Theaetetus: The Criteria of Knowledge" Hegel's Critique of Parmenides in the Science of Logic Nietzsche on the Question of the Other PersoMs) How Can David Hume, Adam Smith, And Sophie de Grouchy Illuminate the Paradox of Tragedy through their Account of Sympathy? On the Possibility of the Capability Approach as a Political Philosophy
M. F. Burnyeat taught for 14 years in the Philosophy Department of University College London, then for 18 years in the Classics Faculty at Cambridge, 12 of them as the Laurence Professor of Ancient Philosophy, before migrating to Oxford in 1996 to become a Senior Research Fellow in Philosophy at All Souls College. The studies, articles and reviews collected in these two volumes of Explorations in Ancient and Modern Philosophy were all written, and all but two published, before that decisive change. Whether designed for a scholarly audience or for a wider public, they range from the Presocratics to Augustine, from Descartes and Bishop Berkeley to Wittgenstein and G. E. Moore. Their subject-matter falls under four main headings: 'Logic and Dialectic' and 'Scepticism Ancient and Modern', which make up the first volume, with 'Knowledge' and 'Philosophy and the Good Life' contained in this, the second volume. The title 'Explorations' well expresses Burnyeat's ability to discover new aspects of familiar texts, new ways of solving old problems. In his hands the history of philosophy becomes itself a philosophical activity.
Philosophy as a Way of Life This unique collection of essays on the late Pierre Hadot’s revolutionary methodological approach to studying and practicing philosophy explores Hadot’s primary conviction that philosophy itself goes beyond solving puzzles and analyzing abstract arguments. Hadot believed that philosophy is a key part of humanity’s search for happiness, that it can transform our perception of the world, and thus can alter our very mode of being. His argument that the goal of philosophy is to shift our focus away from our habitual obsession with individuality, and to embrace universality and objectivity, has resonated with thinkers across the Academy – and outside it. Offering genuinely interdisciplinary analysis of Hadot’s work and philosophical practice, this volume includes papers written from a gamut of philosophical, historical, and geographical perspectives. Articles address issues in the history of philosophy from Pythagoras to Descartes, by way of Islamic thought, thus corresponding to Hadot’s view of the importance of philologically based analysis of ancient texts and historical contexts. Others study the presence of ideas related to, or influenced by, Hadot in contemporary thought, from Wittgenstein to Leonard Nelson, analytic philosophy, and French postmodernism. The result is a wide-ranging publication pointing to an additional “third way” alongside the traditional approaches of Continental and analytic philosophy, one that expands our horizons with secular spiritual exercises designed to enable us to be in a fuller, more authentic way.
How might we think and talk about indigenous philosophy? Why has Aboriginal knowledge not been given the status of philosophical knowledge? There's a quarrel about whose antiquity is at the foundation of Australian culture, and why contemporary forms of Aboriginality are marginal to Australia's modernity.
Modern thought is sometimes presented as introducing a "turn to the subject" absent from ancient and medieval thought, although the schools of thought associated with Bernard Lonergan, Eric Voegelin, Leo Strauss, and the new natural law theory often find subjectivity already operative in the older forms. In this volume, sixteen leading scholars examine the turn to the subject in modern philosophy and consider its historical antecedents in ancient and medieval thought.
The quarrel between the ancients and moderns was resumed in the 17th century as writers and artists debated how far to risk the freedom to innovate. This text argues that it was this tension that gave unity to the cultural life of the period and helped define its baroque character.