Every papal document dealing with church music from Saint Clement (92-101) to Paul VI (1963-1978) was sought for this collection. The texts are presented in English translation accompanied by the author's commentary. Also included are decrees from the Council of Trent, the Congregation of Sacred Rites and other bodies dealing with the musical concerns of the Holy See. Much of the volume chronicles the restoration of Gregorian chant after Trent and completed four hundred years later when reforms under Pius X confirmed the work of the Solesmes Benedictines.
Examining the role of music in the liturgical life of the Church, Deacon Edward Schaefer seeks to promote a more dynamic balance between the expressive and formative qualities of liturgical music. He examines the structure of the Mass both before and after the Second Vatican Council, offering a brief overview of the history and development of liturgical music from the eighth century Carolingian Renaissance to the contemporary implementation of the reforms of the Second Vatican Council. Concluding with a thoughtful analysis of the current state of liturgical music, Deacon Schaefer provides a variety of musical examples which are easily accessed online or via the downloadable e-book.
This book collects twelve of the papers given at a conference held at the Library of Congress, Washington D.C., on 1-3 April 1993, in conjunction with the exhibition `Rome Reborn: The Vatican Library and Renaissance Culture'. A group of distinguished scholars considered music in medieval and Renaissance Rome. The volume presents a series of wide-ranging and original treatments of music written for and performed in the papal court from the fourteenth to the sixteenth century. New discoveries are offered which force a radical reevaluation of the Italian papal court as a musical centre during the Great Schism. A series of motets for various popes are subject to close analysis. New interpretations and information are offered concerning the repertory of the papal chapel in the fifteenth and sixteenth centuries, the institutional life of the papal singers, and the individual biographies of singers and composers. Thought-provoking, even controversial, evaluations of the music of composers connected with, or thought to be connected with, Rome and the papal court, such as Ninot le Petit, Josquin, and Palestrina round out the volume.
Twenty-first-century monastic communities represent unique social environments in which music plays an integral part. This book examines the role of music in Catholic, Anglican/Episcopalian and neo-monastic communities in Britain and North America, engaging closely with communities of practice to provide a penetrating insight into the role of music in self-care and as a vector for identity construction on both individual and community levels. The author explores the essential role of music in community dynamics, the rationale for using instruments, the implications of both chant-based and freestyle composition, gender-related differences in musical activity, the role of dance (‘music made visible’) in community life, the commodification of monastic music, the ‘Singing Nun’ phenomenon and the role of music in established and emerging neo-monastic communities. The result is a comprehensive and compelling study of the agency of music in the construction and expression of personal and community identity.
In the final decades of the fifteenth-century, the European musical world was shaken to its foundations by the onset of a veritable culture war on the art of polyphony. Now in paperback, The Crisis of Music in Early Modern Europe tells the story of this cultural upheaval, drawing on a wide range of little-known texts and documents, and weaving them together in a narrative that takes the reader on an eventful musical journey through early-modern Europe.
This volume unites a collection of articles which illustrate brilliantly the complexity of European cultural history in the Renaissance. On the one hand, scholars of this period were inspired by classical narratives on the sublime effects of music and, on the other hand, were affected by the profound religious upheavals which destroyed the unity of Western Christianity and, in so doing, opened up new avenues in the world of music. These articles offer as broad a vision as possible of the ways of thinking about music which developed in the fifteenth and sixteenth centuries.
Christians frequently come into conflict with themselves and others over such matters as music, popular culture, and worship style. Yet they usually lack any theology of art or taste adequate to deal with aesthetic disputes. In this provocative book, Frank Burch Brown offers a constructive, "ecumenical" approach to artistic taste and aesthetic judgment--a non-elitist but discriminating theological aesthetics that has "teeth but no fangs." While grounded in history and theory, this book takes up such practical questions as: How can one religious community accommodate a variety of artistic tastes? What good or harm can be done by importing music that is worldly in origin into a house of worship? How can the exercise of taste in the making of art be a viable (and sometimes advanced) spiritual discipline? In exploring the complex relation between taste, religious imagination, and faith, Brown offers a new perspective on what it means to be spiritual, religious, and indeed Christian.
In July 2007, Pope Benedict XVI issued Summorum Pontificum, designating two "uses" or "forms" of the Roman Rite, declaring the Missal of Paul VI to be the "ordinary form" and the 1962 Missal of John XXIII to be its "extraordinary form." On the same day, the pope also published a letter to bishops, Con Grande Fiducia, to accompany and offer commentary on this motu proprio. In Care for the Church and Its Liturgy, William H. Johnston offers analysis and commentary on both documents, exploring their meaning, context, purposes, implementation, and implications. Johnston carefully attends to the multiple purposes of the documents themselves and to the various questions related to their implementation, as well as to the complex postconciliar dynamics in the Catholic Church. His approach throughout is appreciative, critical, and constructive. Johnston’s study embodies respect for dialogue, unity, and charity. It will provide much food for thought and discussion among both academics and pastoral leaders in the years ahead as the church discerns its liturgical way forward, and all those with educational or pastoral responsibility for the liturgy will find it an informative resource and valuable guide for understanding and assessing this still constitutive feature of the Roman Rite.
Professor John Jefferson Davis shows what's really needed for the renewal of worship in our evangelical churches. Moving far beyond the "worship wars" Davis provides profound theological analysis and fresh recommendations to help us recognize obstacles to worship and learn to rightly respond to the glory and gracious real presence of God among us in our worship.
Volume I consists of three parts: Preliminary Notions," "Historical Overview of the Liturgy," and "Liturgical Sources." Articles and their contributors include "A Definition of Liturgy," by Anscar J. Chupungco, OSB; "Liturgical Families in the East," by Ephrem Carr, OSB; "Liturgical Families in the West," by Gabriel Ramis; "Bible and Liturgy," by Renato De Zan; "Liturgy and the Fathers," by Basil Studer, OSB; "Liturgy and Ecumenism," by Patrick Lyons, OSB; "History of the Liturgy Until the Fourth Century," by Anscar J. Chupungco, OSB; "History of the Eastern Liturgies," by Manel Nin, OSB; "History of the Roman Liturgy Until the Fifteenth Century," by Anscar J. Chupungco, OSB; "History of the Roman Liturgy from the Sixteenth Until the Twentieth Centuries," by Keith F. Pecklers, SJ; "History of the Liturgies in the Non-Roman West," by Jordi Pinell I Pons, OSB; "Liturgical Documents of the First Four Centuries," by Basil Studer, OSB; "Byzantine Liturgical Books," by Elena Velkova Velkovska; "Other Liturgical Books in the East," by Manel Nin, OSB; "Liturgical Books of the Roman Rite," by Cassian Folsom, OSB; "Liturgical Books of the Non-Roman West," by Gabriel Ramis; "Liturgical Textual Criticism," by Renato De Zan; "Criticism and Interpretation of Liturgical Texts," by Renato De Zan; "Translation of Liturgical Texts," by Anscar J. Chupungco, OSB; and "Liturgical Law," by Frederick R. McManus. More than forty authors from Asia, Africa, Latin America, North America, and Eastern and Western Europe have contributed to the Handbook. Many are professors and graduates of the Pontifical Liturgical Institute in Rome. Each author, while drawing material from liturgical tradition and from ancient, medieval, and modern sources, writes also from a particular research and personal interest in a subject. Although diverse in style, the authors collectively express a spirit of fidelity to the Church, to its doctrine and tradition, and to its mission. The result is a cohesive view of the meaning, purpose, and celebration of Christian worship.
