of Humour' (2012) gives a useful overview of the major theories. There are those who believe that laughter derives from a sense of superiority (Hobbes and Bergson) or from a sense of relief, or release of energy (Freud’s “economy of psychic expenditure”). But the earliest, most primal examples of humour all seem to have some sort of incongruity at their heart. McDonald gives the example of “the Lion Man figure found in 1939 in the Swabian Alps”, which is thought to be about 35,000 years old. Having the body of a lion and the legs of a man, it is thought to be one of the earliest examples of represented incongruity, dating from the time when human beings first developed “an ability to juxtapose disparate concepts”. Jonathan Coe, The Guardian.


Humour

Humour

Author: Terry Eagleton

Publisher: Yale University Press

Published: 2019-05-14

Total Pages: 191

ISBN-13: 0300244789

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A compelling guide to the fundamental place of humour and comedy within Western culture—by one of its greatest exponents Written by an acknowledged master of comedy, this study reflects on the nature of humour and the functions it serves. Why do we laugh? What are we to make of the sheer variety of laughter, from braying and cackling to sniggering and chortling? Is humour subversive, or can it defuse dissent? Can we define wit? Packed with illuminating ideas and a good many excellent jokes, the book critically examines various well-known theories of humour, including the idea that it springs from incongruity and the view that it reflects a mildly sadistic form of superiority to others. Drawing on a wide range of literary and philosophical sources, Terry Eagleton moves from Aristotle and Aquinas to Hobbes, Freud, and Bakhtin, looking in particular at the psychoanalytical mechanisms underlying humour and its social and political evolution over the centuries.


The Philosophy of Humor Yearbook

The Philosophy of Humor Yearbook

Author: Steven Gimbel

Publisher:

Published: 2020-08

Total Pages: 336

ISBN-13: 9783110636741

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This yearbook, the sole publication of its kind, addresses the contemporary interest in the philosophy of humor. It invites philosophers from various traditions to share studies of humor, laughter, and the comic, and their roles (e.g., epistemological, ethical, aesthetic) within the history and practice of philosophy. It publishes not only scholarly articles of the highest quality, but also humorous or satirical pieces of philosophic interest.


Woody Allen

Woody Allen

Author: Vittorio Hösle

Publisher:

Published: 2007

Total Pages: 116

ISBN-13:

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In this extended essay, Vittorio H sle develops a theory of the comical and applies it to interpret both the recurrent personae played by Woody Allen the actor and the philosophical issues addressed by Woody Allen the director in his films. Taking Henri Bergson's analysis of laughter as a starting point, H sle integrates aspects of other theories of laughter to construct his own more finely-articulated and expanded model. With this theory in hand, H sle discusses the incongruity in the characters played by Woody Allen and describes how these personae are realized in his work. H sle focuses on the philosophical issues in Allen's major films by exploring the identity problem in Play It Again, Sam and Zelig, the shortcomings of the positivist concept of reality in A Midsummer Night's Sex Comedy, the relation between reality and art in The Purple Rose of Cairo, the objective validity of morality in Crimes and Misdemeanors, the power of evil in Shadows and Fog, and the relation between art and morality in Bullets over Broadway. He cites Allen's virtuosic reinterpretation of older forms of expression and his integration of the fantastic into the comic universe--elements like the giant breasts, anxious sperm, extraterrestrials, ghosts, and magicians that populate his movies--as formal moves akin to those of Aristophanes. Both an overview of Allen's work and a philosophical analysis of laughter, H sle's study demonstrates why Allen's films have more to offer us--morally, philosophically, and artistically--than just a few laughs. "In Woody Allen, Vittorio H sle goes a long way toward explaining everything you wanted to know about Allen but were afraid to ask. Just why exactly is he funny, and why does his humor have a strong appeal for academics? In his comprehensive analysis of Allen's work, H sle outlines a workable theory of humor, illustrates his conclusions by referring to the films and prose, and points out several philosophic motifs underlying Allen's deceptively complex comedies. H sle's work elevates the enjoyment of Allen's films from guilty pleasure to satisfying intellectual engagement with an intriguing contemporary thinker and artist." --Richard A. Blake, S.J., Boston College "Vittorio H sle presents a compelling overview of Allen's work in which he discusses different theories of laughter and argues for the priority of the incongruity theory as the only one able to answer the normative question, what distinguises good from bad laughter? On this theoretical basis he goes on to delve into both the humor and the philosophical profundity of Allen's films." --Sander Lee, Keene State College


The Art of Philosophy

The Art of Philosophy

Author: Peter Sloterdijk

Publisher: Columbia University Press

Published: 2012-10-02

Total Pages: 121

ISBN-13: 0231530404

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In his best-selling book You Must Change Your Life, Peter Sloterdijk argued exercise and practice were crucial to the human condition. In The Art of Philosophy, he extends this critique to academic science and scholarship, casting the training processes of academic study as key to the production of sophisticated thought. Infused with humor and provocative insight, The Art of Philosophy further integrates philosophy and human existence, richly detailing the foundations of this relationship and its transformative role in making the postmodern self. Sloterdijk begins with Plato's description of Socrates, whose internal monologues were so absorbing they often rooted the philosopher in place. The original academy, Sloterdijk argues, taught scholars to lose themselves in thought, and today's universities continue this tradition by offering scope for Plato's "accommodations for absences." By training scholars to practice thinking as an occupation transcending daily time and space, universities create the environment in which thought makes wisdom possible. Traversing the history of asceticism, the concept of suspended animation, and the theory of the neutral observer, Sloterdijk traces the evolution of philosophical practice from ancient times to today, showing how scholars can remain true to the tradition of "the examined life" even when the temporal dimension no longer corresponds to the eternal. Building on the work of Husserl, Heidegger, Nietzsche, Arendt, and other practitioners of the life of theory, Sloterdijk launches a posthumanist defense of philosophical inquiry and its everyday, therapeutic value.


Laughter, Humor, and Comedy in Ancient Philosophy

Laughter, Humor, and Comedy in Ancient Philosophy

Author: Pierre Destrée

Publisher:

Published: 2019

Total Pages: 305

ISBN-13: 0190460547

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Ancient philosophers were very interested in questions about laughter, humor and comedy. They theorized about laughter and its causes, moralized about the appropriate uses of humor and what it is appropriate to laugh at, and wrote treaties on comedic composition. This volume explores themes that were important for ancient philosophers: the psychology of laughter, the ethical and social norms governing laughter and humor, and the philosophical uses of humor and comedic technique.


Humour: A Very Short Introduction

Humour: A Very Short Introduction

Author: Noël Carroll

Publisher: OUP Oxford

Published: 2014-01-23

Total Pages: 161

ISBN-13: 0191642592

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Humour has been discovered in every known human culture and thinkers have discussed it for over two thousand years. Humour can serve many functions; it can be used to relieve stress, to promote goodwill among strangers, to dissipate tension within a fractious group, to display intelligence, and some have even claimed that it improves health and fights sickness. In this Very Short Introduction Noel Carroll examines the leading theories of humour including The Superiority Theory and The Incongruity Theory. He considers the relation of humour to emotion and cognition, and explores the value of humour, specifically in its social functions. He argues that humour, and the comic amusement that follows it, has a crucial role to play in the construction of communities, but he also demonstrates that the social aspect of humour raises questions such as 'When is humour immoral?' and 'Is laughing at immoral humour itself immoral?'. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.


Sticks and Stones

Sticks and Stones

Author: Jerome Neu

Publisher: Oxford University Press

Published: 2008

Total Pages: 305

ISBN-13: 019531431X

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Examines the nature and place of insults in daily life, discussing how insults influence a person's beliefs and impressions about others' character, honor, gender, intentions, conventions, and power.