A Handbook of Philippine Folklore
A Handbook of Philippine Folklore

Author: Mellie Leandicho Lopez

Publisher: UP Press

Published: 2006

Total Pages: 526

ISBN-13: 9789715425148

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The voluminous book provides a range of international theories and methodologies in analytical folklore investigations, and a classification scheme based on genre is offered as the system of taxonomy for Philippine traditional materials. Lopez counts on the regional folklorists to refine the classification according to the texts of their respective areas. The different genres, too, are explained and examined in another part of Lopez's study. The reader will definitely find interesting and useful, the illustrative examples for each genre.

The Day the Dancers Stayed
The Day the Dancers Stayed

Author: Theodore S. Gonzalves

Publisher: Temple University Press

Published: 2009-09-25

Total Pages: 229

ISBN-13: 159213730X

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Pilipino Cultural Nights at American campuses have been a rite of passage for youth culture and a source of local community pride since the 1980s. Through performances—and parodies of them—these celebrations of national identity through music, dance, and theatrical narratives reemphasize what it means to be Filipino American. In The Day the Dancers Stayed, scholar and performer Theodore Gonzalves uses interviews and participant observer techniques to consider the relationship between the invention of performance repertoire and the development of diasporic identification. Gonzalves traces a genealogy of performance repertoire from the 1930s to the present. Culture nights serve several functions: as exercises in nostalgia, celebrations of rigid community entertainment, and occasionally forums for political intervention. Taking up more recent parodies of Pilipino Cultural Nights, Gonzalves discusses how the rebellious spirit that enlivened the original seditious performances has been stifled.

Filipino Folk Dances
Filipino Folk Dances

Author: Tita Kitkat

Publisher:

Published: 2020-05-13

Total Pages: 32

ISBN-13:

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Learn about Filipino culture in this illustrated book highlighting some of the most recognizable folk dances of the Philippines.

Treading Through
Treading Through

Author: Basilio Esteban S. Villaruz

Publisher: UP Press

Published: 2006

Total Pages: 562

ISBN-13: 9789715425094

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"This book is a first reader in Philippine dance, observed through forty-five years of viewing, reviewing, and doing. It is one observer's understanding of what, where, or how is dance, and who makes it and why we dance. It attempts to answer these questions, aware that more questions ought to be further asked."--BOOK JACKET.

Ramon Obusan, Philippine Folkdance and Me
Ramon Obusan, Philippine Folkdance and Me

Author: Kanami Namiki

Publisher: Anvil Publishing, Inc.

Published: 2017-10-02

Total Pages: 212

ISBN-13: 9712730514

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“I know of no other work that succeeds beautifully in weaving together a history of the development of Filipino folk dance over the twentieth century, an outsider’s insider’s account of one of the top two folk dance companies in the Philippines, and a sensitive, wide-ranging reflection on how a ‘foreign’ (in this case, Japanese) dancer learns to become Filipino in bodily movement and sensibility.” — From the Foreword by Reynaldo C. Ileto

Cultural Memory and Popular Dance
Cultural Memory and Popular Dance

Author: Clare Parfitt

Publisher: Springer Nature

Published: 2021-12-02

Total Pages: 313

ISBN-13: 3030710831

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This book focuses on the myriad ways that people collectively remember or forget shared pasts through popular dance. In dance classes, nightclubs, family celebrations, tourist performances, on television, film, music video and the internet, cultural memories are shared and transformed by dancing bodies adapting yesterday’s steps to today’s concerns. The book gathers emerging and seasoned scholarly voices from a wide range of geographical and disciplinary perspectives to discuss cultural remembering and forgetting in diverse popular dance contexts. The contributors ask: how are Afro-diasporic memories invoked in popular dance classes? How are popular dance genealogies manipulated and reclaimed? What is at stake for the nation in the nationalizing of folk and popular dances? And how does mediated dancing transmit memory as feelings or affects? The book reveals popular dance to be vital to cultural processes of remembering and forgetting, allowing participants to pivot between alternative pasts, presents and futures.