The Legend of Gilgamesh is a retelling of the oldest recorded story in the world. The cruel King Gilgamesh forms an unlikely friendship with a wild man, Enkidu. Together they plan to battle fearsome monsters. Can they succeed and live to tell the tale? TreeTops Myths and Legends are a fascinating selection of the best traditional stories.
These exciting new TreeTops Myths and Legends are guaranteed to appeal to all your junior readers - whatever their cultural background, gender or enthusiasms. These are the oldest and most enduring stories in the world, retold by leading contemporary children's authors to bring out all of theaction, drama, humour and depth of the original stories in a way that makes them as exciting and meaningful today as ever.The strand is comprised of 24 books, telling a total of around 65 traditional stories from around the world. All of the stories are fully illustrated with stunning, vibrant images. The stories are carefully levelled, making them accessible to the average 7-11 year old reader. A thought-provokingletter from the author explains something about the background of the stories and the process of writing or retelling them. The letter also encourages the reader to make links between stories in a collection - prompting a fascinating investigation of the similarities and differences between storiesthat have evolved from different cultures around the world.Free teaching notes with each pack offer suggestions on how to develop higher order comprehension and writing skills. They also provide short introductions to many of the stories and discussion points to promote meaningful speaking and listening, and reflective reading. The stories are ideal formaking strong links to other areas of curriculum.
"The marvellous yet cruel King Gilgamesh strikes up an unlikely friendship with a wild man, Enkidu. Together they plan to take on the fearsome monster, Huwawa, and the giant bulll of Heaven"--Back cover.
Gilgamesh and Enkidu. The oldest story known to man. In a teaching unit, performable play format, A Gilgamesh Play for Teen Readers tells the essence of the Gilgamesh story without the archaic (and often inappropriate) language. It is the only such format of the story, and furnishes teachers a thorough and interesting background regarding the world of young people in ancient Mesopotamia. The author is a National Board Certified Teacher, and has taught middle school for over twenty years. Because there are so few plays on the story of Gilgamesh geared to teens, this play was created to fill the void. Although not an exact retelling of the story, the play furnishes a great deal of insight into the ancient Mesopotamian culture, as well insight into the story of Gilgamesh. The play features: Probing questions on various themes for teenage discussion Themes listed for the teacher use in a quick-reference A quick-reference Sumer-cabulary with keywords bolded in the play Pre-teaching suggestions for teachers A complete Sumerian further reference list for teachers to utilize The story is the legend of the great king Gilgamesh, and the eventual tragedy of his friendship with Enkidu lord of the wild. It was written by a Sumerian, but was absorbed into later Babylonian culture. Because of Gilgamesh s arrogance and pride, the gods created Enkidu a warrior as powerful as the king in order to teach the king humility. The warriors became friends and had many adventures together. But the evil goddess Ishtar punished Enkidu with an untimely death sentence, and Gilgamesh undertook a long journey in search of Utnoa (Utnapishtim) the Faraway survivor of the Great Flood who possessed the secret of immortality. At the story s end, the fruit benefits neither the king nor his friend, but ironically, Gilgamesh through his timeless story has indeed become immortal.
The natural resources of New Guinea and nearby islands have attracted outsiders for at least 5000 years: spices, aromatic woods and barks, resins, plumes, sea slugs, shells and pearls all brought traders from distant markets. Among the most sought-after was the bird of paradise. Their magnificent plumes bedecked the hats of fashion-conscious women in Europe and America, provided regalia for the Kings of Nepal, and decorated the headdresses of Janissaries of the Ottoman Empire. Plumes from Paradise tells the story of this interaction, and of the economic, political, social and cultural consequence for the island's inhabitants. It traces 400 years of economic and political history, culminating in the 'plume boom' of the early part of the 20th century, when an unprecedented number of outsiders flocked to the island's coasts and hinterlands. The story teems with the variety of people involved: New Guineans, Indonesians, Chinese, Europeans, hunters, traders, natural historians and their collectors, officials, missionaries, planters, miners, adventurers of every kind. In the wings were the conservationists, whose efforts brought the slaughter of the plume boom to an end and ushered in an era of comparative isolation for the island that lasted until World War II.
This book is part of TreeTops Fiction, a structured reading programme providing juniors with stories they will love to read. Offering chapter books with full-colour illustrations, written by well-known authors, these stories are full of humour and have real boy appeal. They are tightly levelled allowing children to read books appropriate to their ability. This book is also available as part of a mixed pack of 6 different books or a class pack of 36 books of the same Oxford Reading Tree stage. Each book pack comes with a free copy of up-to-date and invaluable teaching notes.
"This book is the first peer-reviewed collection of papers focusing on the potential of myth storylines to yield data and lessons that are of value to the geological sciences. Building on the nascent discipline of geomythology, scientists and scholars from a variety of disciplines have contributed to this volume. The geological hazards (such as earthquakes, tsunamis, volcanic eruptions and cosmic impacts) that have given rise to myths are considered, as are the sacred and cultural values associated with rocks, fossils, geological formations and landscapes. There are also discussions about the historical and literary perspectives of geomythology. Regional coverage includes Europe and the Mediterranean, Afghanistan, Cameroon, India, Australia, Japan, Pacific islands, South America and North America. Myth and Geology challenges the widespread notion that myths are fictitious or otherwise lacking in value for the physical sciences." -- BOOK JACKET.
Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive—no laughing matter. In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the denigration of language and style, the disruption of normative narrative technique, and even the debunking of authors themselves. Part II surveys major recurrent themes of grotesquerie: tedium, scatology, cannibalism, dystopia, and Armageddon or the end of the world. Clearly the literature of the grotesque is obtrusive and ugly, its effect morbid and disquieting—and deliberately meant to be so. Grotesque literature may be unpleasant, but it is patently insightful. Indeed, as Clark shows, all of the strategies and topics employed by this literature stem from age-old and spirited traditions. Critics have complained about this grim satiric literature, asserting that it is dank, cheerless, unsavory, and negative. But such an interpretation is far too simplistic. On the contrary, as Clark demonstrates, such grotesque writing, in its power and its prevalence in the past and present, is in fact conventional, controlled, imaginative, and vigorous—no mean achievements for any body of art.
At once a beautifully poetic memoir and an exploration of the various ways we live in the world, A Language Older Than Words explains violence as a pathology that touches every aspect of our lives and indeed affects all aspects of life on Earth. This chronicle of a young man's drive to transcend domestic abuse offers a challenging look at our worldwide sense of community and how we can make things better.
The White Goddess is perhaps the finest of Robert Graves's works on the psychological and mythological sources of poetry. In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry" and its peculiar and mythic language.
