Focusing on painting, the authors explore a multitude of methods to help painters create three-dimensional realities on a two-dimensional canvas. Covers light, cone of vision, viewing distance, picture planes, vanishing points, more. 200 illustrations.
Perspective is easy; yet, surprisingly few artists know the simple rules that make it so. Remedy that situation with this simple, step-by-step book, the first devoted entirely to the topic. 256 illustrations.
In this sequel to the classic bestseller Perspective! For the Comic Book Artist, David Chelsea takes perspective to a whole other level—by exploring the most dramatic viewpoints employed by today’s artists. Many of these techniques have been carefully guarded secrets for centuries. But David, and his hollow-headed friend, Mugg, make them accessible to a new generation of artists, cartoonists, illustrators, and animators. In Extreme Perspective! For Artists, you’ll learn how to • Render complicated multi-sided objects in perfect perspective • Create accurate shadows and reflections from your own imagination • Master the most difficult kinds of curvilinear perspective systems • Draw eye-popping images in fisheye perspective • Use your computer to create elaborate scenes quicker and more easily • … And much, much more! Also included is a comprehensive library of perspective grids on DVD, suitable for printing or using with Photoshop and other applications.
Perspective is one of the most important concepts for an artist to understand. In this valuable beginnerÆs guide, acclaimed artist Ernest Norling teaches you how to use perspective to create a sense of depth and realism in your artwork. Perspective covers techniques for drawing in one-, two-, and three-point perspective, as well as information on how to use vanishing points and the horizon line to establish believable depth. Special attention is given to learning to draw circles, cylinders, and people in perspective. Whether you specialize in drawingùeven cartooning or animationùor painting in acrylic, pastel, oil, or watercolor, a good working knowledge of perspective is essential. DonÆt be surprised if you find yourself referring to this essential guide again and again!
In this thought-provoking practical guide, a noted artist and educator demonstrates that learning to violate the rules of perspective (profitably) is as important for the practicing artist as learning the principles of perspective themselves. Only in this way can students free themselves from the constraints of tradition and find their own imaginative paths. However, it is vital that students first have a solid grasp of classical perspective before they can think about adapting it creatively. In presenting the principles of perspective drawing, Mr. Watson devotes a chapter each to step-by-step discussions of such topics as the picture plane, foreshortening and convergence, the circle, the cone, three-point perspective, universal perspective, figures in perspective, and much more. To illustrate his points he offers expert analysis of the works of such leading illustrators as John Atherton, V. Bobri, R. M. Chapin, Jr., Albert Dorne, Robert Fawcett, Constantin Guys, W. N. Hudson, Carl Roberts, Ben Stahl, and Aldren A. Watson, as well as drawings by Pieter de Hooch and Paul Cézanne. The result is a ground-breaking study that artists, illustrators, and draftsmen will find invaluable in learning to create works with convincing perspective. Ernest W. Watson taught at Pratt Institute for over 20 years, co-founded and served as editor-in-chief of the magazine American Artist, and co-founded the prestigious art publishing house of Watson-Guptill.
DIVConcisely written text accompanied by more than 150 simply drawn illustrations together demonstrate vanishing points and eye level and explain such concepts as appearance versus reality and perspective distortion. /div
Ready to take your drawing skills to the next level? Success in Art: Mastering Perspective allows beginning artists to master the challenges of creating depth and realism with one-, two-, and three-point perspective. Perspective is a necessity for realistic drawing. Whether you are drawing people, still life, architecture, or landscapes, you must have a thorough understanding of perspective in order to create depth and dimension in your subject. Mastering Perspective explains one-, two-, and three-point perspective in a fresh, approachable way, through the eyes of an experienced graphic artist. Learn how to use vanishing points and foreshortening to build scenes and compositions and render subjects in proportion. With clear, step-by-step instructions and illustrations outlining horizon lines, field of vision, point of view, and more, Mastering Perspective teaches artists how to master this basic, and often challenging, technique. More than a basic step-by-step drawing guide, the Success in Art series focuses on subject matter that is often challenging for artists, regardless of skill level. From highly foundational art concepts, such as proportion and perspective, light and shadow, and composition to mastering textures and the human figure, Success in Art covers difficult subject matter in an approachable way using easy-to-grasp techniques and step-by-step exercises.
Perspective is the art of understanding the space that surrounds us, and then having the skill to reproduce what we see in an image-to flatten the world on a sheet of paper. This clear and richly illustrated book features more than 400 diagrams that introduce artists, graphic designers, and architects to the principles of perspective, so that they can create their own illusion of reality.
An undergraduate textbook devoted exclusively to relationships between mathematics and art, Viewpoints is ideally suited for math-for-liberal-arts courses and mathematics courses for fine arts majors. The textbook contains a wide variety of classroom-tested activities and problems, a series of essays by contemporary artists written especially for the book, and a plethora of pedagogical and learning opportunities for instructors and students. Viewpoints focuses on two mathematical areas: perspective related to drawing man-made forms and fractal geometry related to drawing natural forms. Investigating facets of the three-dimensional world in order to understand mathematical concepts behind the art, the textbook explores art topics including comic, anamorphic, and classical art, as well as photography, while presenting such mathematical ideas as proportion, ratio, self-similarity, exponents, and logarithms. Straightforward problems and rewarding solutions empower students to make accurate, sophisticated drawings. Personal essays and short biographies by contemporary artists are interspersed between chapters and are accompanied by images of their work. These fine artists--who include mathematicians and scientists--examine how mathematics influences their art. Accessible to students of all levels, Viewpoints encourages experimentation and collaboration, and captures the essence of artistic and mathematical creation and discovery. Classroom-tested activities and problem solving Accessible problems that move beyond regular art school curriculum Multiple solutions of varying difficulty and applicability Appropriate for students of all mathematics and art levels Original and exclusive essays by contemporary artists Forthcoming: Instructor's manual (available only to teachers)