Marines in World War 2 Commemorative Series. Discusses how women Marines served in noncombat billets during World War 2. The title "Free a Marine to Fight" means that women Marines served in noncombat jobs so that male Marines could fight in battles. The Marines first began to recruit women after the Guadalcanal campaign in 1942. States that 17,672 women were serving in the Marine Corps Women's Reserve in June 1945. Illustrated with many black and white photographs.
The history of the first women to serve in the Marine Corps is a fascinating record of the dedication and drive of American women during World War I. The purpose of this monograph is to tell the story of the small band of women who answered the Corps' call for volunteers in 1918 with patriotism and enthusiasm. A former Director of Women Marines, Colonel Jeanette I. Sustad, USHC (Ret.) originated the project of compiling data for a history of women Marines who served in World War I. In 1971, she asked various members of the Women Marines Association to interview surviving veterans throughout the country. A questionnaire designed to guide the interviewers as well as background information on the service of women Marines in the 1918-1919 period was developed by Lieutenant Colonel Pat Meid, USMCR. Lieutenant Colonel Meid, who authored the official history, Marine Corps Women's Reserve in World War II, originally published in 1964, accumulated considerable material on the earlier group of women Marines during her research. This was all made available to the author of this monograph. The interviews conducted during 1971-1972, 29 in number, form a valuable archive of personal experiences of these pioneer women Marines. They have been used to supplement the official records which are sparse and elusive. Muster rolls of the time were checked exhaustively in compiling a roster of women who served, but it proved impossible to discover all the names making up the 305 women who were enlisted as Marine .Corps Reserve (F). Much information was gleaned from contemporary magazine and newspaper articles, particularly from Leatherneck, Marine Corps Gazette, The Marine Magazine, Recruiter's Bulletin, and the New York and Washington daily newspapers. A small but useful collection of Women Marine memorabilia, including photographs, letters, and clippings, was donated by various individuals as a result of publicity about the project.
A Marine Corps combat veteran with twenty years of service describes her professional battle against gender bias in the Marines and the lessons it holds for other arenas. Marine Corps Lieutenant Colonel Kate Germano arrived at Parris Island convinced that if she expected more of the female recruits just coming into Corps, she could raise historically low standards for female performance and make women better Marines. One year after she took command of the Fourth Recruit Training Battalion, shooting qualifications of the women under her command equaled those of men, injuries had decreased, and unit morale had noticeably improved. Then the Marines fired her. This is the story of Germano's struggle to achieve equality of performance and opportunity for female Marines against an entrenched male-dominated status quo. Germano charges that the men above her in the chain of command were too invested in perpetuating the subordinate role of women in the Corps to allow her to prove that the female Marine can be equal to her male counterpart. She notes that the Marine Corps continues to be the only service where men and women train separately in boot camp or basic training. Meanwhile, in the U.S. Army, women have already become Army Rangers and applied to be infantry officers. Germano addresses the Marine Corps' $35-million gender-integration study, which shows that all-male squads perform at a higher level than mixed male-female squads. This study flies in the face of the results she demonstrated with the all-female Fourth Battalion and raises questions about the Marine Corps' willingness to let women succeed. At a time when women are fighting sexism in many sectors of society, Germano's story has wide-ranging implications and lessons not just for the military but for corporate America, the labor force, education, and government.
A riveting account of three women who fought shoulder-to-shoulder with men and worked with local women to restore their lives and push back the Taliban They marched under the heat with 40-pound rucksacks on their backs. They fired weapons out of the windows of military vehicles, defending their units in deadly battles. And they did things that their male counterparts could never do--gather intelligence on the Taliban from the women of Afghanistan. As females they could circumvent Muslim traditions and cultivate relationships with Afghan women who were bound by tradition not to speak with American military men. And their work in local villages helped empower Afghan women, providing them with the education and financial tools necessary to rebuild their nation--and the courage to push back against the insurgency that wanted to destroy it. For the women warriors of the military's Female Engagement Teams (FET) it was dangerous, courageous, and sometimes heartbreaking work. Beyond the Call follows the groundbreaking journeys of three women as they first fight military brass and culture and then enemy fire and tradition. And like the men with whom they served, their battles were not over when they returned home.
On Saturday, November 14, 1944, radio listeners heard an enthusiastic broadcast announcer describe something they had never heard before: Women singing the "Marines' Hymn" instead of the traditional all-male United States Marine Band. The singers were actually members of its sister organization, The Marine Corps Women's Reserve Band of Camp Lejeune, North Carolina. Today, few remember these all-female military bands because only a small number of their performances were broadcast or pressed to vinyl. But, as Jill Sullivan argues in Bands of Sisters: U.S. Women's Military Bands during World War II, these gaps in the historical record can hardly be treated as the measure of their success. The novelty of these bands—initially employed by the U.S. military to support bond drives—drew enough spectators for the bands to be placed on tour, raising money for the war and boosting morale. The women, once discharged at the war's end, refused to fade into post-war domesticity. Instead, the strong bond fostered by youthful enthusiasm and the rare opportunity to serve in the military while making professional caliber music would come to last some 60 years. Based on interviews with over 70 surviving band members, Bands of Sisters tells the tale of this remarkable period in the history of American women. Sullivan covers the history of these ensembles, tracing accounts such as the female music teachers who would leave their positions to become professional musicians—no easy matter for female instrumentalists of the pre-war era. Sullivan further traces how some band members would later be among the first post-war music therapists based on their experience working with medical personnel in hospitals to treat injured soldiers. The opportunities presented by military service inevitably promoted new perspectives on what women could accomplish outside of the home, resulting in a lifetime of lasting relationships that would inspire future generations of musicians.
Just out of high school in 1977, her personal life already a mess, Tracy Crow thought the Marines might straighten her out. And sure enough, in the Corps she became a respected public affairs officer and military journalist—one day covering tank maneuvers or beach assaults, the next interviewing the secretary of the navy. But success didn’t come without a price. When Crow pledged herself to God, Corps, and Country, women Marines were still a rarity, and gender inequality and harassment were rampant. Determined to prove she belonged, Crow always put her career first—even when, after two miscarriages and a stillborn child, her marriage to another Marine officer began to deteriorate. And when her affair with a prominent general was exposed—and both were threatened with court-martial—Crow was forced to re-evaluate her loyalty to the Marines, her career, and her family. Eyes Right is Crow’s story. A clear-eyed self-portrait of a troubled teen bootstrapping her way out of a world of alcoholism and domestic violence, it is also a rare inside look at the Marines from a woman’s perspective. Her memoir, which includes two Pushcart Prize–nominated essays, evokes the challenges of being a woman and a Marine with immediacy and clarity, and in the process reveals how much Crow’s generation did for today’s military women, and at what cost.
The Noncommissioned Officer and Petty Officer BACKBONE of the Armed Forces. Introduction The Backbone of the Armed Forces To be a member of the United States Armed Forces--to wear the uniform of the Nation and the stripes, chevrons, or anchors of the military Services--is to continue a legacy of service, honor, and patriotism that transcends generations. Answering the call to serve is to join the long line of selfless patriots who make up the Profession of Arms. This profession does not belong solely to the United States. It stretches across borders and time to encompass a culture of service, expertise, and, in most cases, patriotism. Today, the Nation's young men and women voluntarily take an oath to support and defend the Constitution of the United States and fall into formation with other proud and determined individuals who have answered the call to defend freedom. This splendid legacy, forged in crisis and enriched during times of peace, is deeply rooted in a time-tested warrior ethos. It is inspired by the notion of contributing to something larger, deeper, and more profound than one's own self. Notice: This is a printed Paperback version of the "The Noncommissioned Officer and Petty Officer BACKBONE of the Armed Forces". Full version, All Chapters included. This publication is available (Electronic version) in the official website of the National Defense University (NDU). This document is properly formatted and printed as a perfect sized copy 6x9".
Brimming “with the ebullient Bhagwati’s fierce humanism, seething humor, and change-maker righteousness,” (Shelf Awareness) a raw, unflinching memoir by a former US Marine Captain chronicling her journey from dutiful daughter of immigrants to radical activist fighting for historic policy reform. After a lifetime of buckling to the demands of her strict Indian parents, Anuradha Bhagwati abandons grad school in the Ivy League to join the Marines—the fiercest, most violent, most masculine branch of the military—determined to prove herself there in ways she couldn’t before. Yet once training begins, Anuradha’s GI Jane fantasy is punctured. As a bisexual woman of color in the military, she faces underestimation at every stage, confronting misogyny, racism, sexual violence, and astonishing injustice perpetrated by those in power. Pushing herself beyond her limits, she also wrestles with what drove her to pursue such punishment in the first place. Once her service concludes in 2004, Anuradha courageously vows to take to task the very leaders and traditions that cast such a dark cloud over her time in the Marines. Her efforts result in historic change, including the lifting of the ban on women from pursuing combat roles in the military. “Bhagwati’s fight is both incensing and inspiring” (Booklist) in this tale of heroic resilience and grapples with the timely question of what, exactly, America stands for, showing how one woman learned to believe in herself in spite of everything.
On a dark night in February 2005, Sara Sheldon arrived at Camp Fallujah, outside the dangerous ancient city for which it was named. Armed only with a camera, a laptop, and notepads, she was a spectator to the war who secured permission to embed with the 1st MEF and observe and interview Marines who happened to be women then posted at Camp Fallujah. In the time she spent there, Sheldon interviewed women who held ranks from corporal to colonel to gain a broad and varied perspective of the experiences representative of female Marines throughout Iraq. She reveals much about her subjects: the preconceived notions they possessed when they enlisted in the Corps, how the experience of serving in Iraq changed them, and what they ultimately took home from the battlefield. Americans are aware that women are actively serving in the armed forces, but few understand what exactly is expected of women in the military, the duties they perform, and the limitations and restrictions placed on them, especially in a combat zone. Sheldon reveals much about her subjects. In some ways, they mirrored their male counterparts. Some enlisted only for four years to receive educational benefits or for an opportunity to escape their home environment. Others made the Corps their career, serving as commissioned officers. Still others were recalled to active duty to serve with their representative Guard units. Sheldon uncovers their stories: the preconceived notions they possessed when they enlisted in the Corps, how the experience of serving in Iraq has changed them, and what they ultimately took home from the battlefield. She also sheds light on the day-to-day grind all American service personnel face in Iraq. Yet, she never loses her main focus. Far removed from the Green Zone, Sheldon and her subjects spent their days in harm's way, but she avoids a running commentary on policy. Instead, she remains committed to examining how women tasked with field duties and various missions at the lower levels of command are impacted by their experiences.
