Orlan. Le récit-The narrative. Ediz. illustrata

Orlan. Le récit-The narrative. Ediz. illustrata

Author: Orlan

Publisher:

Published: 2007

Total Pages: 344

ISBN-13:

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Unique book addressing cooperative algorithms at the MAC layer Cooperative Communications: MAC Protocols focuses on issues pertaining to the MAC layer of wireless cooperative communication networks, offering a rigorous taxonomy of this dispersed field, along with a range of application scenarios for cooperative and distributed schemes to show how these techniques can be employed. The authors provide rigorous analytical tools for reservation and contention based MACs, as well as hybrids. This is complemented by an application of developed techniques to specific wireless standards. There is currently no book on the market which coherently discusses cooperative algorithms at the MAC layer. Introduces background, concepts, applications, milestones and thorough taxonomy of the field, along with a range of application scenarios Identifies the potential in this emerging technology applied to e.g. LTE/WiMAX, WSN Explores reservation-based, contention-based and hybrid cooperative MAC protocols, and applies rigorous mathematical tools to these Demonstrates cross-layer design to boost performance Addresses advanced MAC topics, such as opportunistic and network coded MACs Highlights future research challenges within the cooperative communications Includes an accompanying website ( http://books.cttc.es )


Botticelli Past and Present

Botticelli Past and Present

Author: Ana Debenedetti

Publisher: UCL Press

Published: 2019-01-08

Total Pages: 334

ISBN-13: 178735461X

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The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.


Botticelli Reimagined

Botticelli Reimagined

Author: Mark Evans

Publisher: Victoria & Albert Museum

Published: 2016-04-12

Total Pages: 0

ISBN-13: 9781851778706

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Catalog of an exhibition held at the Victoria and Albert Museum, London, 5 March 2016-3 July 2016.


Displaying the Marvelous

Displaying the Marvelous

Author: Lewis Kachur

Publisher: MIT Press

Published: 2001

Total Pages: 294

ISBN-13: 9780262611824

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How the exhibition spaces of Surrealism anticipated installation art.


The Renaissance Portrait

The Renaissance Portrait

Author: Patricia Lee Rubin

Publisher: Metropolitan Museum of Art

Published: 2011

Total Pages: 434

ISBN-13: 1588394255

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Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.


Painting Under Pressure

Painting Under Pressure

Author: Michelle O'Malley

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9780300197976

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"This book considers the impact that economics had on Renaissance art. In late fifteenth-century Italy, there was increasing demand for goods of all types, including sustained demand for art which exerted significant pressure on sought-after painters. Analysing specific works, the book demonstrates the consequences of demand for decisions about production. It addresses questions of how master painters employed their workshops to fulfill the requirement for new works, and how, in the face of high demand, they produced works of quality. The book traces the careers of four artists whose work defined painting in late fifteenth-century Florence: Alessandro Botticelli, Domenico Ghirlandaio, Filippino Lippi and Pietro Perugino, men who turned out high volumes of work and attracted the patronage of prestigious patrons, and whose reputations for excellence were widely publicized. Economic questions have long fuelled research in art history and we know a significant amount about prices and business on a macro level. Less is known about decisions on the micro level: what approaches painters took to the manufacture of bodies of commissioned work, how they made daily decisions on design and pigments application, how serial production related to creating work for commissions. The book considers these issues within the framework of two arguments. The first asserts that levels of excellence in production reflected master painters' choices; the second contends there was a central relationship among economics, design and quality. Using documentary evidence about price, scientific evidence about production, and formal analysis about appearance, the book demonstrates Renaissance business practices and shows the individual approaches artists took to producing excellence and meeting demand"--


John Constable

John Constable

Author: Mark Evans

Publisher: Victoria & Albert Museum

Published: 2014-10-21

Total Pages: 192

ISBN-13: 9781851778003

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Published to accompany an exhibition held at the Victoria and Albert Museum, London, September 20, 2014-January 11, 2015.


Early Italian Painting

Early Italian Painting

Author: Joseph Archer Crowe

Publisher: Parkstone International

Published: 2023-12-28

Total Pages: 200

ISBN-13: 1783103922

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Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on wooden panels. The faces of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader will discover how the sacred began to take a more human form through these forgotten masterworks, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.


Kenwood, Paintings in the Iveagh Bequest

Kenwood, Paintings in the Iveagh Bequest

Author: Julius Bryant

Publisher: Yale University Press

Published: 2003-01-01

Total Pages: 456

ISBN-13: 0300102062

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Set high on a ridge in historic parkland less than five miles from Trafalgar Square, Kenwood is London's favourite 'country house'. Remodelled by Robert Adam in the eighteenth century, in 1928 it became the home of the Iveagh Bequest, a superb collection of old master paintings that includes Rembrandt's most celebrated self-portrait, the only Vermeer in England outside the National Gallery and the Royal Collection, Gainsborough's Countess Howe, and classic works by Reynolds, Romney, Lawrence and Turner. The collection was formed between 1887 and 1891 by Edward Cecil Guinness, 1st Earl of Iveagh, Chairman of the world's leading brewery, who gave it to the nation with the house and estate. This book is published to mark the seventy-fifth anniversary of the opening of the Iveagh Bequest and is the first new catalogue of the collection to be produced in fifty years. It discusses each work, revealing the personalities behind the faces in the portraits, the social circumstances of each commission, and the way that art met the ambitions of artists, patrons, sitters and collectors. There are also two introductory essays that provide context for the house and discuss the ways in which Lord Iveagh was a pioneer collector. Beautifully produced, this catalogue of paintings is the essential book on Kenwood.


Modern Art in Britain, 1910-1914

Modern Art in Britain, 1910-1914

Author: Anna Gruetzner Robins

Publisher: Merrell

Published: 1997

Total Pages: 216

ISBN-13:

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Examines a series of exhibitions held 1910-1914: Manet and the Post-Impressionists (1910), An exhibition of pictures by Paul Cézanne and Paul Gauguin (1911), Paintings by the Italian Futurist artists (1912), Second Post-Impressionist exhibition (1912) and Post-Impressionists and Futurists (1913).