The heroic legends of King Arthur and his brave Knights of the Round Table is now available in an unabridged, illustrated cloth hardcover edition in Union Square and Co.’s Children's Signature Clothbound Classics series. Although the folklore of King Arthur and his Knights of the Round Table is centuries old, their spirited adventures continue to capture the hearts of young readers today. Camelot, Merlin, Morgana, the Holy Grail—all originating from Arthurian legend—have been widely adapted in media and modern fantasy world-building. This Children's Signature Clothbound Classics edition of The Story of King Arthur and His Knights is the only widely available edition of Howard Pyle’s version, which was written specifically for children.
King Arthur was a legendary British leader who, according to medieval histories and romances, led the defence of Britain against Saxon invaders in the late 5th and early 6th centuries. The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians.[2] The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin.[3] Arthur is a central figure in the legends making up the Matter of Britain. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain).[4] In some Welsh and Breton tales and poems that date from before this work, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh otherworld Annwn.[5] How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown.
“Kevin Morris goes for a slam dunk in his debut novel” about the undoing of an American Dreamer in the Philly suburbs (Vanity Fair Hot Type). 1961. Outside Philadelphia, a soon-to-be father runs into a telephone pole while driving drunk; nine months later, his widow dies in a smashed-up T-Bird. From the start, the orphaned Joe Knight is a blank slate. Taken in by a kindly aunt in a tough-skinned suburb, Joe finds his family in high school with the Fallcrest basketball team. Fast-forward thirty years. Joe is divorced with a daughter and certain he’s unfit for love. Ever since selling the ad firm he built from the ground up for millions, he’s been wiling away his time at strip clubs to quiet his mind. Then Chris Scully, former Fallcrest teammate-turned DA, tips him off to a criminal probe into the buyout that got Joe rich years ago—a deal he shared with every member of the basketball team, except for Scully. As Joe’s possible transgressions unreel, he is forced to face the disillusionment inside himself and a secret that has haunted him for decades. A “remarkable and agonizing . . . incendiary look at modern life” (Esquire), All Joe Knight features “an anti-hero for our times . . . John Updike’s Rabbit Angstrom revised for the Trump era—more profane and straight-talking” (USA Today, 3/4 stars), a man who achieved the American Dream and is now scrambling to survive it.
A Los Angeles Times Notable Book: Short fiction by the author of Eveningland, “a writer of the first rank” (Esquire). “These 10 distinctive and intensely affecting stories confirm Knight as a writer of significant gifts. In short narratives that invariably entice the reader with an arresting opening sentence, he establishes a solid sense of place, using the local color of his native Alabama, and transforms ordinary people into nearly mythic figures. The first story, ‘Now You See Her,’ sets the stage, constructing a conflict of nearly Oedipal proportions. A veterinarian widower and his teenage son, Xavier, who calls himself X, spy on Grace, their next-door neighbor, who ‘it would appear . . . renounced clothing altogether’; the surprising climax occurs when her dog suddenly takes ill. In many of Knight’s offerings, animals act as agents of change: in the title story, a dogfight is the catalyst for an adulterous affair and results in a parallel clash between the dogs’ owners. ‘Gerald’s Monkey’ uses a man’s desire for a pet monkey to examine the emotional aftermath of Vietnam. Knight demonstrates agility with a diversity of viewpoints: he is equally at ease with first-person narration or third, an adult perspective or an adolescent’s, as in a stunner called ‘A Bad Man, So Pretty’ (taken from a Muhammad Ali quote) that works up to a Cain and Abel-style confrontation. Knight’s characters are both recognizable and transcendent, suddenly drawn into trespassing the ordinary limits of their lives to enter the realm of allegory.” —Publishers Weekly
The "breathtakingly brilliant" novel by the author of Infinite Jest (New York Times) is a deeply compelling and satisfying story, as hilarious and fearless and original as anything Wallace ever wrote. The agents at the IRS Regional Examination Center in Peoria, Illinois, appear ordinary enough to newly arrived trainee David Foster Wallace. But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even what little humanity and dignity the work still has. The Pale King remained unfinished at the time of David Foster Wallace's death, but it is a deeply compelling and satisfying novel, hilarious and fearless and as original as anything Wallace ever undertook. It grapples directly with ultimate questions -- questions of life's meaning and of the value of work and society -- through characters imagined with the interior force and generosity that were Wallace's unique gifts. Along the way it suggests a new idea of heroism and commands infinite respect for one of the most daring writers of our time. "The Pale King is by turns funny, shrewd, suspenseful, piercing, smart, terrifying, and rousing." --Laura Miller, Salon
SOON TO BE A MAJOR MOTION PICTURE STARRING AMY ADAMS • In this blazingly smart and voracious debut novel, an artist turned stay-at-home mom becomes convinced she's turning into a dog. • "A must-read for anyone who can’t get enough of the ever-blurring line between the psychological and supernatural that Yellowjackets exemplifies." —Vulture One day, the mother was a mother, but then one night, she was quite suddenly something else... An ambitious mother puts her art career on hold to stay at home with her newborn son, but the experience does not match her imagination. Two years later, she steps into the bathroom for a break from her toddler's demands, only to discover a dense patch of hair on the back of her neck. In the mirror, her canines suddenly look sharper than she remembers. Her husband, who travels for work five days a week, casually dismisses her fears from faraway hotel rooms. As the mother's symptoms intensify, and her temptation to give in to her new dog impulses peak, she struggles to keep her alter-canine-identity secret. Seeking a cure at the library, she discovers the mysterious academic tome which becomes her bible, A Field Guide to Magical Women: A Mythical Ethnography, and meets a group of mommies involved in a multilevel-marketing scheme who may also be more than what they seem. An outrageously original novel of ideas about art, power, and womanhood wrapped in a satirical fairy tale, Nightbitch will make you want to howl in laughter and recognition. And you should. You should howl as much as you want.